Alissa Nutting - Tampa

Здесь есть возможность читать онлайн «Alissa Nutting - Tampa» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: London, Год выпуска: 2013, ISBN: 2013, Издательство: Faber and Faber, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Tampa: краткое содержание, описание и аннотация

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Celeste Price is an eighth-grade English teacher in suburban Tampa. She is attractive. She drives a red Corvette. Her husband, Ford, is rich, square-jawed and devoted to her. But Celeste has a secret. She has a singular sexual obsession—fourteen-year-old boys. It is a craving she pursues with sociopathic meticulousness and forethought.
Within weeks of her first term at a new school, Celeste has lured the charmingly modest Jack Patrick into her web—car rides after dark, rendezvous at Jack’s house while his single father works the late shift, and body-slamming encounters in Celeste’s empty classroom between periods. It is bliss.
Celeste must constantly confront the forces threatening their affair—the perpetual risk of exposure, Jack’s father’s own attraction to her, and the ticking clock as Jack leaves innocent boyhood behind. But the insatiable Celeste is remorseless. She deceives everyone, is close to no one and cares little for anything but her pleasure.
With crackling, stampeding, rampantly sexualized prose,
is a grand, satirical, serio-comic examination of desire and a scorching literary debut.

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“Good-bye for now, Jack,” I called. One good thing about returning to the house in sweaty aerobic gear was that Ford had to believe me when I claimed to be too tired. The concession was always that I’d lie down on my side for him and he’d get to lower my spandex shorts to reveal my buttocks, pull down my sports bra so a profile of nipple was showing as well, and masturbate standing above me while I closed my eyes and pretended to have fallen asleep.

chapter three

Seeing the students’ actualized youth up close made me double down on my age-preventative spa visits and my purchase of vigilant creams and potions. I cycled through the weeks of the month with oxygenating facials, DNA-repair enzyme facials, caviar illuminating facials, precautionary Botox, microdermabrasion, LED light therapy. To unite body and mind for the best results possible, I always tried to envision myself literally getting younger during the treatments: I pictured my fourteen-year-old self standing off in the distance, waiting for me to come repossess her body; each one of these sessions allowed me to take one step further toward reaching her by turning back the clock a few months. Though often, well-intentioned compliments on behalf of the aestheticians would derail me from such vision quests.

It was not uncommon while I was receiving a glycolic peel (I don’t find its biting sting unwelcome—in general with beauty treatments, pain feels like an assurance of progress to me) for the aesthetician to gush, “You know? You really could be a model.”

“I’m too short,” I’d quip. “Five foot seven.” Though I’d flirted with doing print ads for a small time during college, I couldn’t stand taking direction. I also had the fear that with the right photographer, the real me might accidentally be captured—that in looking at the photo, suddenly everyone’s eyes would widen and they’d actually see me for the very first time: Oh my God—you’re a soulless pervert!

The lobby of the plastic surgeon’s office had a clinical asceticism to it; with its white pillar columns and brushed chrome accents, it seemed to be part church and part laboratory. I suppose that was the message they were trying to convey: staving off decrepitude combined the miracles of religion with the progressive advancements of medicine. Yet the elderly patients in the waiting room made it clear what a pseudoscience the whole thing was. They’d often look up at me, raising vast draperies of throat skin that hung above their crepe chests like crumpled ascots. Knowing the miseries of my future body, most of them couldn’t help but give me a smile filled with sadistic delight. “You have beautiful skin,” one told me once. She seemed to squirm with relish as she said the words; it was no different from kicking me in the ribs and saying, Everything on you will one day sag. But for now, every inch of my flesh was perfectly taut—if I were to run out to the lobby midtreatment and shed my bathrobe, the sight of my immaculate abdomen would likely have caused these withered creatures to fall to their knees crying and break a hip.

