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Philip Roth: Portnoy's Complaint

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Philip Roth Portnoy's Complaint

Portnoy's Complaint: краткое содержание, описание и аннотация

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“Touching as well as hilariously lewd . . . Roth is vibrantly talented . . . as marvelous a mimic and fantasist as has been produced by the most verbal group in human history.” Alfred Kazin, New York Review of Books “Deliciously funny . . . absurd and exuberant, wild and uproarious . . . a brilliantly vivid reading experience.” The New York Times Book Review “Roth is the bravest writer in the United States. He’s morally brave, he's politically brave. And Portnoy is part of that bravery.” Cynthia Ozick, Newsday “Simply one of the two or three funniest works in American fiction.” Chicago Sun-Times Portnoy’s Complaint, a long monologue narrated by a young Jewish man while in analysis, is prefaced by a definition of “Portnoy’s Complaint” as a disorder in which “strongly felt ethical and altruistic impulses are perpetually warring with extreme sexual longings, often of a perverse nature.” The book focuses on Portnoy’s parents, his endless adolescent experimentation with masturbation, his youthful sexual encounters with girls, his varied sexual experiences with a model named Monkey, and his pilgrimage to Israel—all of which are punctuated by frequently obscene outcries against the guilt he feels for his sexual obsessions. Roth, who has defended himself and the book many times, claims it is full of dirty words because Portnoy wants to be free: “I wanted to raise obscenity to the level of a subject.” The book became a cause célèbre in 1969, commented on by social critics and stand-up comedians alike. Most objections to it came from Jewish groups and rabbis who called it “anti-Semitic” and “self-hating” and protested against libraries that put it on their shelves. It was seized in Australia in 1970 and 1971 by Melbourne officials, who filed obscenity charges against it and the bookseller who sold it.

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When I am bad I am locked out of the apartment. I stand at the door hammering and hammering until I swear I will turn over a new leaf. But what is it I have done? I shine my shoes every evening on a sheet of last night’s newspaper laid carefully over the linoleum; afterward I never fail to turn securely the lid on the tin of polish, and to return all the equipment to where it belongs. I roll the toothpaste tube from the bottom, I brush my teeth in circles and never up and down, I say “Thank you,” I say “You’re welcome,” I say “I beg your pardon,” and “May I.” When Hannah is ill or out before supper with her blue tin can collecting for the Jewish National Fund, I voluntarily and out of my turn set the table, remembering always knife and spoon on the right, fork on the left, and napkin to the left of the fork and folded into a triangle. I would never eat milchiks off a flaishedigeh dish, never, never, never. Nonetheless, there is a year or so in my life when not a month goes by that I don’t do something so inexcusable that I am told to pack a bag and leave. But what could it possibly be? Mother, it’s me, the little boy who spends whole nights before school begins beautifully lettering in Old English script the names of his subjects on his colored course dividers, who patiently fastens reinforcements to a term’s worth of three-ringed paper, lined and unlined both. I carry a comb and a clean hankie; never do my knicker stockings drag at my shoes, I see to that; my homework is completed weeks in advance of the assignment—let’s face it, Ma, I am the smartest and neatest little boy in the history of my school! Teachers (as you know, as they have told you) go home happy to their husbands because of me. So what is it I have done? Will someone with the answer to that question please stand up! I am so awful she will not have me in her house a minute longer . When I once called my sister a cocky-doody, my mouth was immediately washed with a cake of brown laundry soap; this I understand. But banishment? What can I possibly have done!

Because she is good she will pack a lunch for me to take along, but then out I go, in my coat and my galoshes, and what happens is not her business.

Okay, I say, if that’s how you feel! (For I have the taste for melodrama too—I am not in this family for nothing. ) I don’t need a bag of lunch! I don’t need anything!

I don’t love you any more, not a little boy who behaves like you do. I’ll live alone here with Daddy and Hannah, says my mother (a master really at phrasing things just the right way to kill you). Hannah can set up the mah-jongg tiles for the ladies on Tuesday night. We won’t be needing you any more.

Who cares! And out the door I go, into the long dim hallway. Who cares! I will sell newspapers on the streets in my bare feet. I will ride where I want on freight cars and sleep in open fields, I think—and then it is enough for me to see the empty milk bottles standing by our welcome mat, for the immensity of all I have lost to come breaking over my head. “I hate you!” I holler, kicking a galosh at the door; “you stink!” To this filth, to this heresy booming through the corridors of the apartment building where she is vying with twenty other Jewish women to be the patron saint of self-sacrifice, my mother has no choice but to throw the double-lock on our door. This is when I start to hammer to be let in. I drop to the doormat to beg forgiveness for my sin (which is what again?) and promise her nothing but perfection for the rest of our lives, which at that time I believe will be endless.

