H. Adler - The Journey

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The Journey: краткое содержание, описание и аннотация

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A major literary event: the first-ever English translation of a lost masterpiece of Holocaust literature by acclaimed author and survivor H. G. Adler.
The story behind the story of
is remarkable in itself: Award-winning translator Peter Filkins discovered an obscure German novel in a Harvard Square bookstore and, reading it, realized that it was a treasure unavailable to English speakers. It was the most powerful book by the late H. G. Adler, a survivor of Theresienstadt and Auschwitz, a writer whose work had been praised by authors from Elias Canetti to Heinrich Böll and yet remained unknown to international audiences.
Written in 1950 after Adler’s emigration to England,
was not released in Germany until 1962. After the war, larger publishing houses stayed away from novels about the Holocaust, feeling that the tragedy could not be fictionalized and that any metaphorical interpretation was obscene. Only a small publisher was in those days willing to take on
.
Yet Filkins found that Adler had depicted the event in a unique, truly modern, and deeply moving way. Avoiding specific mention of country or camps — even of Nazis and Jews—
is a lyrical nightmare of a family’s ordeal and one member’s survival. Led by the doctor patriarch Leopold, the Lustig family finds itself “forbidden” to live, uprooted into a surreal and incomprehensible circumstance of deprivation and death. This cataclysm destroys father, daughter, sister, and wife and leaves only Paul, the son, to live again among those who saved or sacrificed him.
reveals a world beset by an “epidemic of mental illness. . As a result of the epidemic, everyone was crazy, and once they finally recognized what was happening it was too late.”
Linked by its innovative style to the work of James Joyce and Virginia Woolf,
is as much a revelation as other recent discoveries on the subject as the works of W. G. Sebald and Irène Némirovsky’s
. It is a book proving that art can portray the unimaginable and expand people’s perceptions of it, a work anyone interested in recent history and modern literature must read.

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“You’re talking nonsense, Zerlina! What happened has happened. We should not fight on this day of mourning. Paul, what are you going to do today?”

“Nothing. Tomorrow I’ll go back to the firing range.”

“Good, Paul, let’s walk Zerlina to her boxes.”

“No, no! Please just leave me alone! I can’t do it. So please just let me go and be merciful! I have to go my own way alone. I have to be by myself and think other thoughts. As long as you are at my side, that’s not possible.” Zerlina kisses her mother. “You are a poor devil, Mother. There’s nothing you can do for me. But you don’t understand. You will never understand, but that I wish you from my heart. It is better, a thousand times better, if you never grasp it. To forget, and never to know what can’t be forgotten. In times like these, that protects the soul from misfortune. Be well! Paul, be well!”

Zerlina breaks loose and goes her own way. Paul looks after her, observing her hasty feet, left right, left right, her feet hurrying and her nose cold, feet hurrying, unhappy feet. But one must never look into the future, the plague memorial is already too old to even have a future. One can only wait, just as the street sweeper waits for fresh trash. Leitenberg will surely continue, left, right, in the future. Ruhenthal, however, will descend into sleep. A different sleep than now, a sleep beyond sleep, not just a deep sleep. Paul takes his mother under the arm and brings her to the front door of her building. His mother lives there; Paul is quartered elsewhere. Perhaps something was said along the way, though Paul cannot remember precisely what. He had to look down at the ground in order not to stumble, left and right. Before the front door he hears the brittle voice of a stranger. Perhaps it was Katie Budil’s voice.

“Thank you, Paul, thank you. You’ve helped us so much. You are a good son. Please let me be now!”

