Philip Roth - Letting Go

Dear Gabe ,

The drugs help me bend my fingers around a pen. Sometimes the whole sickness feels located in my hands. I have wanted to write but not by dictating to your father. Later I don’t want to whisper last-minute messages to him at the bedside. With all the panic and breathlessness I’ll have too much influence. Now your father keeps leaning across my bed. He runs in after every patient and tells me what the weather is outside. He never once admits that I’ve done him an injustice being his wife. He holds my hand fifty times a day. None of this changes what has happened — the injustice is done. Whatever unhappiness has been in our family springs from me. Please don’t blame it on your father however I may have encouraged you over the years. Since I was a little girl I always wanted to be Very Decent to People. Other little girls wanted to be nurses and pianists. They were less dissembling. I was clever, I picked a virtue early and hung on to it. I was always doing things for another’s good. The rest of my life I could push and pull at people with a clear conscience. All I want to say now is that I don’t want to say anything. I want to give up the prerogative allowed normal dying people. Why I’m writing is to say that I have no instructions.

Your father is coming in again. He’s carrying three kinds of fruit juices. Gabe, it’s to him I should admit all this. He won’t condemn me until I do first. All through our marriage I’ve been improving his life for him, pushing, pulling. Oh decent decent. Dear, the pen keeps failing

Her letter had never been signed. The pen fell, and when the night nurse came on duty she was no longer needed. Nevertheless my father, obedient to the last, put the letter in an envelope and without examination mailed it. I was a second lieutenant in the artillery corps at this time, stationed in an unregenerate dust bowl in Oklahoma, and my one connection with the world of feeling was not the world itself but Henry James, whom I had lately begun to read. Oklahoma nights and southwestern radio stations had thrust me into an isolation wherein my concentration was exact enough for me to attend at last to the involutions of the old master. All day I listened to the booming of cannons, and all night to the words of heroes and heroines tempting one another into a complex and often tragic fate. Early in the summer that I had been called into the Army — which was the summer after I had finished college — I had spent my last six civilian weeks touring Europe; one week was spent visiting with a friend of my mother’s who lived in London, where her husband was connected with the U. S. Embassy. I remember having to hear endless incidents from my mother’s childhood while sitting with her friend in a small church in Chelsea; she had taken me there to see a little-known plaque dedicated to James. It was not a particularly successful day, for the woman really liked the idea of putting on long white gloves and showing a Harvard boy around cultural nooks and crannies a good deal more than she liked the nooks and crannies. But I do remember the words engraved onto that small gray oval tablet: it was written of James that he was “lover and interpreter of the fine amenities of brave decisions.”

So it happened that when I received the letter my mother had written and my father had posted, I was reading Portrait of a Lady , and it was into its pages that I slid the envelopes and its single sheet of barely legible prose. When I returned from the funeral, and in the weeks following, I read and reread the letter so often that I weakened the binding of the book. In my grief and confusion, I promised myself that I would do no violence to human life, not to another’s, and not to my own.

It was a year later that I loaned the book to Paul Herz, who looked to be a harried young man rapidly losing contact with his own feelings; he might have been hearing the boom of big guns going off all day himself. This was the fall after I had left the Army, the fall of 1953, when we were both enrolled as graduate students at the University of Iowa. Paul’s costume at that time was the same day in and day out: khaki trousers threadbare around the back pocket, a white T-shirt shapeless around the arms, tennis sneakers and, occasionally, socks. He was forever running — it was this that brought him to my attention — and forever barely making it. The point of his briefcase could be seen edging through the classroom door just at the moment that the first unlucky student in our Anglo-Saxon class was called upon to read aloud from Beowulf. Leaving the library at night, I would see him streaking up the stairs after some reserve book, even while the head librarian turned the key in the lock. He would stand shivering in his T-shirt until she broke down and let him in. He was a man who evoked sympathy even if he did not come right out and ask for it; even if he would not ask for it. No heart could remain unmoved by the sight of that dark, kinky-haired black-eyed head racing toward the closing doors, or into them. Once, shopping for some bread and milk, I saw him nearly break several of the major bones of his body at the entrance to a downtown grocery store. The electric eye swung the door out at him just as he had turned, arms laden with packages, to watch a cop stick a ticket under the single wiper of his battered, green, double-parked Dodge.

I lived alone at the time in a small apartment near the campus, and was having troubles of my own; I was about ready to find somebody to complain to. One day in November, as Herz was darting from Anglo-Saxon, I stuck myself in his path and asked him over to the Union for a cup of coffee. He couldn’t make it as he was supposed to have been somewhere else five minutes earlier, but on the parking lot, to which I accompanied him, and where he sat yanking and yanking at the throttle of his car, I managed to put in something about James, and the next time we had class together, I brought Portrait for him to take home and read, I awoke that night remembering that tucked in the pages of the book I had pressed upon him, somewhere between the hopes of Isabel Archer and her disappointments, was my mother’s letter. I couldn’t immediately get back to sleep.

The following morning, directly after Medieval Romances, I called Herz from a campus phone booth. Mrs. Herz answered sounding hurried and on edge — the family tone. She and her husband lived in one of those gray shells on the far side of the river, the married students’ barracks, and I was sure that directly behind her, or beneath her, there flailed a squalling infant. Herz looked harassed enough to be the father of three or four small, mean, colicky children. Mrs. Herz, in a very few words, informed me that her husband had driven over to Cedar Rapids and that she was herself about to rush off. I decided instantly not to ask if I might come over to remove something that I had left in a book I had loaned Paul. Probably neither of them had had a chance at the book anyway, and I could wait and later get to Herz himself. I explained nothing whatsoever to the wife, who struck me as more rude than chagrined; besides, it was daylight and autumn and I was no longer afflicted with thoughts of the dead. The November morning was dazzling, the dead were dead.