H. Adler - Panorama

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Panorama: краткое содержание, описание и аннотация

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Published for the first time in English, Panorama is a superb rediscovered novel of the Holocaust by a neglected modern master. One of a handful of death camp survivors to fictionalize his experiences in German, H. G. Adler is an essential author — referenced by W. G. Sebald in his classic novel
, and a direct literary descendant of Kafka.
When
was discovered in a Harvard bookshop and translated by Peter Filkins, it began a major reassessment of the Prague-born H. G. Adler by literary critics and historians alike. Known for his monumental
, a day-by-day account of his experiences in the Nazi slave-labor community before he was sent to Auschwitz, Adler also wrote six novels. The very depiction of the Holocaust in fiction caused furious debate and delays in their publication. Now
, his first novel, written in 1948, is finally available to convey the kinds of truths that only fiction can.
A brilliant epic,
is a portrait of a place and people soon to be destroyed, as seen through the eyes of young Josef Kramer. Told in ten distinct scenes, it begins in pastoral Word War I — era Bohemia, where the boy passively witnesses the “wonders of the world” in a thrilling panorama display; follows him to a German boarding school full of creeping xenophobia and prejudice; and finds him in young adulthood sent to a labor camp and then to one of the infamous extermination camps, before he chooses exile abroad after the war. Josef’s philosophical journey mirrors the author’s own: from a stoic acceptance of events to a realization that “the viewer is also the participant” and that action must be taken in life, if only to make sure the dead are not forgotten.
Achieving a stream-of-consciousness power reminiscent of James Joyce and Gertrude Stein, H. G. Adler is a modern artist with unique historical importance.
is lasting evidence of both the torment of his life and the triumph of his gifts.

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Josef hasn’t said a word, although he has tried to more than once, but Rumpler had only continued to indicate that he shouldn’t be interrupted, his time is valuable, so he can’t stop to listen to what others want to say to him, everyone wanting to talk to him, and where would he be then? Rumpler opens the door to the neighboring office, a tiny little room with two desks facing each other, on top of each an immense flood of disorganized newspapers, prospectuses, letters, baskets for records and files, parts of it all covered in a thick layer of dust, a couple of chairs there, as well as a door leading to the main administration office and the foyer. Dr. Horn sits in the little room, Rumpler’s secretary, to whom Rumpler introduces Josef, saying, “I’m pleased to present a newly minted little doctor. You know, my dear Horn, that I need to take precautions, and the little doctor is gifted, the best recommendations, important ones, and I’ve seldom seen such talent, although of course somewhat inexperienced and green. I’ll be counting on you, my dear Horn, to whip him into shape. You’ll no doubt know, even though I don’t yet, how the little doctor can be of help to us. What’s your name again? Ah yes, Kramer, that’s a memorable name. And so, my dear Horn, why don’t you see what you can do, you never seem to be able to finish all your work, and maybe he can be of help to you. And you, little doctor, you must gather your wits and never forget that everything depends on trust, everything that happens is between us. Culture is a secret treasure that must be well managed, indeed, but you, my dear Horn, shouldn’t smoke so much! Your voice has gotten husky again. Well then, shake hands, gentlemen, quickly, quickly! I don’t have time! Come along, Doctor. Horn, drop in a bit later, we have lots to talk about. Doctor, did you hear me? Everyone here has to pitch in.”

Rumpler pushes open the door to the main office. “I can’t introduce you to everyone. Dash it all, you’ll have to do that yourself. Ladies and gentlemen, I have here some help for you, a doctor. Now tell me your name again, I can’t remember them all, Kramer, so this is Dr. Kramer, who will start tomorrow. Make sure that there’s a spot for him. Everything of course is taken, each new addition an extra wheel on the wagon. Each has to elbow his way in and stake out his spot in the sun.” The office is large, yet overfull, writing desks, other tables, some typewriters, a duplication machine, an area for the municipal and the house telephones, shelves on the walls with letter files, countless folders, forms, office supplies, and papers, all of it neglected and covered in dust, as if nothing had been put in order here for years, the tables so close together as to allow only small passageways in between, which you have to snake along in order to get to the workstations or the windows, pots, coffee cups, packets of food and leftovers lying all around. At least two men and three women seem to be busy working, but soon other employees appear, and Rumpler looks proud of the office. “Look, little doctor, this is my Reich. Everyone is diligent and loves their work. There isn’t a single idle hand, everything runs like clockwork, each knowing his or her job and never wasting a free minute, this the center of the humanist spirit, and I am the father, I am the heart and soul!” Rumpler moves from workplace to workplace, his face serious as he asks each what he is doing. “Look, Doctor, it’s a work collective. Dash it all, if only I didn’t have to keep it all straight inside my head!”

