Carlos Fuentes - The Death of Artemio Cruz

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A panoramic novel covering four generations of Mexican history, as recalled by a dying industrialist.

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"Why haven't I learned to accept all this without feeling a strange weight on my heart, without reservation? I want to understand it as proof that he cannot resist the attraction of my body, and I can only understand it as proof that I have triumphed over him, that I can wrench that love out of him every night and scorn him the next day with my coldness and distance. Why can't I decide? Why do I have to decide?"

The sick pressed slices of onion to their temples or allowed themselves to be stroked by the holy branches the women were carrying: hundreds, hundreds. Only an uninterrupted howl broke the silence beneath their murmuring. Even the slavering dogs with the mangy fur panted softly, running between the legs of the slow-moving crowd that waited for the pink-chalk towers to appear in the distance, the porch tiles, the cupolas with their yellow mosaics. The gourds rose to the thin lips of the penitents, and down their chins ran the thick phlegm of pulque . Sightless, wormy eyes, faces stained by ringworm; the shaved heads of sick children; noses pocked by smallpox; eyebrows obliterated by syphilis: the conquistadors' mark on the bodies of the conquered, who moved forward on their knees, crawling, on foot, toward the shrine erected in honor of the god of the god-men, the teules. Hundreds, hundreds: feet, hands, signs, sweat, lamentations, bruises, fleas, mud, lips, teeth: hundreds.

"I must decide; I have no other possibility in life than being this man's wife until the day I die. Why not accept him? Yes, it's easy to think it. But not so easy to forget the reasons for my rage. God. God, tell me if I am destroying my own happiness, tell me if I should choose him over my duty as sister and daughter…"

The carriage made its difficult way along the dusty road, amid bodies that did not know what haste was, that moved along on their knees, on foot, crawling toward the shrine. The maguey planted along the road prevented them from taking a detour, and the white woman protected herself from the sun with the parasol she held in her fingers. She was rocked softly by the shoulders of the pilgrims: her gazelle eyes, her pink earlobes, the even whiteness of her skin, the handkerchief that covered her nose and mouth, her high breasts behind the blue silk, her big belly, her small, crossed feet, and her velvet slippers.

"We have a son. My father and brother are dead. Why do things past hypnotize me? I should look ahead. I don't know how to decide. Am I going to let events, luck, things beyond my control decide for me? It's possible. God. And I'm expecting another child…"

Hands stretched out toward her: first the callused limb of an old, gray-haired Indian, then, quickly, the arms naked under the rebozos of the women; a low murmur of admiration and tenderness, a longing to touch her, high-pitched syllables: "Mamita, mamita." The coach stopped, and he jumped up, waving the horsewhip over their dark heads, shouting at them to get out of the way: tall, dressed in black, with his gold-braided hat pulled down to his eyebrows…

"…God, why did you put me in this predicament?…"

She took up the reins and drove the horse off to the right, knocking down the pilgrims, until the horse whinnied and reared, breaking clay pots, the crates crammed with squawking hens, which fluttered away. The horse kicked the heads of the Indians on the ground, spun completely around, shining with sweat, the nerves in its neck stretched taut and its eyes bulging out of its head: she felt on her body the sweat, the sores, the muted screams, the vermin, the rising stench of the pulque . Standing up, balanced by the weight of her stomach, she snapped the reins over the animal's back. The crowd made way, with tiny shrieks of innocence and shock, arms raised, bodies pressed to the wall of maguey , and she sped home.

"Why have you given me this life in which I must choose? I wasn't born for this…"

Panting, far now from the pilgrims, they headed for the house lost in the reverberating heat, hidden by the swift height of the fruit trees he'd planted.

"I'm a weak woman. All I ever wanted was a quiet life and for others to make choices for me…I can't…I can't…"

The long tables were set up near the shrine right out in the sun. Dense squadrons of flies flew over the pots of beans, the hard tacos piled up on a tablecloth of newspaper. The pitchers of pulque laced with cherries, the dry ears of corn, and the tricolor almond marzipan contrasted sharply with the darkness of the food and the clay pots. The president of the municipality stepped up to the podium, introduced him, praised him to the skies, and he accepted the nomination for the federal congress, arranged months earlier in Puebla and Mexico City with a government that recognized his revolutionary merits, the fact that he'd set a good example by retiring from the army to carry out the mandate of agrarian reform, as well as the excellent service he'd rendered in volunteering to stand in for the not yet reestablished public authority in the region, restoring order at his own cost and risk. The dull, persistent murmur of the pilgrims entering and leaving the shrine was all around them. The pilgrims cried out to their Virgin and their God, they wailed, they listened to the speeches and they drank from the jugs of pulque . Someone shouted. Several shots rang out. The candidate never lost his composure, the Indians chewed tacos, and he yielded the floor to another learned colleague from the area, while the Indian drum saluted him and the sun hid behind the mountains.

"Just as I told you," whispered Ventura when the drops of rain began punctually to pelt his hat. "Don Pizarro's killers were there, taking aim at you as soon as you stepped up to the podium."

Hatless, he slipped the coat of corn leaves over his head. "Where are they now?"

"Pushing up daisies." Ventura smiled. "We had 'em surrounded before the speeches began."

He put his foot in the stirrup. "Make sure Pizarro gets some souvenirs."

He hated her when he walked into the whitewashed, naked house and found her alone, rocking, wrapped in her arms, as if the arrival of the man filled her with an intangible chill, as if the man's breath, the dried sweat on his body, the feared tone of his voice all heralded a frozen wind. Her thin, straight nose trembled: he threw his hat on the table and his spurs scarred the brick floor as he walked.

"They…frightened me…"

He didn't speak. He took off his corn-leaf coat and laid it out near the fireplace. The water hissed, running down the roof tiles. It was the first time she had ever tried to justify herself.

"They asked about my wife. Today was important for me."

"Yes, I know…"

"How can I put it…We all…we all need witnesses of our lives in order to live them…"

"Yes…"

"You…"

"I didn't choose my life!" she shouted, clutching the arms of the rocker. "If you force people to do your bidding, don't demand gratitude, too, or…"

"So you did my bidding against your will? Why do you like it so much, then? Why do you moan for it in bed, when all you do is mope around with a long face afterwards? Who can figure you out?"

"Wretch!"

"Go on, you hypocrite, answer me that, why?"

"It would be the same with any man."

She raised her eyes to face him. She had said it. She preferred to cheapen herself. "What do you know? I close my eyes and give you another face and another name."

"Catalina…I've always loved you…This isn't my fault."

"Leave me alone. I will be in your hands forever. You've got what you wanted. Take what you've got and don't ask for the impossible."

"Why do you reject me? I know you like me when…"

"Leave me alone. Don't touch me. Don't throw my weakness in my face. I swear to you I'll never let myself go with you again…"

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