Paul walks off, a tall, thin youth, his legs heavy and clumsy, feeling lifeless. It looks as if he is counting each step. Caroline looks after him for a good while. Why is he so sad? It can’t be only because of the father. Paul doesn’t belong here. Young men don’t belong in the city of the dead. Old people can stand that for a while, and when they die it’s not that tragic. The young should be elsewhere or should hide. Here among the old they are lost and can do nothing to help them. They don’t want to believe the worst, because they simply cannot, and yet that’s the way it is. Their faith is only the courage to have faith. Through that there is a future despite all else. And so the days roll on, as if blown away by the wind. If Caroline can just go to sleep, that is good, but it would be better if she did not have to wake up the next morning! A life lived by arbitrary grace. So you live without living, only the eyes bring pain. Yet you can’t be so serious. You forget with time. Above all, forgetting is the forward course of life, for there’s no such thing as remembering more, nor do you become more clever, for all that happens only in school. Yet you are easily fooled and then do not see how things really are. You are diminished more and more through life’s changes. At the beginning you are deceived, then later disappointed, meaning that the deceptions fall away like powder after a fancy ball. There are no hopes, when Caroline thinks hard about it, because instead there are only deceptions that you wear like makeup, as life goes on pleasantly and all its many unpleasantries remain hidden from you in order that they not be discovered all at once if you were to stand in front of a mirror. Whoever cannot hide anything will soon be unhappy and will stand there with empty hands. Everything is taken away. People will go after anyone who has something. Then comes flattery, beseeching, and begging, though Caroline would go crazy if she gave away anything. Zerlina is the complete opposite, which is why there is nothing left of her but her naked soul. That doesn’t go far in Ruhenthal. Here you are not given anything, and most certainly so if you give too much away. Caroline is clever. She leaves nothing in the open. The money is well hidden. Many times her place has been searched but nothing is ever found. The thug who was led around by cross-eyed Nussbaum had looked at her hard and demanded the truth.

“Hand it all over! If you tell us straight off where everything is you can go scot-free!”

“I don’t have anything. How then am I supposed to produce it?”

“You have two minutes to think it over.”

The thug whistles and looks at his watch while Cross-Eyes looks at her as if he were ready to bite her head off. Time’s up and the fool screams, “We’ll search through everything. If I find anything, then you …”

“I don’t have anything. I swear it.”

They then rummage through everything. The contents of her bags fly out in arching bows. Every piece is minutely inspected. Curious onlookers gather around in circles, the family also stands by, worried, though everyone is chased away eventually.

“Powder! Where did you get powder? You’re already white enough and certainly don’t have to powder your nose.”

“Indeed, my nose is always so shiny. I have always powdered it.”

“Shut your mouth or I’ll have you up on charges before you know it.”

The powder is dumped out. Perhaps a piece of gold could be hidden in the powder. Underwear lies crumpled on the floor, food could be wrapped up in between. The cake has been cut into small pieces. The heels of shoes are banged. A needle is used to poke into the cover of a suitcase. Fingers probe the seams of dresses, looking for money that’s been sewed into them. No success, all effort has been wasted. The thug becomes enraged: “I haven’t found anything! You must be hiding something!”

“I don’t have anything. I’d be happy to give you something, if I had anything. But I’m afraid where there is nothing, then …”

“What’s that? Shut your mouth!”

Even the body search turns up nothing. Caroline knows better ways to hide money. Whoever tells the truth loses. And so you have to be clever. Which means talking only when it’s of use, just as in cards. First you bid, then you pass, and then you trump! Everything can be taken out of its hiding place, though one has to be careful. Whoever goes too far will pay for it. You’ll be locked up and beaten. Above all, you have to hide your thoughts and feelings, otherwise you will give yourself away and stand there with nothing left. How hard that was for Zerlina! Without that, no one can be helped, and all that’s left is disappointment. Given the way of the world, Caroline has to meet it head-on. Only fools want to make the world better. In the end such idiots are the laughingstocks; that is the only reward their goodness deserves. One just has to be happy to survive without being stomped on. Leopold is dead, whom Zerlina takes after, though less so Paul, who is somewhat different. The song is over, the band has stopped playing. Caroline had not always sung along, for the tune was often too difficult to carry. Leopold was a good man, but still he only thought of himself. It never occurred to him to think about what a young wife might need. Caroline didn’t need much, certainly not luxuries, and she certainly didn’t need to be pampered, but a bit of care and attention would have been good nonetheless.

Leopold was blind in both eyes, for he saw neither wife nor children. Only the patients. “Caroline, you don’t understand. Women have no sense of professional responsibility,” he had yelled when she dared to disagree. Leopold kept everything hidden inside. They all do that, one after another. His candor was made possible only through a naïve game of hide-and-seek that he played with himself. He had cut himself off and didn’t know himself, but rather only a few basic principles. He had lived by them for decades. If you asked him something, you knew in advance what the answer would be. He was a child whom Caroline had to take care of without getting anything in return. Nor had he ever worried about Paul and Zerlina. Of course he had been happy when, as children, they looked so sweet and wore such pretty clothes, but it was Caroline who had always taken care of it all, Leopold never having worried his head about any of it. “Children are women’s business. A man cannot busy himself with such stuff. The patients are waiting.” What were they all to him? Certainly not people, only patients! But everyone is a patient, even when medicine knows nothing of their ills because they are so deeply embedded that they cannot be found.

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