H. Adler - Panorama

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Panorama: краткое содержание, описание и аннотация

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Published for the first time in English, Panorama is a superb rediscovered novel of the Holocaust by a neglected modern master. One of a handful of death camp survivors to fictionalize his experiences in German, H. G. Adler is an essential author — referenced by W. G. Sebald in his classic novel
, and a direct literary descendant of Kafka.
When
was discovered in a Harvard bookshop and translated by Peter Filkins, it began a major reassessment of the Prague-born H. G. Adler by literary critics and historians alike. Known for his monumental
, a day-by-day account of his experiences in the Nazi slave-labor community before he was sent to Auschwitz, Adler also wrote six novels. The very depiction of the Holocaust in fiction caused furious debate and delays in their publication. Now
, his first novel, written in 1948, is finally available to convey the kinds of truths that only fiction can.
A brilliant epic,
is a portrait of a place and people soon to be destroyed, as seen through the eyes of young Josef Kramer. Told in ten distinct scenes, it begins in pastoral Word War I — era Bohemia, where the boy passively witnesses the “wonders of the world” in a thrilling panorama display; follows him to a German boarding school full of creeping xenophobia and prejudice; and finds him in young adulthood sent to a labor camp and then to one of the infamous extermination camps, before he chooses exile abroad after the war. Josef’s philosophical journey mirrors the author’s own: from a stoic acceptance of events to a realization that “the viewer is also the participant” and that action must be taken in life, if only to make sure the dead are not forgotten.
Achieving a stream-of-consciousness power reminiscent of James Joyce and Gertrude Stein, H. G. Adler is a modern artist with unique historical importance.
is lasting evidence of both the torment of his life and the triumph of his gifts.

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So it goes for a while, until Leopold lifts a case and lays it on the counter so that Herr Lieblich can open it and show what he has for wares, though they are full of samples that are not for sale and are only for show. Herr Neumann and Rudolf and Arthur become interested and talk about whether they could use this or that, Herr Lieblich always pointing out which ones will sell very well, or how many he has sold of something already, what great business he has been doing, and if Herr Neumann wants some good advice, then he should order it, for he’ll then see people rush through the doors, simply because they’ll be wild about it, which is why it would be best for Herr Neumann to order now, otherwise it could happen that there might not be enough wares to fill subsequent orders, or it just might be too late. Some things are just rubbish, says Arthur, which is what something is called that is not as good as Herr Lieblich thinks it is, though Herr Lieblich immediately replies that it’s not rubbish at all, because his firm has nothing to do with rubbish, to which Rudolf says that, indeed, it may not be rubbish but it’s still no good to them in the store, for nobody will buy it. Then samples appear, which no one calls rubbish, while Herr Neumann says that they are very good articles but the kind of thing that sells only in the city and not in Umlowitz, because here the people like simple things that are cheap and not too expensive, because people save their money, especially since the war, for they don’t have much money and some have lost everything after purchasing a lot of war bonds, and no one knows now what to do with war bonds. Meanwhile Herr Lieblich says to Herr Neumann that he certainly knows what is best, and he agrees that you can’t order everything, but he does wish to point out that Herr Iltis has already placed his order, and in Strobnitz, a market town in the district, Herr Lieblich has had numerous orders for the time under discussion, so many, in fact, that he doesn’t know if he’ll be able to fill them all, for he also has to serve the other proprietors of the district who are his long-standing customers.

