Gao Xingjian - Soul Mountain

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Soul Mountain: краткое содержание, описание и аннотация

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In 1983, Chinese playwright, critic, fiction writer, and painter Gao Xingjian was diagnosed with lung cancer and faced imminent death.B ut six weeks later, a second examination revealed there was no cancer — he had won "a second reprieve from death." Faced with a repressive cultural environment and the threat of a spell in a prison farm, Gao fled Beijing and began a journey of 15,000 kilometers into the remote mountains and ancient forests of Sichuan in southwest China. The result of this epic voyage of discovery is
.
Bold, lyrical, and prodigious,
probes the human soul with an uncommon directness and candor and delights in the freedom of the imagination to expand the notion of the individual self.
“Chinese literature [of the future] will have to contend with the creative energy and the daring of Gao Xingjian.”
— “It is a relief to come to a book that celebrates the pleasures of literature with such gusto and knowingness.”
—  “His largest and perhaps most personal work…Gao has created a sui generis work, one that, in combining story, reminiscence, meditation and journalism, warily comes to terms with the shocks of both Maoism and capitalism.”
— 

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“Would it be possible for me to see your monk’s certificate?” It seems that this is more useful than the credentials I have.

“It’s not a secret document, the Buddhist order doesn’t have secrets and is open to all.”

He takes from a breast pocket a big piece of folded silk paper with an ink-print Buddha sitting with legs folded on the lotus throne in the top section. It is stamped with a large vermilion square seal. His Buddhist name at initiation, academic achievements and rank are all written on it. He has reached the rank of abbot and is permitted to lecture on the sutras and to deal with Buddhist matters.

“Maybe one day I’ll follow in your footsteps.” I don’t know whether I am joking or not.

“In that case we are linked in destiny.” He, however, is quite earnest. Saying this he gets up, presses his palms together, and bids me farewell.

He walks very quickly and I follow him for a while but in an instant he vanishes among the thronging sightseers. I am clearly aware that I am still rooted in the mundane world.

Later, while reading an inscriptions in the Abandon Profit Pagoda, built in the Sui Dynasty, which stands in front of the Guoqing Monastery at the foot of Tiantai Mountain, I suddenly overhear a conversation.

“You’d best return with me,” says a man’s voice from the other side of the brick wall.

“No, you should leave now.” It is also a man’s voice, but it is louder.

“It’s not for my sake, think of your mother.”

“Just tell her I’m doing very well.”

“Your mother asked me to come, she’s ill.”

“What illness is it?”

“She keeps saying she has pains in the chest.”

The son makes no response.

“Your mother got me to bring you a pair of shoes.”

“I’ve got shoes.”

“They’re the sports shoes you wanted, they’re for basketball.”

“They’re very expensive, why did you buy them?”

“Try them on.”

“I don’t play basketball now, I don’t have any use for them. You’d best take them back, nobody wears them here.”

In the early morning, birds in the forest are singing cheerfully. In the midst of the twittering of many sparrows, a single thrush warbles but it is concealed by the dense leaves of the nearby ginkgo tree so I can’t see which branch it’s on. Then a few magpies arrive and make a raucous clamour. It is silent for a long time by the brick pagoda and thinking they have gone I go around and see a youth looking up at the singing birds, his gleaming black shaven head does not yet have the initiation burns made with incense sticks. He is wearing a short monk’s jacket, and the ruddy complexion of his handsome face is unlike the dark yellowish complexions of monks who have been vegetarian for a long time. His young father, a peasant, is holding the new white-soled basketball shoes with red and blue striped uppers he has taken out of their box. He is breathing heavily. I surmise the father is putting pressure on his son to get married and I wonder if the youth will take his vows.