Then there are the nights I will not eat. My sister, who is four years my senior, assures me that what I remember is fact: I would refuse to eat, and my mother would find herself unable to submit to such willfulness—and such idiocy. And unable to for my own good. She is only asking me to do something for my own good —and still I say no? Wouldn’t she give me the food out of her own mouth, don’t I know that by now?

But I don’t want the food from her mouth. I don’t even want the food from my plate—that’s the point.

Please! a child with my potential! my accomplishments! my future!—all the gifts God has lavished upon me, of beauty, of brains, am I to be allowed to think I can just starve myself to death for no good reason in the world?

Do I want people to look down on a skinny little boy all my life, or to look up to a man?

Do I want to be pushed around and made fun of, do I want to be skin and bones that people can knock over with a sneeze, or do I want to command respect?

Which do I want to be when I grow up, weak or strong, a success or a failure, a man or a mouse?

I just don’t want to eat, I answer.

So my mother sits down in a chair beside me with a long bread knife in her hand. It is made of stainless steel, and has little sawlike teeth. Which do I want to be, weak or strong, a man or a mouse?

Doctor, why , why oh why oh why oh why does a mother pull a knife on her own son? I am six, seven years old, how do I know she really wouldn’t use it? What am I supposed to do, try bluffing her out, at seven? I have no complicated sense of strategy, for Christ’s sake—I probably don’t even weigh sixty pounds yet! Someone waves a knife in my direction, I believe there is an intention lurking somewhere to draw my blood! Only why? What can she possibly be thinking in her brain? How crazy can she possibly be? Suppose she had let me win—what would have been lost? Why a knife , why the threat of murder , why is such total and annihilating victory necessary—when only the day before she set down her iron on the ironing board and applauded as I stormed around the kitchen rehearsing my role as Christopher Columbus in the third-grade production of Land Ho! I am the star actor of my class, they cannot put a play on without me. Oh, once they tried, when I had my bronchitis, but my teacher later confided in my mother that it had been decidedly second-rate. Oh how , how can she spend such glorious afternoons in that kitchen, polishing silver, chopping liver, threading pew elastic in the waistband of my little jockey shorts—and feeding me all the while my cues from the mimeographed script, playing Queen Isabella to my Columbus, Betsy Ross to my Washington, Mrs. Pasteur to my Louis—how can she rise with me on the crest of my genius during those dusky beautiful hours after school, and then at night, because I will not eat some string beans and a baked potato, point a bread knife at my heart?

And why doesn’t my father stop her?

WHACKING OFF

Then came adolescence—half my waking life spent locked behind the bathroom door, firing my wad down the toilet bowl, or into the soiled clothes in the laundry hamper, or splat , up against the medicine-chest mirror, before which I stood in my dropped drawers so I could see how it looked coming out. Or else I was doubled over my flying fist, eyes pressed closed but mouth wide open, to take that sticky sauce of buttermilk and Clorox on my own tongue and teeth—though not infrequently, in my blindness and ecstasy, I got it all in the pompadour, like a blast of Wildroot Cream Oil. Through a world of matted handkerchiefs and crumpled Kleenex and stained pajamas, I moved my raw and swollen penis, perpetually in dread that my loathsomeness would be discovered by someone stealing upon me just as I was in the frenzy of dropping my load. Nevertheless, I was wholly incapable of keeping my paws from my dong once it started the climb up my belly. In the middle of a class I would raise a hand to be excused, rush down the corridor to the lavatory, and with ten or fifteen savage strokes, beat off standing up into a urinal. At the Saturday afternoon movie I would leave my friends to go off to the candy machine—and wind up in a distant balcony seat, squirting my seed into the empty wrapper from a Mounds bar. On an outing of our family association, I once cored an apple, saw to my astonishment (and with the aid of my obsession) what it looked like, and ran off into the woods to fall upon the orifice of the fruit, pretending that the cool and mealy hole was actually between the legs of that mythical being who always called me Big Boy when she pleaded for what no girl in all recorded history had ever had. “Oh shove it in me, Big Boy,” cried the cored apple that I banged silly on that picnic. “Big Boy, Big Boy, oh give me all you’ve got,” begged the empty milk bottle that I kept hidden in our storage bin in the basement, to drive wild after school with my vaselined upright. “Come, Big Boy, come,” screamed the maddened piece of liver that, in my own insanity, I bought one afternoon at a butcher shop and, believe it or not, violated behind a billboard on the way to a bar mitzvah lesson.

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