Tatjana Soli - The Lotus Eaters

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Tatjana Soli’s haunting debut novel begins where it ought to end. In this quietly mesmerizing book about journalists covering the war in Vietnam, the first glimpses of the place are the most familiar. The year is 1975. Americans are in a state of panic as North Vietnamese forces prepare to occupy Saigon. The looters, the desperate efforts to escape this war zone, the mobs surrounding the United States Embassy, the overcrowded helicopters struggling to rise above the chaos: these images seem to introduce Ms. Soli’s readers to a story they already know.
"[A] splendid first novel…Helen’s restlessness and grappling, her realization that "a woman sees war differently," provide a new and fascinating perspective on Vietnam. Vivid battle scenes, sensual romantic entanglements and elegant writing add to the pleasures of "The Lotus Eaters." Soli’s hallucinatory vision of wartime Vietnam seems at once familiar and new. The details – the scorched villages, the rancid smells of Saigon – arise naturally, underpinning the novel’s sharp realism and characterization. In an author’s note, Soli writes that she’s been an "eager reader of every book" about Vietnam she has come across, but she is never overt or heavy-handed. Nothing in this novel seems "researched." Rather, its disparate sources have been smoothed and folded into Soli’s own distinct voice." -Danielle Trussoni, The New York Times Book Review
"[A] haunting debut novel…quietly mesmerizing…If it sounds as if a love story is the central element in "The Lotus Eaters" (which takes its title from those characters in "The Odyssey" who succumb to the allure of honeyed fruit), Ms. Soli’s book is sturdier than that. Its object lessons in how Helen learns to refine her wartime photography are succinct and powerful. By exposing its readers to the violence of war only gradually and sparingly, the novel becomes all the more effective." -Janet Maslin, The New York Times
“The novel is steeped in history, yet gorgeous sensory details enliven the prose… 35 years after the fall of Saigon, Soli’s entrancing debut brings you close enough to feel a part of it." -People (3 1/2 stars)
"If it’s possible to judge a novel by its first few lines, then "The Lotus Eaters,’’ Tatjana Soli’s fiction debut, shows great promise right from the start: ‘The city teetered in a dream state. Helen walked down the deserted street. The quiet was eerie. Time running out.’… Anyone who has seen Kathryn’s Bigelow’s Oscar-winning film, "The Hurt Locker," understands that the obsession with violence and risk, at least for a certain personality type, is hard to shake. That Soli’s story explores this mindset from a woman’s perspective (and a journalist, not a soldier) adds interesting and unexpected layers…The author explores Helen’s psyche with startling clarity, and portrays the chaotic war raging around her with great attention to seemingly minor details" -The Boston Globe
"Lotus eaters, in Greek mythology, taste and then become possessed by the narcotic plant. Already an accomplished short story writer, Soli uses as her epigraph a passage from Homer's "Odyssey" in which the lotus eaters are robbed of their will to return home. It is a clue, right from the start, that this novel will delve into the lives of those who become so fixated on recording savagery that life in a peaceful, functioning society begins to feel banal and inconsequential." -The Washington Post
"An impressive debut novel about a female photographer covering the Vietnam War…A visceral story about the powerful and complex bonds that war creates. It raises profound questions about professional and personal lives that are based on, and often dependent on, a nation’s horrific strife. Graphic but never gratuitous, the gripping, haunting narrative explores the complexity of violence, foreignness, even betrayal. Moving and memorable." -Kirkus Reviews (starred review)
"This evocative debut novel is a well researched exploration of Vietnam between 1963 and 1975, when the United States pulled out of the conflict. Like Marianne Wiggins's Eveless Eden and Tim O'Brien's The Things They Carried before it, Soli's poignant work will grab the attention of most readers. A powerful new writer to watch." -Library Journal (starred review)
"The strength here is in Soli’s vivid, beautiful depiction of war-torn Vietnam, from the dangers of the field where death can be a single step away to the emptiness of the Saigon streets in the final days of the American evacuation." -Booklist
"Suspenseful, eloquent, sprawling…This harrowing depiction of life and death shows that even as the country burned, love and hope triumphed." -Publishers Weekly
"A haunting world of war, betrayal, courage, obsession, and love." -Tim O’Brien, author of The Things They Carried
"You must read The Lotus Eaters, Tatjana Soli’s beautiful and harrowing new novel. Its characters are unforgettable, as real as the historical events in which they’re enmeshed." -Richard Russo, author of Empire Falls and That Old Cape Magic
"The very steam from Vietnam's jungles seems to rise from the pages of Tatjana Soli's tremendously evocative debut…A beautiful book." -Janice Y. K. Lee, author of The Piano Teacher
"A vivid and memorable evocation of wartime Vietnam…I was most impressed by The Lotus Eaters and enjoyed it from start to finish." -Robert Stone, author of Damascus Gate and Fun With Problems
"A mesmerizing novel. Tatjana Soli takes on a monumental task by re-examining a heavily chronicled time and painting it with a lovely, fresh palette. The book is a true gift." -Katie Crouch, author of Girls in Trucks
"Tatjana Soli explores the world of war, themes of love and loss, and the complicated question of what drives us toward the heroic with remarkable compassion and grace. This exquisite first novel is among the best I’ve read in years." -Meg Waite Clayton, author of The Wednesday Sisters
"A haunting story of unforgettable people who seek, against overwhelming odds, a kind of redemption. A great read from a writer to watch." -Janet Peery, author of River Beyond the World

