John Irving - In One Person

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In One Person: краткое содержание, описание и аннотация

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A compelling novel of desire, secrecy, and sexual identity,
is a story of unfulfilled love—tormented, funny, and affecting—and an impassioned embrace of our sexual differences. Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a “sexual suspect,” a phrase first used by John Irving in 1978 in his landmark novel of “terminal cases,” The World According to Garp.
His most political novel since
and
, John Irving’s
is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself “worthwhile.” * * *
“This tender exploration of nascent desire, of love and loss, manages to be sweeping, brilliant, political, provocative, tragic, and funny—it is precisely the kind of astonishing alchemy we associate with a John Irving novel. The unfolding of the AIDS epidemic in the United States in the ’80s was the defining moment for me as a physician. With my patients’ deaths, almost always occurring in the prime of life, I would find myself cataloging the other losses—namely, what these people might have offered society had they lived the full measure of their days: their art, their literature, the children they might have raised.
is the novel that for me will define that era. A profound truth is arrived at in these pages. It is Irving at his most daring, at his most ambitious. It is America and American writing, both at their very best.”
— ABRAHAM VERGHESE “
is a novel that makes you proud to be human. It is a book that not only accepts but also loves our differences. From the beginning of his career, Irving has always cherished our peculiarities—in a fierce, not a saccharine, way. Now he has extended his sympathies—and ours—still further into areas that even the misfits eschew. Anthropologists say that the interstitial—whatever lies between two familiar opposites—is usually declared either taboo or sacred. John Irving in this magnificent novel—his best and most passionate since
—has sacralized what lies between polarizing genders and orientations. And have I mentioned it is also a gripping page-turner and a beautifully constructed work of art?”
— EDMUND WHITE

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But Esmeralda said that German felt like chips of wood in her mouth. Her father had run out on her and her mother; he’d gone to Argentina, where he met another woman. Esmeralda had concluded that the woman her father hooked up with in Argentina must have had Nazi ancestors.

“What else could explain why I can’t handle the accent?” Esmeralda asked me. “I’ve studied the shit out of German!”

I still think about the bonds that drew Esmeralda and me together: We each had absconding fathers, we lived in the same building on the Schwindgasse, and we were talking about all this in a café-bar on the Argentinierstrasse—in our flawed German. Unglaublich! (“Unbelievable!”)

The Institute students were housed all over Vienna. It was common to have your own bedroom but to share a bathroom; a remarkable number of our students had widows for landladies, and no kitchen privileges. I had a widow for a landlady and my own bedroom, and I shared a bathroom with the widow’s divorced daughter and the divorcée’s five-year-old son, Siegfried. The kitchen was in constant, chaotic use, but I was permitted to make coffee for myself there, and I kept some beer in the fridge.

My widowed landlady wept regularly; day and night, she shuffled around in an unraveling terry-cloth bathrobe. The divorcée was a big-breasted, take-charge sort of woman; it wasn’t her fault that she reminded me of my bossy aunt Muriel. The five-year-old, Siegfried, had a sly, demonic way of staring at me; he ate a soft-boiled egg for breakfast every morning—including the eggshell.

The first time I saw Siegfried do this, I went immediately to my bedroom and consulted my English-German dictionary. (I didn’t know the German for “eggshell.”) When I told Siegfried’s mother that her five-year-old had eaten the shell, she shrugged and said it was probably better for him than the egg. In the mornings, when I made my coffee and watched little Siegfried eat his soft-boiled egg, shell and all, the divorcée was usually dressed in a slovenly manner, in a loose-fitting pair of men’s pajamas—conceivably belonging to her ex-husband. There were always too many unbuttoned buttons, and Siegfried’s mother had a deplorable habit of scratching herself.

What was funny about the bathroom we shared was that the door had a peephole, which is common on hotel-room doors, but not on bathroom doors. I speculated that the peephole had been installed in the bathroom door so that someone leaving the bathroom—perhaps half-naked, or wrapped in a towel—could see if the coast was clear in the hall (if someone was out there, in other words). But why? Who would want or need to walk around naked in the hall, even if the coast was clear?

This mystery was aggravated by the curious fact that the peephole cylinder on the bathroom door could be reversed. I discovered that the cylinder was often reversed; the reversal became commonplace—you could peek into the bathroom from the hall, and plainly see who was there and what he or she was doing!

