William Gaddis - The Recognitions
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- Название:The Recognitions
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- Издательство:Penguin Classics
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- Год:1993
- ISBN:нет данных
- Рейтинг книги:3 / 5. Голосов: 1
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The Recognitions: краткое содержание, описание и аннотация
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and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.
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Over and under the ground he hurried toward the place where he lived. No fragment of time nor space* any where was wasted, every instant and every cubic centimeter crowded crushing outward upon the next with the concentrated activity of a continent spending itself upon a rock island, made a world to itself where no present existed. Each minute and each cubic inch was hurled against that which would follow, measured in terms of it, dictating a future as inevitable as the past, coined upon eight million counterfeits who moved with the plumbing weight of lead coated with the frenzied hope of quicksilver, protecting at every pass the cherished falsity of their milled edges against the threat of hardness in their neighbors as they were rung together, fallen from the Hand they feared but could no longer name, upon the pitiless table stretching all about them, tumbling there in all the desperate variety of which counterfeit is capable, from the perfect alloy recast under weight to the thudding heaviness of lead, and the thinly coated brittle terror of glass.
The subway stopped under a river. It stayed there for minutes, while the occupants looked at one another, surreptitiously, appraising the company with whom they were trapped to meet disaster. One or two, not alone, started explanations for the delay, — Lines wet. . — Somebody probly jumped. . and stopped speaking, embarrassed at the sounds of their own voices. It stayed there for minutes, as though to iterate to their consciousness that they were unprotected, unknown, that they did not exist singly but only in aggregate, material for headlines. Mr. Pivner stared at an advertisement which, like 90 per cent of the advertisements he read, had no possible application in his life. He had no sewer; but with glazed attention he read, "Look, darling, he found my necklace," spoken by a lady, of the Roto-Rooter Service man, who offered to come "to Razor Kleen that clogged sewer. . No charge if we fail. ." The subway stayed there for long enough to send one woman (who looked foreign, they said later at dinner tables) into hysterics, moaning that her head was swelling, tugging the tight hatband away from it and running down the car to thrust her head into people's faces, couldn't they see it was swelling? And they withdrew, abashed at this articulation of their own terror. Then the subway started and flashed its way into rock.
Mr. Pivner came out upon the street, to see a crowd gathering at the far corner. He turned his coat collar up again and pulled his hat down. When he reached the crowd, he looked where they were looking, up: at a man poised on a ledge eight stories above. Lights shone on him. Figures leaned from nearby windows. The crowd shifted impatiently. — Don't he know it's raining? I wish he'd get it done, if he's going to do it, a man said to Mr. Pivner. Mr. Pivner only stared. As he did, the rhythm of the crowd's voice took shape. They chanted, — Jump. . jump. . jump. . and the figure above drew back. — jump. . jump. . jump. . they chanted. A priest appeared at the window nearest him. — J U M P. . JUMP..JUMP… The figure drew back, further, toward the priest. A young man leaning from the door of a car with a Press card in the windshield said to his companion, — The son of a bitch isn't going to jump. .
Two blocks further on, Mr. Pivner stopped to buy a newspaper. There a man was arguing with the news-vendor, hatless, weaving slightly. He had started to leave, but turned saying, — Now don't start to get obnoxious…
— Hello, Jerry, Mr. Pivner said, taking a paper. Jerry said, — Wet enough for you? Mr. Pivner said, — What's the matter with that fellow?
— Him? Aw, drunks get lonely sometimes. You know, he don't care what he says, he oney wants to talk to somebody.
— You're quite a philosopher Jerry, said Mr. Pivner, and went on, stopping in anxious habit at curbs, turning corners, glancing at passing shoe-tops, stockinged legs and trouser legs. Then with the city's suddenness someone was walking beside him. Their steps matched in a precise off-beat, ordained syncopation of doom on the wet pavement. Mr. Pivner walked faster, from fear was it? or revulsion? and still the man came on, beside and just behind him. Could he stop to light a cigarette? or for an untied shoelace? But the rain beat down around him and he walked on, again quickening his footsteps as they were echoed close upon him. When he turned down his street he looked back. The other continued straight, hat pulled down against the rain.
That street was quiet. There were no leaves dead and blowing in the gutters, because there were no trees within hope of the most boisterous wind. But there were forlorn bits of paper, candy wrappers, newspaper, paper bags, as satisfactorily dead and un-mercied as winter's brown leaves in any village side street.
Like the others, Mr. Pivner spent little time at ground level. He was usually moving rapidly beneath it, or taking his spurious ease some ells above. Up he rose in the elevator, out into the passage, and he opened his door with one of a number of keys he carried, a satisfaction no one can know who does not keep a secret and private self locked away from eight million others. He stood for a moment in his open doorway, as he always did, lighting the rooms with the button at his hand and looking through the rooms in that instant of anxiety which waited always to be expanded into full terror at finding the place burgled, finding under the hand of the careless burglar the intimate slaughter of his secret self. But everything was in order, silently waiting to affirm him, holding there the sense of the half-known waiting for eventual discovery in a final recognition of himself. He took off his hat and shook it (having hurried home as though his own coronation were waiting), and moved now with the slow deliberation of lonely people who have time for every meager requirement of their lives. He took off his coat, shook it, and looked at the spots he had made on the wallpaper.
The small apartment was as inoffensive as himself. Like the defiantly patternless botch of colors he wore upon his necktie, signal of his individuality to the neckties that he met screaming the same claim of independence from the innominate morass of their wearers, the apartment's claims to distinction were mass-produced flower-and hunting-prints, filling a need they had manufactured themselves, heavy furniture with neither the seductive ugliness of functional pieces nor the isolate dumb beauty of something chosen for itself: in matching, they fulfilled their first requirement, as did the hopeless style of his brown pleated trousers which matched his brown coat, double-breasted over a chest resigned to be forever hidden like a thing of shame, whitening to yellowness with the years so that to show it now would be indeed offensive. It was a part of the body which he had never learned to use, never having been so poor that he was forced to feel the strain and growth of its muscles in the expansion of labor; nor rich enough to feel it liberated in those games (requiring courts, eighteen-hole courses, bridle-paths) which rich people played. Totally unconscious of itself except when something went wrong, that body served only to keep his identity intact, and was kept covered, like this room, to offend no one.
He turned the radio on, and adjusted his hearing, so that he heard only a comforting confusion of sound. An electric reading lamp, capable at a turn of a finger of three degrees of intensity, stood (just out of reach) beside a large chair. Behind was a veneered secretary of anonymous century and unavowed design, holding protected behind glass an assortment of books published by the hundred-thousand, treatises on the cultivation of the individual self, prescriptions of superficial alterations in vulgarity read with excruciating eagerness by men alone in big chairs, the three-way lamp turned to its wildest brilliance as they fingered those desperate blazons of individuality tied in mean knots at their throats, fastened monogrammed tie-clasps the more firmly, swung keys on gold-plated monogram-bearing ("Individualized") key-chains, tightened their arms against wallets in inside pockets which held the papers prov- ing their identity beyond doubt to others and in moments of Doubt to themselves, papers in such variety that the bearer himself became their appurtenance, each one contemplating over words in a book (which had sold four million copies: How to Speak Effectively; Conquer Fear; Increase Your Income; Develop Self-Confidence; "Sell" Yourself and Your Ideas; Improve Your Memory; Increase Your Ability to Handle People; Win More Friends; Improve Your Personality; Prepare for Leadership) the Self which had ceased to exist the day they stopped seeking it alone.
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