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Helen gave a short laugh. “No kidding?”

“Yeah, but he said whoever wears it won’t get hurt. So far not a scratch.”

“Makes up for having to put it on your head.”

“I got two. ’Case I lose one. You want to wear it?”

“Already have my own.” She touched the bush hat that Olsen had given her, that led to the Captain Tong pictures. She stood up. “Thanks for the chocolate.”

“You find me if you change your mind.”

Medlock gave a shout, and Helen searched for Linh, finding him with a group of Vietnamese paratroopers. “Let’s go,” she said. “We’re on.”

He looked at her and then looked back at the Vietnamese officers. He picked up the film and camera bags and followed her. In the background she could hear snickers from the paratroopers. “We’re not going,” he said under his breath.

“What?”

“This convoy will be ambushed.”

“Well, a chance of that. But we’re going.” She couldn’t let on that her stomach was sour, her hands clammy. Shouldn’t she be getting over this by now?

He put the bags down. “This time, no.”

Helen looked back at the paratroopers and then at him. Trucks lined up and loaded with supplies; jeeps filled with machine guns and grenades. A queer, unreal look to everything, and now Linh was spooking her. “Do they know something?” she said, pointing her chin toward the paratroopers.

“Let’s move out,” Sergeant Medlock shouted again.

“Listen to me this one time,” Linh said. He looked her in the face because this was more urgent than his politeness. “Stay behind.”

“I’ll look like a fool,” she said. “ Gary ’s expecting pictures.”

“Be a fool then.” His throat grew tight. “Here you listen to me. Here I know better.”

The sergeant came toward her with a clipboard. “ Adams, you ride in the second jeep.”

She stood for a moment looking at the ground. She hadn’t expected this-not an assistant but a babysitter. Her confidence so fragile that she was afraid if she backed down now, she would always find reasons to.

Medlock sighed. “Look, don’t give me trouble about the lead truck. I need my men on that one.”

Helen kept silent, Linh’s eyes on her. If she let him order her around now, there would be no end to it in the future.

“ Adams? Am I disturbing you?”

“I’m going to have to pass.”

“Hurray, one less problem.” He walked away, already forgetting them. Now that the choice had been made, she took off her bush hat and wiped her forehead, angry that she had given in, angry that she already felt the physical relief from fear. Failure pounded at her. “I doubt you would have kept Darrow from going.”

“I wouldn’t need to. He would know better.”

“What would’ve he known?”

Linh shrugged, tired of the conversation. He could not endure this. He would go back and give Darrow an ultimatum-either he worked for him or no one. Certainly not this woman.

