John Coetzee - Scenes from Provincial Life

How does a Hungarian come to dispose over a flat in fashionable Swiss Cottage, to dress in the latest mode, to wake up in the lazy late morning with the no doubt beautiful girl with the husky voice beside him in bed, while he has to slave the day away for IBM and live in a dreary room off the Archway Road? How have the keys that unlock the pleasures of London come into the possession of Miklos? Where do such people find the money to support their life of ease?

He has never liked people who disobey the rules. If the rules are ignored, life ceases to make sense: one might as well, like Ivan Karamazov, hand back one’s ticket and retire. Yet London seems to be full of people who ignore the rules and get away with it. He seems to be the only one stupid enough to play by the rules, he and the other dark-suited, bespectacled, harried clerks he sees in the trains. What, then, should he do? Should he follow Ivan? Should he follow Miklos? Whichever he follows, it seems to him, he loses. For he has no talent for lying or deception or rule-bending, just as he has no talent for pleasure or fancy clothes. His sole talent is for misery, dull, honest misery. If this city offers no reward for misery, what is he doing here?

Each week a letter arrives from his mother, a pale-blue aerogramme addressed in neat block capitals. It is with exasperation that he receives these evidences of her unvarying love for him. Will his mother not understand that when he departed Cape Town he cut all bonds with the past? How can he make her accept that the process of turning himself into a different person that began when he was fifteen will be carried through remorselessly until all memory of the family and the country he left behind is extinguished? When will she see that he has grown so far away from her that he might as well be a stranger?

In her letters his mother tells him family news, tells him of her latest work assignments (she moves from school to school substituting for teachers away on sick leave). She ends her letters hoping that his health is good, that he is taking care to wear warm clothes, that he has not succumbed to the influenza she has heard to be sweeping across Europe. As for South African affairs, she does not write about those because he has made it plain he is not interested.

He mentions that he has mislaid his gloves on a train. A mistake. Promptly a package arrives by air mail: a pair of sheepskin mittens. The stamps cost more than the mittens.

She writes her letters on Sunday evenings and posts them in time for the Monday morning collection. He can imagine the scene all too easily, in the flat into which she and his father and his brother moved when they had to sell the house in Rondebosch. Supper is over. She clears the table, dons her glasses, draws the lamp nearer. ‘What are you doing now?’ asks his father, who dreads Sunday evenings, when the Argus has been read from end to end and there is nothing left to do. ‘I must write to John,’ she replies, pursing her lips, shutting him out. Dearest John , she begins.

What does she hope to achieve by her letters, this obstinate, graceless woman? Can she not recognize that proofs of her fidelity, no matter how dogged, will never make him relent and come back? Can she not accept that he is not normal? She should concentrate her love on his brother and forget him. His brother is a simpler and more innocent being. His brother has a soft heart. Let his brother take on the burden of loving her; let his brother be told that from now on he is her first-born, her best beloved. Then he, the new-forgotten one, will be free to make his own life.

She writes every week but he does not write every week in return. That would be too much like reciprocation. Only now and then does he reply, and his letters are brief, saying little except that, by the fact of their having been written, he must still be in the land of the living.

That is the worst of it. That is the trap she has built, a trap he has not yet found a way out of. If he were to cut all ties, if he were not to write at all, she would draw the worst conclusion, the worst possible; and the very thought of the grief that would pierce her at that moment makes him want to block his ears and eyes. As long as she is alive he dare not die. As long as she is alive, therefore, his life is not his own. He may not be reckless with it. Though he does not particularly love himself, he must, for her sake, take care of himself, to the point even of dressing warmly, eating the right food, taking vitamin C. As for suicide, of that there can be no question.

What news he gets about South Africa comes from the BBC and the Manchester Guardian . He reads the Guardian reports with dread. A farmer ties one of his workers to a tree and flogs him to death. Police fire at random into a crowd. A prisoner is found dead in his cell, hanging from a strip of blanket, his face bruised and bloody. Horror upon horror, atrocity upon atrocity, without relief.

He knows his mother’s opinions. She thinks South Africa is misunderstood by the world. Blacks in South Africa are better off than anywhere else in Africa. The strikes and protests are fomented by communist agitators. As for the farm labourers who are paid their wages in the form of mealie-meal and have to dress their children in jute bags against the winter cold, his mother concedes that that is a disgrace. But such things happen only in the Transvaal. It is the Afrikaners of the Transvaal, with their sullen hatreds and their hard hearts, who give the country such a bad name.

His own opinion, which he does not hesitate to communicate to her, is that, instead of making speech after speech at the United Nations, the Russians ought to invade South Africa without delay. They should land paratroops in Pretoria, take Verwoerd and his cronies captive, line them up against a wall, and shoot them.

What the Russians should do next, after shooting Verwoerd, he does not say, not having thought it out. Justice must be done, that is all that matters; the rest is politics, and he is not interested in politics. As far back as he can remember, Afrikaners have trampled on people because, they claim, they were once trampled upon. Well, let the wheel turn, let force be replied to with greater force. He is glad to be out of it.

South Africa is like an albatross around his neck. He wants it removed, he does not care how, so that he can begin to breathe.

He does not have to buy the Manchester Guardian . There are other, easier newspapers: The Times , for instance, or the Daily Telegraph . But the Manchester Guardian can be relied on not to miss anything from South Africa that will make the soul cringe within him. Reading the Manchester Guardian , he can at least be sure he knows the worst.

He has not contacted Astrid for weeks. Now she telephones. Her time in England is up, she is going home to Austria. ‘I guess I won’t see you again,’ she says, ‘so I called to say goodbye.’

She is trying to be matter-of-fact, but he can hear the tearfulness in her voice. Guiltily he proposes a meeting. They have coffee together; she comes back to his room and spends the night (‘our last night,’ she calls it), clinging to him, crying softly. Early the next morning (it is a Sunday) he hears her creep out of bed and tiptoe to the bathroom on the landing to get dressed. When she comes back he pretends to be asleep. He has only to give the slightest signal, he knows, and she will stay. If there are things he would prefer to do first, before paying attention to her, like reading the newspaper, she will sit quietly in a corner and wait. That seems to be how girls are taught to behave in Klagenfurt: to demand nothing, to wait until the man is ready, and then to serve him.