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Philip Roth: Portnoy's Complaint

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Philip Roth Portnoy's Complaint

Portnoy's Complaint: краткое содержание, описание и аннотация

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“Touching as well as hilariously lewd . . . Roth is vibrantly talented . . . as marvelous a mimic and fantasist as has been produced by the most verbal group in human history.” Alfred Kazin, New York Review of Books “Deliciously funny . . . absurd and exuberant, wild and uproarious . . . a brilliantly vivid reading experience.” The New York Times Book Review “Roth is the bravest writer in the United States. He’s morally brave, he's politically brave. And Portnoy is part of that bravery.” Cynthia Ozick, Newsday “Simply one of the two or three funniest works in American fiction.” Chicago Sun-Times Portnoy’s Complaint, a long monologue narrated by a young Jewish man while in analysis, is prefaced by a definition of “Portnoy’s Complaint” as a disorder in which “strongly felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature.” The book focuses on Portnoy’s parents, his endless adolescent experimentation with masturbation, his youthful sexual encounters with girls, his varied sexual experiences with a model named Monkey, and his pilgrimage to Israel—all of which are punctuated by frequently obscene outcries against the guilt he feels for his sexual obsessions. Roth, who has defended himself and the book many times, claims it is full of dirty words because Portnoy wants to be free: “I wanted to raise obscenity to the level of a subject.” The book became a cause célèbre in 1969, commented on by social critics and stand-up comedians alike. Most objections to it came from Jewish groups and rabbis who called it “anti-Semitic” and “self-hating” and protested against libraries that put it on their shelves. It was seized in Australia in 1970 and 1971 by Melbourne officials, who filed obscenity charges against it and the bookseller who sold it.

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He arrives after we have already eaten, but his own dinner waits while he unpeels the soggy city clothes in which he has been making the rounds of his debit all day, and changes into his swimsuit. I carry his towel for him as he clops down the street to the beach in his unlaced shoes. I am dressed in clean short pants and a spotless polo shirt, the salt is showered off me, and my hair—still my little boy’s pre-steel wool hair, soft and combable—is beautifully parted and slicked down. There is a weathered iron rail that runs the length of the boardwalk, and I seat myself upon it; below me, in his shoes, my father crosses the empty beach. I watch him neatly set down his towel near the shore. He places his watch in one shoe, his eyeglasses in the other, and then he is ready to make his entrance into the sea. To this day I go into the water as he advised: plunge the wrists in first, then splash the underarms, then a handful to the temples and the back of the neck . . . ah, but slowly, always slowly. This way you get to refresh yourself, while avoiding a shock to the system. Refreshed, unshocked, he turns to face me, comically waves farewell up to where he thinks I’m standing, and drops backward to float with his arms outstretched. Oh he floats so still—he works, he works so hard, and for whom if not for me?—and then at last, after turning on his belly and making with a few choppy strokes that carry him nowhere, he comes wading back to shore, his streaming compact torso glowing from the last pure spikes of light driving in, over my shoulder, out of stifling inland New Jersey, from which I am being spared.

And there are more memories like this one. Doctor. A lot more. This is my mother and father I’m talking about.

But-but-but- let me pull myself together—there is also this vision of him emerging from the bathroom, savagely kneading the back of his neck and sourly swallowing a belch. “All right, what is it that was so urgent you couldn’t wait till I came out to tell me?”

“Nothing,” says my mother. “It’s settled.”

He looks at me, so disappointed. I’m what he lives for, and I know it. “What did he do?”

“What he did is over and done with, God willing. You, did you move your bowels?” she asks him.

“Of course I didn’t move my bowels.”

“Jack, what is it going to be with you, with those bowels”?

They’re turning into concrete, that’s what it’s going to be.”

“Because you eat too fast.”

“I don’t eat too fast.”

“How then, slow?”

“I eat regular.”

“You eat like a pig, and somebody should tell you.”

“Oh, you got a wonderful way of expressing yourself sometimes, do you know that?”