Helen glared. Without a word, she turned and stalked away toward the communications bunker. The rest of the morning she took pictures at the field hospital. Her nerves were badly jangled by the tension of the camp, the sight of the wounded, the thought of what she had avoided. Although they worked side by side, she didn’t speak to Linh once. Her intuition told her she had missed something important, and far from helping her, he had talked her out of it. She planned on ending the arrangement when they returned to Saigon.

But the outgoing flights were loaded with wounded, and they would be forced to spend the night. At sundown, as she was lounging in the communications bunker reading a magazine, the radioman waved Sergeant Medlock in.

“The lead jeep set off a mine. Everyone inside got it.”

Medlock shook his head, his long face even longer, and punched his fist on the table.

The radioman listened again. “Sounds like the rest of the convoy is blocked and ambushed. They want to know how to proceed.”

“Damn it,” the sergeant said. “Give me the phone.” He looked around the bunker at the grim faces, then spotted Helen. “This is classified, sweets.”

Helen left. An hour passed and the sergeant wheeled out from the bunker, short of breath. She approached him.

“The rest of the men caught it. We’ve got two left, hiding in the jungle.”

She said nothing, tried not to think of the faces of the men she had joked with that morning. By nightfall, the radioman had lost contact, and it was concluded the two had not survived. Linh didn’t stay with the Americans but went to sleep with the Vietnamese soldiers.

In the damp, stale air of the bunker, only flashlights were used for light. Sergeant Medlock sat on a crate next to Helen, hesitated, then passed her a flask; she took a deep drink. He asked why she had changed her mind about the convoy.

“I didn’t. My assistant refused to go.”

“Little coward saved your life. Bullheaded orders from headquarters. I grew up in the Oklahoma panhandle; worked the stockyards. Let me tell you, no difference. Waste of lives. I don’t want to be giving the orders for it.”

The night stretched long and bitter, her thoughts chasing from fear to self-pity to animal joy at being safe. Around midnight she left the bunker for fresh air and a smoke. She nodded to the perimeter guards and offered them a cigarette. When they hissed to her that it would attract sniper fire, the risk wasn’t enough to keep her from squatting down against the sandbag wall and cupping her hand over the tip until she sucked it down to a stub.

Damp and still. Fog curled in the far-off rubber trees, overhead stars poked through the clouds, spiked and fierce.

She hated the night, the stopping of activity. Sleep out of the question, stomach churning, bowels watery. Looking around, she wondered how she had gotten there, why she needed this. Such a cliché to expose the war, or even wanting to test oneself against it. Whatever else, the place was a magnet for evil, or had they, Americans, brought it with them, like the European colonists brought pox in their blankets to the New World? Nothing she would do, including photographs, could have any effect on it. Such a nunnish urge to find purpose or clarity or even to bring ease. Since she had arrived, she had merely been running from illusion to illusion-by turns obsessed, deluded, needy, full of herself, thinking she had achieved some small understanding. MacCrae stoking her vanity, but now she was simply lonely and tired and confused.

Chilled, she returned to the bunker and lay down fully clothed on the dirty cot, boots on, cameras an arm’s length away; her mind unable to stay on any one thing for long, a revving engine. At three in the morning, she heard machine-gun fire, then incoming artillery. Their own mortars began, the empty whoosh of the shell out of the tube, and for the next hour there was the regular pounding of guns, slamming of ground. No one spoke inside the bunker, vulnerable flesh wombed in earth. In the dark, Helen pressed herself on her cot, longing for the relative luxury of her hotel room in Saigon, of having a good meal and an iced drink. Creature comforts taking an importance all out of proportion to what they offered. Again, she made herself small bargains-buying a silk scarf she’d had her eye on-if she made it out.

At four thirty in the morning, she dozed off and was awake again at five. Mortally weary. She rose, stiff, and washed her face with a napkin and water from the canteen. The sergeant handed her a cup of tepid coffee. The thought of food nauseating, but she traded out rations for fruit cocktail, ate two cans, then drank the juice.

At dawn a third convoy was ordered to get ready to collect the bodies of the first two failed missions. Linh sat at a small fire with the Vietnamese soldiers, boiling tea and rice for breakfast. She hesitated, not sure about approaching him. But when he caught sight of her, he rose at once. He walked her over to a low wall of sandbags and indicated she should sit.

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