Anne Enright - The Gathering

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The Man Booker Prize
Orange Prize for Fiction (nominee)
***
The nine surviving children of the Hegarty clan gather in Dublin for the wake of their wayward brother Liam. It wasn't the drink that killed him – although that certainly helped – it was what happened to him as a boy in his grandmother's house, in the winter of 1968. His sister, Veronica was there then, as she is now: keeping the dead man company, just for another little while. The "Gathering" is a family epic, condensed and clarified through the remarkable lens of Anne Enright's unblinking eye. It is also a sexual history: tracing the line of hurt and redemption through three generations – starting with the grandmother, Ada Merriman – showing how memories warp and family secrets fester. This is a novel about love and disappointment, about thwarted lust and limitless desire, and how our fate is written in the body, not in the stars. The "Gathering" sends fresh blood through the Irish literary tradition, combining the lyricism of the old with the shock of the new. As in all Anne Enright's work, fiction and non-fiction, this is a book of daring, wit and insight: her distinctive intelligence twisting the world a fraction, and giving it back to us in a new and unforgettable light.

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‘Wouldn’t you?’

It wasn’t long before Michael wanted to call to the house. I didn’t know how to explain to him that no one cared if he called or not, but everyone would laugh at him for a year if he showed up at the door. In the event he rang the bell with a very American corsage the night of the rag ball, and walked right in like Cary Grant, through the hall and the living-room extension, and beyond that to the extension that was the kitchen, my father hopping up out of his chair to shake the boy’s hand, and, ‘Oh. Hello,’ said my mother, as she would say, will say perhaps , to the alien who beams himself down on to her lino, or the junkie with the knife, as she will say on her deathbed to the nurse, or to the opening tunnel of light.

‘Oh. Hello.’

‘Michael Weiss, sir,’ said Michael Weiss, reaching out a frank and manly hand; my father, to his credit, swallowing the need to ask if this is a Jewish class of a name, though he asks it of me later.

‘Weiss, isn’t that a Jew name?’ insisting that he can’t be an anti-Semite when he doesn’t know any blithering Jews.

‘Well, you know one, now.’

All of this before I started to stay out all night and the fights came. You might wonder where he got the energy. My father had a flaring temper, but he rarely lost it with his daughters. He lost it with his sons, but only when they confronted him. Of course his sons confronted him all the time, but as far as his daughters were concerned, he could ignore all sorts of late-night homecomings as long as you didn’t ask him for the taxi money, he could let you walk in pissed, as long as you went by him and straight up the stairs, he would fail to hear you throwing up in the toilet as long as you cleaned up afterwards, but when he asks you for a cigarette and you pull out a box of Durex, like a catastrophic schoolgirl, then he is obliged to erupt, and keep erupting, like Old Faithful, until you have found yourself alternative accommodation .

Apart from anything else they were illegal. Everyone had them. Whether we needed them or not.

There was nothing Daddy would not say. He had no sense of distance. He might have been talking to himself, almost. I was whoring all over Dublin . I was second-hand goods , I was turning myself into a toilet -I kid you not-though I think what he really wanted to say was that I was not doing what I was told.

The shouting happened two or three months before my finals. And though it was a bit of a laugh in its way, it did affect my exams-and I was serious about exams. Maybe this was why I felt so unconnected: there I was sitting in the kitchen thinking about Robespierre, not to mention Frank Duff, my father cooking up a rage-he was a small man, Daddy-and I suppose I did my fair share of shouting too, but a part of me was just looking at him, all fizzed up, the redness in his neck, while his face was chalk white, then the redness boiling up around his blue eyes, until his face was suddenly, uniformly red, and ranting. There was also the red dome of his bald head to consider. I remember thinking that he himself didn’t believe what he was saying, and that it was this lack of belief, combined with my own, that drove him to such extremes.

Back in Belfield, my best friend Deirdre Moloney had just been thrown out by her mother for nothing at all: a very low-key sort of girl, she’d only ever had sex twice. Children were being chucked out all over Dublin. All our parents were mad, in those days. There was something about just the smell of us growing up that drove them completely insane.

