John Coetzee - Scenes from Provincial Life

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Here, for the first time in one volume, is J. M. Coetzee's majestic trilogy of fictionalised memoir,
and
.
Scenes from Provincial Life As a student of mathematics in Cape Town he readies himself to escape his homeland, travel to Europe and turn himself into an artist. Once in London, however, the reality is dispiriting: he toils as a computer programmer, inhabits a series of damp, dreary flats and is haunted by loneliness and boredom. He is a constitutional outsider. He fails to write.
Decades later, an English biographer researches a book about the late John Coetzee, particularly the period following his return to South Africa from America. Interviewees describe an awkward man still living with his father, a man who insists on performing dull manual labour. His family regard him with suspicion and he is dogged by rumours: that he crossed the authorities in America, that he writes poetry.
Scenes from Provincial Life

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Now that it is too late, he wonders what would have happened if, while the TSR-2 cards were in his hands, he had surreptitiously doctored the data on them. Would the whole bomber project have been thrown into confusion, or would the engineers in the north have detected his meddling? On the one hand, he would like to do his bit to save Russia from being bombed. On the other, has he a moral right to enjoy British hospitality while sabotaging their air force? And anyhow, how would the Russians ever get to know that an obscure sympathizer in an IBM office in London had won them a few days’ breathing-space in the Cold War?

He does not see what the British have against the Russians. Britain and Russia have been on the same side in all the wars he knows of since 1854. The Russians have never threatened to invade Britain. Why then are the British siding with the Americans, who behave like bullies in Europe as all over the world? It is not as though the British actually like the Americans. Newspaper cartoonists are always taking digs at American tourists, with their cigars and pot bellies and flowered Hawaiian shirts and the fistfuls of dollars they brandish. In his opinion, the British ought to take their lead from the French and get out of NATO, leaving the Americans and their new chums the West Germans to pursue their grudge against Russia.

The newspapers are full of CND, the Campaign for Nuclear Disarmament. The pictures they print of weedy men and plain girls with ratty hair waving placards and shouting slogans do not predispose him to like CND. On the other hand, Khrushchev has just carried out a tactical masterstroke: he has built Russian missile-pods in Cuba to counteract the American missiles that ring Russia. Now Kennedy is threatening to bombard Russia unless the Russian missiles are removed from Cuba. This is what CND is agitating against: a nuclear strike in which American bases in Britain would participate. He cannot but approve of its stand.

American spy-planes take pictures of Russian freighters crossing the Atlantic on their way to Cuba. The freighters are carrying more missiles, say the Americans. In the pictures the missiles — vague shapes under tarpaulins — are circled in white. In his view, the shapes could just as well be lifeboats. He is surprised that the papers don’t question the American story.

Wake up! clamours CND: we are on the brink of nuclear annihilation! Might it be true, he wonders? Is everyone going to perish, himself included?

He goes to a big CND rally in Trafalgar Square, taking care to stay on the fringes as a way of signalling that he is only an onlooker. It is the first mass meeting he has ever been to: fist-shaking and slogan-chanting, the whipping up of passion in general, repel him. Only love and art are, in his opinion, worthy of giving oneself to without reserve.

The rally is the culmination of a fifty-mile march by CND stalwarts that started a week ago outside Aldermaston, the British atomic weapons station. For days the Guardian has been carrying pictures of sodden marchers on the road. Now, on Trafalgar Square, the mood is dark. As he listens to the speeches it becomes clear that these people, or some of them, do indeed believe what they say. They believe that London is going to be bombed; they believe they are all going to die.

Are they right? If they are, it seems vastly unfair: unfair to the Russians, unfair to the people of London, but unfair most of all to him, having to be incinerated as a consequence of American bellicosity.

He thinks of young Nikolai Rostov on the battlefield of Austerlitz, watching like a hypnotized rabbit as the French grenadiers come charging at him with their grim bayonets. How can they want to kill me , he protests to himself — me, whom everyone is so fond of?

From the frying pan into the fire! What an irony! Having escaped the Afrikaners who want to press-gang him into their army and the blacks who want to drive him into the sea, to find himself on an island that is shortly to be turned to cinders! What kind of world is this? Where can one go to be free of the fury of politics? Only Sweden seems to be above the fray. Should he throw up everything and catch the next boat to Stockholm? Does one have to speak Swedish to get into Sweden? Does Sweden need computer programmers? Does Sweden even have computers?

The rally ends. He goes back to his room. He ought to be reading The Golden Bowl or working on his poems, but what would be the point, what is the point of anything?

Then a few days later the crisis is suddenly over. In the face of Kennedy’s threats, Khrushchev capitulates. The freighters are ordered to turn back. The missiles already in Cuba are disarmed. The Russians produce a form of words to explain their action, but they have clearly been humiliated. From this episode in history only the Cubans emerge with credit. Undaunted, the Cubans vow that, missiles or not, they will defend their revolution to the last drop of blood. He approves of the Cubans, and of Fidel Castro. At least Fidel is not a coward.

At the Tate Gallery he falls into conversation with a girl he takes to be a tourist. She is plain, bespectacled, solidly planted on her feet, the kind of girl he is not interested in but probably belongs with. Her name is Astrid, she tells him. She is from Austria — from Klagenfurt, not Vienna.

Astrid is not a tourist, it turns out, but an au pair. The next day he takes her to a film. Their tastes are quite dissimilar, he sees that at once. Nevertheless, when she invites him back to the house where she works, he does not say no. He gets a brief glimpse of her room: a garret with blue gingham curtains and matching coverlet and a teddy bear propped against the pillow.

Downstairs he has tea with her and her employer, an Englishwoman whose cool eyes take his measure and find him wanting. This is a European house, her eyes say: we don’t need a graceless colonial here, and a Boer to boot.

It is not a good time to be a South African in England. With great show of self-righteousness, South Africa has declared itself a republic and promptly been expelled from the British Commonwealth. The message contained in that expulsion has been unmistakable. The British have had enough of the Boers and of Boer-led South Africa, a colony that has always been more trouble than it has been worth. They would be content if South Africa would quietly vanish over the horizon. They certainly do not want forlorn South African whites cluttering their doorstep like orphans in search of parents. He has no doubt that Astrid will be obliquely informed by this suave Englishwoman that he is not a desirable.

Out of loneliness, out of pity too, perhaps, for this unhappy, graceless foreigner with her poor English, he invites Astrid out again. Afterwards, for no good reason, he persuades her to come back with him to his room. She is not yet eighteen, still has baby fat on her; he has never been with someone so young — a child, really. Her skin, when he undresses her, feels cold and clammy. He has made a mistake, already he knows it. He feels no desire; as for Astrid, though women and their needs are usually a mystery to him, he is sure she feels none either. But they have come too far, the two of them, to pull back, so they go through with it.

In the weeks that follow they spend several more evenings together. But time is always a problem. Astrid can come out only after her employers’ children have been put to bed; they have at most a hurried hour together before the last train back to Kensington. Once she is brave enough to stay the whole night. He pretends to like having her there, but the truth is he does not. He sleeps better by himself. With someone sharing his bed he lies tense and stiff all night, wakes up exhausted.

Eleven

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