47

You want to tell her a biji tale of the Jin Dynasty. It’s about a powerful and overbearing Grand Marshall and a mendicant nun who comes to his mansion seeking alms. According to procedure, the guards notify the household manager who gives the nun a string of cash, however she declines it and announces that she wishes to see the giver of alms. The household manager notifies the chief overseer who orders a servant to take her a silver ingot and send her on her way once and for all. But the nun refuses this as well and insists on seeing the Grand Marshall, saying he is in trouble and that she has come especially to help him. The chief overseer is left with no choice but to report this to the Grand Marshall who orders that the nun be brought into the front hall.

The Grand Marshall sees that despite the dust and grime, the nun has refined features and doesn’t look like the lewd, sham religious, mischief-making type. He asks her why she has come. The nun presses her palms together in greeting then withdraws. She replies: I have long heard of the Grand Marshall’s great benevolence so I have come from afar especially to perform the seven times seven equals forty-nine day fast for his deceased mother and at the same time to pray to the bodhisattvas to bring good fortune and to eliminate misfortune. The Grand Marshall then orders the chief overseer to arrange a room in the inner court and to have the servants install an incense table in the hall.

Thereafter, for days in succession, there is the endless sound of wooden clappers from morning till night in the house. The Grand Marshall becomes more relaxed, and with the passing of the days treats the nun with increasing respect. However, before changing the incense each afternoon, the nun insists on having a bath which always takes two hours. The Grand Marshall begins to think to himself, nuns have bald heads and unlike ordinary women, don’t need to spend time combing their hair and putting on make-up. The bath is just a ritual for cleansing the heart before changing the incense, why does it take so long? And when she has the bath there is the sound of splashing water, could she be stirring the water without actually bathing? Nagging doubts begin to grow in his mind.

One day while he is strolling in the courtyard, the sound of the wooden clappers suddenly stops. Instantly, he hears the sound of water and knows that the nun will soon be changing the incense sticks, so he goes into the hall to wait. The sound of the water becomes louder and louder, and even after a long time doesn’t stop. His suspicion overcomes him and before realizing it, he has descended the stairs and is walking past the door to her room. There is a crack in the door which doesn’t close properly, and he goes up and peers inside. He sees the nun facing the door, she has removed all her clothing and is sitting naked with her legs crossed in the tub, scooping water in both hands to wash herself. Her face is totally transformed, it is radiant and she has white teeth, pink cheeks and a jade-white neck, smooth shoulders and plump arms — a veritable beauty. He hurries away and returns to the hall in an attempt to compose himself…

But the sound of splashing water from her room continues, enticing him to have another look, so going back along the corridor he creeps stealthily to the door. Again, with bated breath, he goes up to the crack in the door and sees her delicate outstretched fingers rubbing her full breasts, which are white like snow and each adorned with a budding cherry flower. Her wet flesh is heaving and the line of life runs down from her navel. The Grand Marshall goes down on his knees and is transfixed. He then sees the white hands in the tub taking a pair of scissors and thrusting them hard into the navel and bright red blood instantly gushing out from it. He is aghast but doesn’t dare act hastily. He closes his eyes, unable to look.

Some time passes and the sound of splashing water starts again. He focuses his eyes and sees the bald-headed nun drenched in blood. Her hands are busily moving about as she pulls out her intestines and puts them into the tub!

This Grand Marshall, who comes from a famous family of generals and has been through many battles, doesn’t faint. He takes a deep breath and anxiously resolves to get a proper look. By this time the nun’s face is drained of colour, her eyelids droop and her eyelashes come together, and her blanched lips quiver as if she is groaning, but when he listens he can only hear the splashing of the water.

She takes length after length of the soft intestines into her bloody hands, washes and untangles them, then winds them around her wrists. This goes on for a long time. When she finally finishes washing, she presses the intestines neatly together and crams them back into her stomach. Then, with a ladle, she washes in turn her arms, chest and abdomen, between her legs, her legs and feet, and even each of her toes. At the end of this, she is whole again. The Grand Marshall quickly gets to his feet, goes up the stairs into the hall, and stands there waiting for her.

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