Try explaining that to someone in German, and you’ll see how good or bad your German is, but all of this I somehow managed to tell Esmeralda—in German—on our first date.

“Holy cow!” Esmeralda said at one point, in English. Her skin had a milky-coffee color, and there was the faintest, softest trace of a mustache on her upper lip. She had jet-black hair, and her dark-brown eyes were almost black. Her hands were bigger than mine—she was a little taller than I was, too—but her breasts (to my relief) were “normal,” which to me meant “noticeably smaller” than the rest of her.

Okay—I’ll say it. If I had hesitated to have my first actual girlfriend experience, a part of the reason was that I’d discovered I liked anal intercourse. (I liked it a lot !) No doubt there was a part of me that feared what vaginal intercourse might be like.

That summer in Europe with Tom—when poor Tom became so insecure and felt so threatened, when all I really did was just look at girls and women—I remember saying, with no small amount of exasperation, “For Christ’s sake, Tom—haven’t you noticed how much I like anal sex? What do you think I imagine making love to a vagina would be like? Maybe like having sex with a ballroom !”

Naturally, it had been the vagina word that sent poor Tom to the bathroom—where I could hear him gagging. But although I’d only been kidding, it was the ballroom word that had stuck with me. I couldn’t get it out of my mind. What if having vaginal sex was like making love to a ballroom? Yet I continued to be attracted to larger-than-average women.

Our less-than-ideal living situations were not the only obstacles that stood between Esmeralda and me. We had cautiously visited each other, in our respective rooms.

“I can deal with the reverse-peephole-bathroom-door thing,” Esmeralda had told me, “but that kid gives me the creeps.” She called Siegfried “the eggshell-eater”; as my relationship with Esmeralda developed, though, it would turn out that it wasn’t Siegfried, per se, who creeped out Esmeralda.

Far more disturbing to Esmeralda than that reverse-peephole-bathroom-door thing was the bigger thing she had about kids. She was terrified of having one; like many young women at that time, Esmeralda was preternaturally afraid of getting pregnant—for good reasons.

If Esmeralda got pregnant, that would be the end to her career hopes of becoming an opera singer. “I’m not ready to be a housewife soprano,” was how she put it to me. We both knew there were countries in Europe where it was possible to get an abortion. (Not Austria, a Catholic country.) But, for the most part, abortion was unavailable—or unsafe and illegal. We knew that, too. Besides, Esmeralda’s Italian mother was very Catholic; Esmeralda would have had misgivings about getting an abortion, even if the procedure had been available and safe and legal.

“There isn’t a condom made that can keep me from getting knocked up,” Esmeralda told me. “I am fertile times ten.”

“How do you know that?” I’d asked her.

“I feel fertile, all the time—I just know it,” she said.

“Oh.”

We were sitting chastely on her bed; the pregnancy terror struck me as an insurmountable obstacle. The decision, in regard to which bedroom we might try to do it in, had been made for us; if we were going to live together, we would share Esmeralda’s small apartment. My weeping widow had complained to the Institute; I’d been accused of reversing the peephole thing on the bathroom door! Das Institut accepted my claim that I was innocent of this deviant behavior, but I had to move out.

“I’ll bet it was the eggshell-eater,” Esmeralda had said. I didn’t argue with her, but little Siegfried would have had to stand on a stool or a chair just to reach the stupid peephole. My bet was on the divorcée with the unbuttoned buttons.

Esmeralda’s landlady was happy to have the extra rent money; she’d probably never imagined that Esmeralda’s apartment, which had such a tiny kitchen, could be shared by two people, but Esmeralda and I never cooked—we always ate out.

Esmeralda said that her landlady’s disposition had improved since I’d moved in; if the old woman frowned upon Esmeralda having a live-in boyfriend, the extra rent money seemed to soften her disfavor. Even the disagreeable dog had accepted me.

That same night when Esmeralda and I sat, not touching, on her bed, the old lady had invited us into her living room; she’d wanted us to see that she and her dog were watching an American movie on the television. Both Esmeralda and I were still in culture shock; it’s not easy to recover from hearing Gary Cooper speak German. “How could they have dubbed High Noon ?” I kept saying.

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