Joseph McElroy - Cannonball

Nor did he bring up the Scrolls again, a polite soul, until — but did I know of the two Crimean War photos and one of them was said to have been staged and fake? An English photographer name of Fenton clip-clopping along the Valley of the Shadow of Death mid-1850s with his assistant and his traveling darkroom like a Gypsy caravan at the risk of Russian cannon fire, and two photographs the road was clear in one though there were cannonballs in the ditch and in the other, the exact same place, balls were littering the road like shot-put shot.

Then as we approached a long brick structure that a Navy Captain and a civilian, African-American, in a double-breasted pinstripe suit were vigorously motioning us , I thought, into — but it was him (“Brother against brother’s the message,” he muttered)—“Scrolls,” he said, breathless, “on faith as killer weaponry these guys sight unseen,” and he thanked me for what I’d said about…about coercion and your real job, it was prophetic—

— for what, Chaplain? I slipped in.

— you will see, he said — that you found it after all within the job you were forced to do and had even been set up to play a not very creditable part in—

(had I meant that? said that? guess so)

— it gave him a lift, he said, in the midst of (nodding toward the two men waiting at the building) all this profit and loss, and your origins and your aim should be two quite different…“well, you know what I’m saying.” Though the “within-the-job” brainstorm had come not from me but from him , I would have sworn, though I gave him the benefit of the doubt, he meant well. Stealing a look at the men waiting for him, he didn’t look like a minister, he said he had not much faith in these classified Scrolls and if he had a minute, if the CEO were not watching his every move and the Navy Seal who was some kind of… — he thought he knew why they were classified.

Well, I’m not dead yet , were his words under his breath. A disposable life , he said.

His voice itself held you that would not lay down the law: and that is what I said as he made his way, loose-limbed, disjointedly hip-heavy, to the meaningless building, its exterior, some species of lab, and didn’t look around but shook his head, as the two figures consulted at the door looking perhaps beyond him but he had said he would see me again or would recommend me, yet was he doing so well himself? Long after this my sister read me some lines about Lazarus and I said there were two of them that had been doubled up from the real one, and it rang a bell for her, I think, and I told her out of my ignorance where I’d got it.

If it doesn’t move throw a coat of primer on it, Bosun First on a Coast Guard weather ship out of San Diego liked to tell his guys, and this was a moment to move. I was gone down the street of that invented town of Fort Meade at near quickstep, yet my own surveillance in the absence of the minicam somehow implanted so in the back of my head that I might have been jogging backwards as my own brother after graduation before he discovered golf had been seen to do on our high school track feeling the cinders fly up against his calf muscles keeping track where he’d been, I guess. In my confusion and fear at seeing some of the truth, I was putting distance between me and the men ushering, I gathered (as if I would never see him again), my Chaplain down to a simulation tank greater (it came to me) in area than the visible extent of the seemingly aboveboard of the brick building so long, so low that its structure pursued me which only now months later, my knees aching from my fall, my left arm sore and throbbing, came back to be understood, yet with a thought of building itself, hearing a voice so weak.

“Lift it up behind”: the voice so slight and near it might be little more, the memory of a throat and chest — voice, but left hanging in the burning damp dripping down and up if I could trust my eyes and skin, a gust came up from the rank current of the active well if you could read it. Thrown onto my hands and knees, sparks flowing outward from a dismal corner like welders who’d left work going. My left arm athrob with whatever was to be done, I reared up reaching for balance as the surface tilted back, a strip of interior shielding, ceiling become floor I realized and more to come down — was it my brain I was in? — posts angled adrift like the destroyed national bank I had been sent to shoot weeks since, yet in the twilight shambles singed, rumbling, stinking still, and tilting adrift on current here as well as below dealing errant blows by some pitch of afterblast from above and below, the voice fainter—“Leave me be”—a constant like a binnacle compass to balance amid the wreckage its own survival if more the words to vouchsafe than the speaker, so they were more my job than he — his “up behind” (my Bosun mentor’s command well remembered from a bad day south of Point Loma but instantly taking up slack for a couple of belaying pins made it better for me) and “team got out” (Chaplain groaned tellingly)—“c’mon, you’re the brawn I’m…,” again familiar from possibly the wreck of my life, where I must have said, “Hang on, I’ll get to you,” running like time between instants a driving force encountering isolated individuals — the snarling security guard who had hauled me back from the edge by my bloody sleeve; before that, the totally tanned, slight woman in almost nothing who gripped my bad arm when I rescued her from the edge; the soldier who struck me in the chest with her rifle; the Russian who would barely admit he’d found talent in Umo, as I had hoped my father would, while the intrepid wham of the music might be his doing lasering now and then down to some shredded rock rush like fit-to-be-tied mandolin; the quick little lance corporal whose rifle I had reached back unerringly to whack from one aim to another; and before that the late accountant telling me I’m bleeding, whose “Come in handy” meant the big blonde’s Chinese gun not at all that use of Umo my father had mysteriously meant so many months ago — what they figured Umo could do for them in a pinch now a photo op for his distracted friend Zach and a now repossessed Army camera; and further back, my powerful though almost imaginary escort down the dark, onyx-figured stairs, and Storm and my driver I could not now stop for, for in this double floor below the pool reeking of fire and toilets, metal welds, and probably skin, the speaker had become a pale face, but from the neck down a sheet or partition of steel or panel or plane, poor person, and he’s calling, Lift it up behind I honestly didn’t know why for honesty penciled into the plans of others was mine too, and the face’s words faint as memory Not dead yet became “Your job now,” for it was the man I had run into (and with) at Fort Meade months before, and “slab” was what he said, though how I would move it I…

A Chaplain I recalled who, about to complete underwater photography training preparatory to being sent to use it in this very desert, had said that I had given him “a lift”—I — and even now at death’s distracted door if not slammed by it offering terminal help more even than asking it, “Your old mole,” which meant God knows what, the creature working in the dark though his eyes were there above the neck-high steel sheet (or slab) wide open — and unseeing, I thought, though hearing why you should rush here like this , like a laugh somewhere between us.

Distant but breathing, soughing in his gullet like night tide at Chula Vista, telling me something, he was alive.

Of use, it came to me. Like me. Of use, as your employers like to think, even beyond being alive, and his face had not fallen apart.