Whenever Herr Neumann orders something, Herr Lieblich’s face lights up even more than before, he is so delighted as he takes out a little booklet with a soft brown cover on which it says “Orders,” after which he then inserts two pieces of carbon paper and writes down the list of goods that Herr Neumann wants, it always being a good number. Once one case has been sorted through, there follows another, but whenever a customer comes in everything stops, otherwise everyone is happy to keep looking, though Leopold gets upset whenever Herr Lieblich visits, because he has to continue to work and doesn’t get to see all the things that Herr Lieblich is there to show off. One case is full of women’s goods and fabric samples, and that’s when Herr Neumann asks for Herma’s opinion, which she then gives, telling him what she likes, what he should order and what he should not, as Herr Lieblich says how clever she is, and how happy it makes him to see a woman involved in a business, because women understand some things much better. With this he flashes Herma a charming smile, to which she only laughs and says nothing further. Then Herr Lieblich reaches for a hand-dyed purse made of real silk and a piece of soap scented with lily of the valley and a lovely thimble, all of which he presents to Herma as a gift, while in another case Herr Lieblich has samples that you can play with, even if they aren’t toys in their own right, and from these he always chooses something for Otto, which makes him happy and for which he waits in expectation, Josef getting something as well, while for Herr Neumann there’s a leather tobacco pouch, even though he already has quite a few that he doesn’t use, including one made from a pig’s bladder that he carries in his pocket, while Arthur gets a fountain pen, about which he says that it won’t work for long, Rudolf getting a notebook, Leopold a nail cleaner, anyone who happens to be in the store getting something as well.

Once Herr Lieblich has shown all of his wares, which can take a couple of hours, Herr Neumann says that Herr Lieblich should come along with him, for Herma has cooked something good and Herr Lieblich must surely be hungry, Herr Neumann having slaughtered a chicken earlier. He always goes through the yard and deftly grabs a chicken, pressing it between his legs and bending over to rip out some feathers just below the throat, at which he pulls out a long knife and cuts the chicken’s throat so that the blood quickly flows out and the chicken is dead, its wings still flapping a bit and its legs still twitching away for quite a while, Josef having been upset the first time he saw it, though he calmed down once someone explained to him that the chicken was dead already, and only its nerves were causing it to still move. Then Herr Lieblich is led into the kitchen and served a bowl of soup, after which he has some chicken that has been cooked in a paprika sauce, there being also dumplings along with it which Herma is so good at making, Poldi able to make only simple things, while afterward there is coffee and cake, though to drink there is also beer from Herr Schwinghammer’s. All during this Herr Lieblich is told many things, but once he has eaten his fill and there are no more stories to tell he thanks them for the friendly hospitality, kisses Herma’s hand, and says a heartfelt goodbye to everyone, after which Herr Lieblich heads off and someone shows up from the inn to pick up his cases.

Otherwise there are few visitors, only Adolf arriving two or three times a year, he not able to visit more often because of his wife, while he stays for only an hour when he does come, no one doing anything special for him, as only Herma serves him a coffee and says that he should have a look at the yard, and that Otto should show him the way, at which Adolf takes off already, saying that he’ll be back when he next has business in Umlowitz. The townsfolk of Umlowitz, however, never visit Herr Neumann when they don’t have something they are looking for, and even if they do visit most of them stand at the front of the store, nor do people sit out on a Sunday or during the evening as they do in the city, because everyone has something to do all day, and everyone sees everyone else all the time, few people even taking the time to eat together, while some eat something later on, because they have too much to do, though that is also good, since there are not enough places at the table. For the most part, Josef and Otto eat together, Herma normally joining them at the table and sometimes Herr Neumann, Poldi always bringing the heaping plates, which are so hot that Josef is amazed at how steady she holds them without spilling anything or scalding herself. Whenever Herr Neumann or Rudolf and Arthur or Herma are at dinner, sometimes someone calls out, at which they have to rush out right away because something is going on in the store or in the yard, and so they let the food sit in the middle of the table. Often it gets cold, and if it all takes too long Poldi carries the plates away and scrapes the food, if there’s enough left, into the pot, for Poldi says that it can still be eaten. Everyone eats a lot, so there is always something cooking and the pots are never empty, there is always someone who wants to eat, the large bake oven also never going out after it’s lit early in the morning, until late at night when it’s shut down, though the stovetop remains hot for a while. Poldi makes goose noodles, which are oats used to fatten a goose, laying the oats on the hearth so that they roast, but not too much. Meanwhile, when Poldi eats she doesn’t sit at the table but rather on a stool in front of the oven, where she chews away and holds a plate on her lap as she bends over her food, Toni doing this as well and all the people who work in the yard.

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