For a few weeks, Daddy could not look at me, and this hurt me in the Daddy-loves-his-little-girl place; the place where you trust and flirt. But though it hurt, I found that I was able to draw on more ancient hurts than that-and this is how I survived. This is how we all survive. We default to the oldest scar.

What hurts now is the fact that Daddy is dead. He died in 1986. So he never did walk into a shop where they sold condoms by the cash register. He never had to change his mind, not even slightly. I think of him, too, when I palm the cuttlefish bone that Rebecca finds on the beach, because it reminds me of a mango pip; the fact that when Daddy died no one in Ireland ate mango, though I think kiwi was all the rage by then. And I feel I must console him for mangoes. I must console him for the distance we have moved from the place where he stopped.

His ghost, incidentally, could not give a damn about who I slept with. His ghost is beyond sex. And sometimes I think that so am I.

Still, there was Michael, before the storm, shaking my father’s hand and my father not saying, ‘Weiss? What class of a name is that, at all?’

Me coming into the kitchen in a bronze-coloured Jenny Vander dress, looking, at a guess, pretty good. The two of us walking away from the house where I grew up, Michael Weiss beside himself with delight.

‘I don’t believe it,’ he said. ‘I can’t believe it. Everything you said. It’s all true.’

And I was-I still am, even as I write this-mortified.

15

ADA’S HALL DOORwas flat against the street. There was no garden or path up to it so people passed by, very close, without ever coming in. This arrangement was as implacable as Ada herself, and as exciting. She was, in my mind, always at cross purposes to the world.

In the summer, the door had a cream canvas cover, with thick and thin rust stripes. There was a horizontal mouth cut out for the letterbox, a long slit for the knocker, and a little round hole for the bell. The door underneath, if you lifted the cloth, was painted bottle green.

The house was in a terrace of identical little houses, each symmetrical to the next, so the doors cosied up to each other in pairs. We slept in the back of the house. I remember standing at the bedroom window and looking out at the little garage at the end of Ada’s little garden, and at the lane beyond. We had two beds between the three of us, a wide one for the girls and a narrow one for Liam. The wallpaper was a pattern of blue-green flowers, bulbous and slightly metallic; they made the whole place writhe a little under my steady child’s eye.

Here’s me, at the age of three, with my ear pressed against the beige tin cliff of her washing machine, or looking in over the lip, to see the swirl and jerk of the clothes: Ada pushing stuff through the mangle ( Don’t touch the mangle! ), the last soap hissing out while some dress, catastrophically wrecked, slowly slides, then shoots out from between the rollers, to drop into the bucket like a Crimplene turd.

Here’s me eating Ada’s rubber bathing hat whose famous yellow flowers appeared in my nappy the next day. Though, of course, it must have been Kitty’s nappy-hardly mine, at the age of three. Ada shouting for Charlie, who looked over her shoulder and said, ‘Where did we get such a clever girl?’

Of course I was jealous of my little sister, but I had a peculiar, fierce love for her too. It is not surprising that I steal her memories for my own. Though no man, I now realise, ever puts his hand into a dirty nappy, as I can see Charlie doing in my mind’s eye, to pull out a posy of shitty yellow flowers.

Here’s me, definitely, pulling the bathing cap over my face. I lick the salty inside of it, until it seals me up-the smell of Ada’s hair in the sea. Then I start to drown in the pink light, that explodes with soft flowers of bright red, and a curiously bright black.

Did this happen? The world hurting as the cap is pulled away; Ada, outside of me, shouting. Me being pushed into her meagre breast, that tasted of Lux flakes and wool.

More probably, it was Liam put the hat over my face and nearly killed me. Or it was Kitty who got smothered by the two of us. We played at fainting all the time, which would place the hat-the delicious, fantastic pink bathing hat, with the floppy yellow flowers-in the world of an eight-year-old as opposed to the world of one who is only three.

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