Winfried Sebald - The Emigrants

After that call, Dr. Selwyn's visits to us became fewer and further between. The last time we saw him was the day he brought Clara a bunch of white roses with twines of honeysuckle, shortly before we left for a holiday in France. A few weeks after, late that summer, he took his own life with a bullet from his heavy hunting rifle. He had sat on the edge of his bed (we learnt on our return from France) with the gun between his legs, placed the muzzle of the rifle at his jaw, and then, for the first time since he bought the gun before

departing for India, had fired a shot with intent to kill. When we received the news, I had no great difficulty in overcoming the initial shock. But certain things, as I am increasingly becoming aware, have a way of returning unexpectedly, often after a lengthy absence. In late July 1986 I was in Switzerland for a few days. On the morning of the 23rd I took the train from Zurich to Lausanne. As the train slowed to cross the Aare bridge, approaching Berne, I gazed way beyond the city to the mountains of the Oberland. At that point, as I recall, or perhaps merely imagine, the memory of Dr. Selwyn returned to me for the first time in a long while. Three quarters of an hour later, not wanting to miss the landscape around Lake Geneva, which never fails to astound me as it opens out, I was just laying aside a Lausanne paper I'd bought in Zurich when my eye was caught by a report that said the remains of the Bernese alpine guide Johannes Naegeli, missing since summer 1914, had been released by the Oberaar glacier, seventy-two years later. And so they are ever returning to us, the dead. At times they come back from the ice more than seven decades later and are found at the edge of the moraine, a few polished bones and a pair of hobnailed boots.

In January 1984, the news reached me from S that on the evening of the 30th of December, a week after his seventy-fourth birthday, Paul Bereyter, who had been my teacher at primary school, had put an end to his life. A short distance from S, where the railway track curves out of a willow copse into the open fields, he had lain himself down in front of a train. The obituary in the local paper was headed "Grief at the Loss of a Popular Teacher" and there was no mention of the fact that Paul Bereyter had died of his own free will, or through a self-destructive compulsion. It spoke merely of the dead man's services to education, his dedicated care for his pupils, far beyond the call of duty, his great love of music, his astonishing inventiveness, and of much else in the same vein. Almost by way of an aside, the obituary added, with no further explanation, that during the Third Reich Paul Bereyter had been prevented from practising his chosen profession. It was this curiously unconnected, inconsequential statement, as much as the violent manner of his death, which led me in the years that followed to think more and more about Paul Bereyter, until, in the end, I had to get beyond my own very fond memories of him and discover the story I did not know. My investigations took me back to S, which I had visited less and less since leaving school. I soon learned that, right up to his death, Paul Bereyter had rented rooms there, in a house built in 1970 on the land that had once been Dagobert Lerchenmiiller's nursery and market garden, but he had seldom lived there, and it was thought that he was mostly abroad, no one quite knew where. His continual absence from the town, and his increasingly odd behaviour, which had first become apparent a few years before his retirement, gave him the reputation of an eccentric. This reputation, regardless of his undoubted pedagogic ability, had clung to Paul Bereyter for some considerable time, and had, as far as his death was concerned, confirmed the belief among the people of S (amidst whom Paul Bereyter had grown up and, albeit it with certain interruptions, always lived) that things had happened as they were bound to happen. The few conversations I had in S with people who had known Paul Bereyter were not very revealing, and the only thing that seemed remarkable was that no one called him Paul Bereyter or even Bereyter the teacher. Instead, he was invariably referred to simply as Paul, giving me the impression that in the eyes of his contemporaries he had never really grown up. I was reminded then of how we had only ever spoken of him as Paul at school, not without respect but rather as one might refer to an exemplary older brother, and in a way this implied that he was one of us, or that we belonged together. This, as I have come to realize, was merely a fabrication of our minds, because, even though Paul knew and understood us, we, for our part, had little idea of what he was or what went on inside him. And so, belatedly, I tried to get closer to him, to imagine what his life was like in that spacious apartment on the top floor of Lerchenmiiller's old house, which had once stood where the present block of flats is now, amidst an array of green vegetable patches and colourful flower beds, in the gardens where Paul often helped out of an afternoon. I imagined him lying in the open air on his balcony where he would often sleep in the summer, his face canopied by the hosts of the stars. I imagined him skating in winter, alone on the fish ponds at Moosbach; and I imagined him stretched out on the track. As I pictured him, he had taken off his spectacles and put them on the ballast stones by his side. The gleaming bands of steel, the crossbars of the sleepers, the spruce trees on the hillside above the village of Altstàdten, the arc of the mountains he knew so well, were a blur before his short-sighted eyes, smudged out in the gathering dusk. At the last, as the thunderous sound approached, all he saw was a darkening greyness and, in the midst of it, needle-sharp, the snow-white silhouettes of three mountains: the Kratzer, the Trettach and the Himmelsschrofen. Such endeavours to imagine his life and death did not, as I had to admit, bring me any closer to Paul, except at best for brief emotional moments of the kind that seemed presumptuous to me. It is in order to avoid this sort of wrongful trespass that I have written down what I know of Paul Bereyter.

In December 1952 my family moved from the village of W to the small town of S, 19 kilometres away. The journey — during which I gazed out of the cab of Alpenvogel's wine-red furniture van at the endless lines of trees along the roadsides, thickly frosted over and appearing before us out of the light-less morning mist — seemed like a voyage halfway round the world, though it will have lasted an hour at the very most. When at length we trundled across the Ach bridge into S, at that time no more than a small market town of perhaps nine thousand souls, I was overcome by a powerful feeling that a new life filled with the bustle of cities would be starting for us there. The blue enamel street names, the huge clock in front of the old railway station, and what seemed to me then the truly magnificent facade of the Wittelsbacher Hof Hotel, were all, I felt, unmistakable signs of a new beginning. It was, I thought, particularly auspicious that the rows of houses were interrupted here and there by patches of waste land on which stood ruined buildings, for ever since I had once visited Munich I had felt nothing to be so unambiguously linked to the word city as the presence of heaps of rubble, fire-scorched walls, and the gaps of windows through which one could see the vacant air.