Anne Enright - The Gathering

But I did imagine things. Standing at that Belfast sink, with the view of the yard and the green door to the garage beyond, I imagined Ada with her suitcase at nine years old, or ten, or whatever age she was when her mother died and she faced the wide world alone. I tried to imagine a father for her, but I could not. I imagined my own mother dying at home in Griffith Way-over and over again, actually-Mammy died, and my father wept and died, and afterwards, when she was planted, I imagined great adventures for myself and Liam, now that we were orphans too.

All this while Ada had me rinse the plates in water straight from the kettle, and Charlie winked at me, when her back was turned.

She called me into her room one morning. She was going out somewhere, getting dressed up. She was also wearing, I remember, a finger-stall in bandage pink, pulled tight by a loop of elastic around her wrist. For some reason I think she’d had an accident with the sewing machine, but this seems too vicious, really, to be true. I have no recollection of punctured nails, at any rate, or screams and commotion from the little boxroom. (And the fact that I can conjure this now-the runaway needle, the agonising extraction of the woman from the machine-makes me think that Ada was right; there is something immoral about the mind’s eye.)

Anyway, the finger-stall was on her finger and I was called up to the top room and, ‘Come here,’ she said, looking over her shoulder and lifting her skirt a little, at the back. ‘Do me up.’ And she turned her leg to me for the side view.

Her thigh was surprisingly little. It had an inky map of broken veins in a cluster, above the sag of her stocking, which was folded at the top to a thick orange band. Little white tabs dangled on concertinaed ribbon, from a place I could not see, or did not want to see, and it took me ages to realise what she was asking me to do. I had to crouch by the Gothic panels of her corset, and tether it to the stockings that were waiting beneath. I remember the soft clench of the rubber snaps around nylon that would not stay still, and the cool of her leg, and the sour smell of her respectability. And I imagined that every man who called to the door knew about these secret gaps between her clothes; the amazing two-leggedness of her, and the tight vault of her corset, all open to the air below.

And perhaps they did.

So when Frank Duff arrived at the door, I thought he was after her too.

‘Just a little something, Ada. No, I insist! Just a little something small.’

Frank Duff that is, who was the actual head of the actual Legion of Mary, a religious organisation dedicated, in 1967, to inanity and the making of tea.

‘God bless now. Happy Christmas to all your brood.’ And he ran a loving hand down my cheek, catching my chin lightly, letting it go.

Mr Nugent coming later with the box of jellied fruit. Ignoring Ada and talking to the children instead. It was Christmas: it was our day.

In fact, Frank Duff spent his early years rescuing prostitutes off the streets of Dublin. This is what he was doing in 1925-this dotey, clever man-he was organising missions; he was talking girls out of the brothels, and buying off their madams, and taking them on retreats. This was the Legion of Mary’s first, great work. In the Lent of 1925, when Ada met Charlie, Frank Duff was saying a lot more than his prayers.

This I discovered, as I chased him through the college library stacks, working on an essay for my final college assessment, which I called (with no sense of irony, I think), ‘Paying for Sex in the Irish Free State’. Because I was suddenly certain of many things. Including the fact that people fucked, that was one of the things they did: men fucked women-it did not happen the other way around-and this surprising mechanism was to change, not just my future, which was narrowing even as I looked at it, but also the wide and finished world of my past.

So I imagined for a while that Ada was one of Duff’s mended whores. She was not a blowsy whore, of course-she was an orphan. She was barely a whore at all. She was a poor girl, who turned her face to the wall as the coins clinked on to the bedside table, and the dark shape of a man left the room.

Let us stick with this. A satin slip, with the lace a little torn. A picture of the Virgin put in a drawer, until he goes. A romance of falling. And shivering in the doctor’s waiting room, clutching your wool coat at the neck, where the button has gone. A dusty, middle-class fantasy, of crinkled stockings, and TB, and hunkering to wash over a basin on the floor.

So there are priests in the front lounge of the Belvedere Hotel that evening in Lent: and a madam, and our man with the Milk Tray, Frank Duff. They are buying the madam off. Quietly. They are closing her down.

Outside, Ada and Nugent listen, and then forget to listen to the thin line of talk that trickles out of the front lounge. For a moment at least, they merely sit across from each other-the man from the Legion and the little seamstress-whore. What odds? She is beautiful. And he is no better than he should be. The city is quiet and the hotel is quiet, and there is no one here to tell Lamb Nugent that he will sit in this woman’s good, front room for the rest of his life, holding out his little china cup for More tea, Lamb?

No one, that is, until Charlie Spillane walks in the door.

‘Ma’am,’ he says, tipping his non-existent hat. ‘I hope this fellow has been keeping you amused.’

Michael Weiss, as I say, loved it-but as soon as he loved it, I changed my mind. As soon as he said the word ‘prostitution’ it shrank away, my little snail of a story poking its way out into the world. He never met Ada. He didn’t have a clue what I was talking about. I was talking about family. I was talking about what we were doing, three times a night. I was talking about the meaty flower of my cunt, under his hand.

Meanwhile Liam turned up and left again. He had a room going in a dive in Stoke Newington, and he was twitchy about the exams; our father going beetroot when he talked about the waste of his talent and of the good money thrown away on fees.

‘Tell that brother of yours. If you see him. Tell that brother of yours to face me if he can. Tell him from me.’

‘Oh, what Daddy? Tell him what?’

‘What do you mean, what ?’

‘All right. I’ll tell him.’

‘ What? ’

‘I’ll tell him.’

Mammy saying, ‘Who? Tell who?’

The American part of Michael Weiss thought the Hegarty family a blast. He met Liam in the Belfield bar now and then, and the two of them got on in that surprising way that men have-the man you are sleeping with and your brother, for example, who look at each other, and nod, and get on . It drove me slightly bats, actually, watching the two of them go off for a game of pool, while I sat there on my own with a glass of Satzenbrau.

But we had some good nights, the three of us, myself and Liam doing a thing we started that first summer in London, which was telling stories about our family like they were all made up. We had a double act about Ernest’s ordination, the horrible yellow soles of his feet as he lay prostrate on the altar, the sight of our mother, when all the voodoo was done, tottering across to dress him in his robes, and then later, at a sort of wedding reception, the two of them cutting the cake together, my brother and my mother, and kissing when it was done.

‘I don’t believe it,’ said Michael Weiss. ‘Your mother! I don’t believe it!’ and he might start in on something about his own bar mitzvah, which we, of course, ignored.

Though some of the things we found funny about our family he didn’t find funny at all. My older baby brother Stevie-the one who died when he was two-‘She did it,’ said Liam. ‘She put a pillow over his face,’ and we’d laugh our heads off. ‘Well, come on, she was pregnant all the time. All the time.’