“I’m only speaking the truth,” she says. “I stand on my feet all day in this kitchen, and you eat like there’s a fire somewhere, and this one—this one has decided that the food I cook isn’t good enough for him. He’d rather be sick and scare the living daylights out of me.”

“What did he do?”

“I don’t want to upset you,” she says. “Let’s just forget the whole thing.” But she can’t, so now she begins to cry. Look, she is probably not the happiest person in the world either. She was once a tall stringbean of a girl whom the boys called “Red” in high school. When I was nine and ten years old I had an absolute passion for her high school yearbook. For a while I kept it in the same drawer with that other volume of exotica, my stamp collection.

Sophie Ginsky the boys call “Red,”
She’ll go far with her big brown eyes and her clever head.

And that was my mother!

Also, she had been secretary to the soccer coach, an office pretty much without laurels in our own time, but apparently the post for a young girl to hold in Jersey City during the First World War. So I thought, at any rate, when I turned the pages of her yearbook, and she pointed out to me her dark-haired beau, who had been captain of the team, and today, to quote Sophie, “the biggest manufacturer of mustard in New York.” “And I could have married him instead of your father,” she confided in me, and more than once. I used to wonder sometimes what that would have been like for my momma and me, invariably on the occasions when my father took us to dine out at the corner delicatessen. I look around the place and think, “We would have manufactured all this mustard.” I suppose she must have had thoughts like that herself.

“He eats French fries,” she says, and sinks into a kitchen chair to Weep Her Heart Out once and for all. “He goes after school with Melvin Weiner and stuffs himself with French-fried potatoes. Jack, you tell him, I’m only his mother. Tell him what the end is going to be. Alex,” she says passionately, looking to where I am edging out of the room, “ tateleh , it begins with diarrhea, but do you know how it ends? With a sensitive stomach like yours, do you know how it finally ends ? Wearing a plastic bag to do your business in !”

Who in the history of the world has been least able to deal with a woman’s tears? My father. I am second. He says to me, “You heard your mother. Don’t eat French fries with Melvin Weiner after school.”

“Or ever,” she pleads.

“Or ever,” my father says.

“Or hamburgers out,” she pleads.

Hamburgers ,” she says bitterly, just as she might say Hitler , “where they can put anything in the world in that they want—and he eats them. Jack, make him promise before he gives himself a terrible tsura , and it’s too late.”

“I promise !” I scream. “I promise! ” and race from the kitchen—to where? Where else.

I tear off my pants, furiously I grab that battered battering ram to freedom, my adolescent cock, even as my mother begins to call from the other side of the bathroom door. “Now this time don’t flush. Do you hear me, Alex? I have to see what’s in that bowl!”

Doctor, do you understand what I was up against? My wang was all I really had that I could call my own. You should have watched her at work during polio season! She should have gotten medals from the March of Dimes! Open your mouth. Why is your throat red? Do you have a headache you’re not telling me about? You’re not going to any baseball game, Alex, until I see you move your neck. Is your neck stiff? Then why are you moving it that way? You ate like you were nauseous, are you nauseous? Well, you ate like you were nauseous. I don’t want you drinking from the drinking fountain in that playground. If you’re thirsty wait until you’re home. Your throat is sore, isn’t it? I can tell how you’re swallowing. I think maybe what you are going to do, Mr. Joe Di Maggie, is put that glove away and lie down. I am not going to allow you to go outside in this heat and run around, not with that sore throat, I’m not. I want to take your temperature. I don’t like the sound of this throat business one bit. To be very frank, I am actually beside myself that you have been walking around all day with a sore throat and not telling your mother. Why did you keep this a secret? Alex, polio doesn’t know from baseball games. It only knows from iron lungs and crippled forever! I don’t want you running around, and that’s final. Or eating hamburgers out. Or mayonnaise. Or chopped liver. Or tuna. Not everybody is careful the way your mother is about spoilage. You’re used to a spotless house, you don’t begin to know what goes on in restaurants. Do you know why your mother when we go to the Chink’s will never sit facing the kitchen? Because I don’t want to see what goes on back there. Alex, you must wash everything, is that clear? Everything! God only knows who touched it before you did.

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