Spa days were usually paired with shopping sprees. These were a necessary cushion against the realities of my pretend marriage: buying nice things helped me temporarily forget the vulgar angle to which Ford’s stubbled jaw hung open while he was snoring, the moist smacks his tongue made when he chewed a steak, and even my rare though inescapable duties in the bedroom. But they certainly couldn’t help divert my thoughts from Jack. Lately I’d begun packing my closet with body-clinging tailored suits and silk shells with low-cut backs: this way I could wear a jacket into the classroom, then remove it so only the students could see my exposed flesh, never the other teachers; occasionally I also wore long sateen scarves that covered my chest. Only upon entering the class would I wrap them up around my neck or sling them back across my shoulders so the air conditioner paired with my open-nipple bra could put on a show. Until I was engaging in true contact with Jack or another student, I needed the boys’ hungry stares for sustenance: these young men were so new to life, they didn’t yet know how to mask the direction in which their eyes were peeking nor their wonder and delight at what they were looking at.

Even in this competition of the involuntary gaze, Jack proved himself to be far superior to his peers. While others looked upon my chest with a gleeful smirk or pleasant shock, Jack stared in the way one might watch a waterfall—there was something profoundly hopeful in his glance, an optimism that the world held more wonder than he’d ever thought to guess. It was a feeling I tried to encourage in him with an affirmative glance or a nod, one that told him, simply and plainly, You’re seeing exactly what you think you’re seeing.

* * *

In retrospect perhaps it was also his name that set me on his trail—I hoped Jack Patrick’s two first names meant he was two boys in one: public Patrick, a regular fourteen-year-old schoolboy, and private Jack, who might willfully submit to every smutty thing I wanted to do to him.

His behavior in the classroom was promising: self-doubtful but alert; laughing when I or one of his classmates made a joke, but not making them himself or asking for the class’s attention. Each day he wore a T-shirt and sportlike mesh shorts that fell just below his knees, but his lower calves suggested that his upper thighs were covered in a thin layer of blond hair. In the light these tufts seemed like a gossamer confection; if licked, I imagined they would dissolve on my tongue.

The reading list for the nonadvanced eighth-grade English classes was preselected and not to be deviated from: Romeo and Juliet began the fall semester, then we would be moving into The Scarlet Letter and The Crucible . To begin I had students draw names from a bucket: in each class, we’d read Shakespeare’s play aloud to kill time. Jack drew the character of Paris, and visibly blushed when Marissa Talbet, an annoyingly theatrical redhead who on the first day of class asked if she could, from time to time, make pertinent student council announcements, spoke of Paris’s legendary attractiveness in her role as Nurse. Marissa was the first student to modulate her voice for the part, raising it several octaves higher and attempting a British accent. Her classmates found this hilarious, but Jack never doubled over with sugar-induced laughter. Instead he simply smiled, all the while looking at the text of the play, hardly ever raising his virginal brown eyes—but when he did glance up, he found me watching him, and we’d lock into a stare for the briefest second before his head lowered back toward the safety of the book.

Reading aloud, his voice was steady overall, though he stumbled a bit between antiquated words and spoke with the misplaced stressors of one who doesn’t fully grasp a line’s context. “Thou wrong… sit… wrongs… it… more than tears… with that report,” he spoke to Juliet, whose name happened to be drawn from the bucket by the exacting Frank Pachenko (when the teasing about this role immediately began, Frank was quick to remind his peers that in Shakespeare’s time Juliet and all of the female characters would have indeed been played by male actors). In general Frank’s appearance and organized demeanor bucked the stereotype of the typical fourteen-year-old male: his hand always went straight up in the air when a question was asked, and his glasses had lenses too large and too circular for his age. Occasionally I saw him speaking with Jack, usually a quick question or two that Jack answered with a low, short phrase, but there was a familiarity between them that suggested they’d known one another since childhood despite the different paths the social jungle of adolescence was beginning to put them on: Jack was an accepted outlier in the circle of the popular jocks, while Frank took geeky solace in social failure by channeling his energy into academics. Frank wasn’t an outstanding mind—his response papers formed simplistic arguments with an average vocabulary—but he looked the part of the young academic: his shirt tucked into his slightly too-high-waisted shorts, his bulky white sneakers that somehow didn’t appear to ever have been worn.

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