William Gaddis - The Recognitions

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The book Jonathan Franzen dubbed the “ur-text of postwar fiction” and the “first great cultural critique, which, even if Heller and Pynchon hadn’t read it while composing
and
, managed to anticipate the spirit of both”—
is a masterwork about art and forgery, and the increasingly thin line between the counterfeit and the fake. Gaddis anticipates by almost half a century the crisis of reality that we currently face, where the real and the virtual are combining in alarming ways, and the sources of legitimacy and power are often obscure to us.

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Across the bottom of the page where the terror of the ant was drawn she wrote, An ant going home who does not live anywhere.

Worse had been two nights before: asked her age, earlier, she had told it: twenty-nine. (That was the way she did, adding a year to this slow number when May appeared, and passed, taking another year with it.) Then alone at night, she had thought of the indelible year of her birth, subtracted it from this year whose number she shared with everyone, and come out with thirty. A year missing? She turned on the light, and covered three pages with numbers: the year, and her age opposite; and then the year and the month and her age; then the year, the month, her age, and where she had been and what doing. Still a year lacked, unaccounted for. And when she put down the year of her daughter's birth and worked toward it from the past and the present, it was the year missing. Was her daughter unborn? Whence was the year missing? from her life? or from time? Unsolved, it became a part in that world where she lay alone, unasleep at night, her limbs cold and her feet almost blue (though the room was not cold) she saw before she turned out the light: moving none of her body (thinking about other things) and then with abrupt horror remembered her body which she could not feel, all awareness gone from her legs. Was one resting against the other? or alone? The slightest move would tell, were they there? would have told immediately, if she had moved immediately this doubt came. But not having turned a foot, nor thrown back a hand in that instant of doubt the doubt grew, deepened and she in it engulfed in paralytic terror, unable to see in that darkness whether those limbs had melted into an amorphous mass, or into nothing; unable to turn on the light, without moving, then she would try to think of something else, and move unconsciously; but she was unable to deceive herself so, unable to move until some extreme of her moved itselí in exhaustion.

Esme stared at a fresh page of paper. Her face, more and more forgotten as effort worked through her, took a sulking look: one of fear, remembering now a sculpture of her head and bust made once by a student who did not know that, when the plaster dried, it would shrink one-tenth the size he had modeled it, so that he made the cord tight which supported the neck, and when it dried they found death's excellent likeness of her head pendent, swinging gently with the door they had opened upon it. She hated herself for the fear which rose and choked her at that instant: the same terror that came at other times when, almost asleep, she woke suddenly with a deep breath of life, and the certainty that she had not been breathing, had recovered herself with her breath at the last instant o£ living possible: and then hating herself for her direct thankfulness at recovery, she who never wanted to recover.

She wrote slowly, with no effort apparent but as from memory, in confident trust as poetry is written,

Who, if I cried, would hear me among the angelic' orders? And even if one of them suddenly pressed me against his heart, I should fade in the strength of his stronger existence. For Beauty's nothing but beginning of Terror we're still just able to bear, and why we adore it so is because it serenely disdains to destroy us. Each single angel.

Then a knock sounded on her door, and drew her cold limbs abruptly in to her, startled and afraid.

PART II

I

A thousand accidents may and will interpose a veil between our present consciousness and the secret inscriptions of the mind; accidents of the same sort will also rend away this veil; but whether veiled or unveiled, the inscription remains forever; just as the stars seem to withdraw before the common light of day; whereas in- fact we all know that it is the light which is drawn over them as a veil, and that they are waiting to be revealed when the obscuring daylight shall have withdrawn.

— Thomas De Quincey

Mr. Pivner stepped out of his office building, to the street. He moved warily, for not long before he had almost been knocked down by a cab. The December sky was gray, and the air dissolved in rain. To the south, however, lay a small portion almost rectangular in shape and extravagantly blue. It was banded by an arrogant streak of purple. He walked into the street without disturbing himself to verify the color of the sky, exposing his face and the pinched knot in his necktie to the rain which he could hear drumming on the brim of his hat. At three o'clock in the afternoon Eddie Zefnic, the office boy who daily during summer observed Mr. Pivner's wilting collar with the greeting, — Hot enough for you Mister Pivner? stopped to brood beside one of the long office windows. He stared out on the city until Mr. Pivner reached that critical point in his signature, the capital "P," which he liked to make a figure of dashing individuality even on order forms. As the pen touched paper, — It's a real winter day out all right Mister Pivner, interrupted. He looked up, startled, botching the initial miserably. In other parts of the world, as unreal as New York was inevitable, the sky may have been sporting snow, sleet, cumulus clouds and thunderheads, the consoling pattern of a mackerel sky, or only itself, tenanted by a sun in the vastness of even blue so immense that it would seem darkness had never existed. But when Mr. Pivner returned to his signature, the sky was settled for him. It was a lowering but safely remote, dull and unconscious gray.

Consequently there was no reason for him to stand idly in the wet, looking about and questioning the sky, when he came out of that office building. Little good would it have done him had he bothered. Tons of concrete and other opaque building materials stood between him and that impudent portion of blue.

In the fragment of sky which the buildings permitted above him flags were being lowered. For the full day they had floated, as much as the rain would allow, heraldic devices of marvelous power, far more impressive than a fiery cross, or the six balls of the Medici. A great bell signaled a telephone company which was omnipotent. Three strokes of white lightning on a blue ground hailed an electric company which controlled the allegiances of an office force equal to the medieval duchy of Mantua. The whole scene was lit by electricity, escaping statically in incandescent bulbs and, in splendidly colored fluidity adding a note of metaphysical (Berg-sonian) hilarity to the air of well-curbed excitement, in tubes of glass cleverly contorted to spell out cacophonous syllables of words from a coined language, and names spawned in the estaminets of Antwerp. Any natural light which fell in from the sky, pale in impotence, was charitably neglected; but that sky, as has been noted, was a safe distance away.

Beneath these failing banners, these crippled ensigns depressing earthward under their own sodden weight, Mr. Pivner walked through the streets, head covered but bowed. Marvelous constructions passed him: a blackened truck with blackened men and pails hanging from every projection, dragging a cart bellied with open fire under a tub of molten asphalt, came almost over his feet. He barely glanced at it. The names AJAX and HERCULES borne in gold thundered by at an arm's reach, but Mr. Pivner did not appear to read. He stepped back, respectful as all ages of the expedition of heroes.

He had made this trip, a distance never measured in miles but in minutes, hundreds of times. Fortunately he had formed it as habit, for he accomplished it without thinking for a moment of where he was going, leaving his mind emptily cordial to the reflections of vacancy in the faces which stared with the same incurious anxiety at his own. If he had not rehearsed the trip many times, he might more easily have found himself among the flaming piles of rubble on a nearby city dump, which was a comparable distance away, far easier to reach, and whose central incineration plant had won a prize in functional architecture only ten years before.

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