Rumpler leads Josef into the next room, which is the business office, it looking similar to the main office, though a bit more tidy, there being a safe visible and some cabinets, the bookkeeper, the cashier, and an assistant working at three desks. Rumpler walks over to the cashier and wants to know what she is doing. Right now she is tallying the take from yesterday’s lecture. “Fräulein Auer, that’s taking much too long. Who reviews your numbers? Who tallies that? You don’t seem to realize that it’s not work meant for you. Who is there to correct any mistakes in your addition? It’s just not right! Why should I just accept it as is?” Rumpler then turns to the bookkeeper. “Herr Krupka, you never do your job like you should. You are always behind on the books, what kind of accounting is that? Dash it all, if you don’t know what Fräulein Auer is doing, Herr Krupka! You need to immediately review Fräulein Auer’s receipts. There’s no supervision involved if you review it side by side, because then you’re all in it together. I will have to speak with Dr. Horn. Tomorrow I want to see a report for the current month, including tickets sold, the revenues, the classes of tickets, the courses, the cinema, the radio. Tell Dr. Horn, and please make a note of it, Herr Krupka. You never have a notepad at hand when I’m here. Fräulein Auer, take a note, a staff meeting for tomorrow, detailed reports for the current month, make sure to remind me about it! As you see, Doctor, I have to be everywhere. Fräulein, get a pad from Herr Krupka. What, you have no notepads, Herr Krupka? We got some new ones just last week, but they’re all gone already? Well, Fräulein Grenadier has some, this I know. Talk to Fräulein Grenadier in order to get a notepad. Take pride, my good man, I can’t always show up in accounting and help you, you have to take care of things yourself. If you’d like, after I get done with the radio at eleven we could tally up everything together. What’s that, Fräulein Auer, unfortunately you’re busy? No, don’t tell me, you have a new admirer? Heh-heh, an admirer! Then I guess we’ll soon have to look for a new cashier. What’s that, Doctor, you’d very much like to be the cashier? It’s a good job, full of responsibility, a great deal actually, but the work is not hard, no stenography, no typewriters, only the receipts need to add up, a little bit of adding is all that’s needed. So you don’t want to? What am I supposed to do with you? This is what is sent to me on recommendation! Well then, come along, come along!”

Rumpler suddenly dashes out of the business office, Josef following him into his office, where the Professor throws himself into his desk chair and motions for Josef to sit as well, as Rumpler holds his head in his hands and the telephone rings. “But Fräulein Grenadier, you can’t just send anyone off the street in to see me, I’m not in, I’m wherever you want to say I am. Ridiculous! I’m not available for just any editor. What? It’s something important? There’s nothing important, I’m just overwhelmed. Tell him to call back at seven, or tomorrow. That’s time enough. Dash it all, I already know how important it is and that I need to talk about it on the radio. Adieu, adieu!” Rumpler slams the phone down. “Now you see, Doctor, how much I am harassed. Everyone wants to use me! They climb the heights of humankind without impunity. I’m supposed to take care of everyone, and that’s the way it goes each day, I have to bend over backward continually! Look, here I have some perfume, some herbal drops, which the doctor prescribed. I have a sore throat, I’m always hoarse, I’m too nervous, I really need a rest! Next month is the earliest I can go to Switzerland, on business, of course, for there’s something I have to do in Switzerland, that blessed land still full of humanity and freedom like in William Tell , though Zurich exhausts me. Dash it all, how I have to run around there, and they also want me in Basel and Bern. At least I’ll be able to get to Interlaken over the weekend in order relax a bit, but then I have to be back here, otherwise everyone will be pulling their hair out, and I have to handle everything and keep the peace. But off with you, little doctor, at least you’ve gotten a whiff of what goes on here, so goodbye, and give it your all! Yes, take it all down, you don’t know anything yet! Well then, until tomorrow, when we’ll see each other again, and you can start to write it all down.”

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