Jonathan Franzen - The Corrections

Здесь есть возможность читать онлайн «Jonathan Franzen - The Corrections» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2007, ISBN: 2007, Издательство: HarperCollins, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Corrections: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Corrections»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

The Corrections — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Corrections», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Outside the white tent, the usual crowd of anarchists, eyed warily by a police detail that was later criticized as having been too small, openly carried banners and placards and privately, in the pockets of their cargo pants, carried powerful bar magnets with which they hoped, amid the cake-eating and punch-drinking and confusion, to erase much data from the center’s new Global Desktops. Their banners said REFUSE IT AND COMPUTERS ARE THE OPPOSITE OF REVOLUTION and THIS HEAVEN GIVES ME MIGRAINE. Billy Passafaro, neatly shaved and wearing a short-sleeve white button-down, carried a four-foot length of two-by-four on which he’d written WELCOME TO PHILADELPHIA!! When the official ceremonies ended and the scene became more appealingly anarchic, Billy edged into the crowd, smiling and holding aloft his message of goodwill, until he was close enough to the dignitaries that he could swing the two-by-four like a baseball bat and break Rick Flamburg’s skull. Three further blows demolished Flamburg’s nose, jaw, collarbone, and most of his teeth before the mayor’s bodyguard tackled Billy and a dozen cops piled on.

Billy was lucky the tent was too crowded for the cops to shoot him. He was also lucky, given the obvious premeditation of his crime and the politically awkward shortage of white inmates on death row, that Rick Flamburg didn’t die. (Less clear was whether Flamburg himself, an unmarried Dartmouth grad whom the attack left palsied, disfigured, slurred of speech, blind in one eye, and prone to incapacitating headaches, felt lucky about this.) Billy was indicted for attempted murder, first-degree assault, and assault with a deadly weapon. He categorically rejected any plea agreement and chose to represent himself in court, dismissing as “accommodationist” both his court-appointed counsel and the old Teamster attorney who offered to bill his family fifty an hour.

To the surprise of nearly everyone but Robin, who had never doubted her brother’s intelligence, Billy mounted an articulate self-defense. He argued that the mayor’s “sale” of the children of Philadelphia into the “technoslavery” of the W — Corporation represented a “clear and present public danger” to which he’d been justified in responding violently. He denounced the “unholy connivance” of American business and American government. He compared himself to the Minutemen at Lexington and Concord. When Robin, much later, showed Denise the trial transcript, Denise imagined bringing Billy and her brother Chip together over dinner and listening while they compared notes about “the bureaucracy,” but this dinner would have to wait until Billy had served seventy percent of his twelve-to-eighteen-year sentence at Graterford.

Nick Passafaro had taken a leave of absence and loyally attended his son’s trial. Nick went on TV and said everything you’d expect from an old red: “Once a day the victim’s black, and there’s silence; once a year the victim’s white, and there’s an outcry,” and “My son will pay dearly for his crime, but W — will never pay for its crimes, “and” “The Rick Flamburgs of the world have made billions selling phony violence to America’s children.” Nick concurred in most of Billy’s courtroom arguments and was proud of his performance, but after the photos of Flamburg’s injuries were introduced in court, he began to lose his grip. The deep V-shaped indentations in Flamburg’s cranium, nose, jaw, and clavicle spoke to a savagery of exertion, a madness, that didn’t square well with idealism. Nick stopped sleeping as the trial progressed. He stopped shaving and lost his appetite. At Colleen’s insistence, he saw a psychiatrist and came home with medications, but even then he woke her in the night. He shouted, “I won’t apologize!” He shouted, “It’s a war!” Eventually his dosages were upped, and in April the school district retired him.

Because Rick Flamburg had worked for the W — Corporation, Robin felt responsible for all of this.

Robin had become the Passafaro ambassador to Rick Flamburg’s family, showing up at the hospital until Flamburg’s parents had spent their anger and suspicion and recognized that she was not her brother’s keeper. She sat by Flamburg and read Sports Illustrated to him. She walked alongside his walker as he shuffled up a corridor. On the night of the second of his reconstructive surgeries, she took his parents to dinner and listened to their (frankly boring) stories about their son. She told them how quick Billy had been, how in fourth grade he’d already had the spelling and handwriting skills to forge a plausible note excusing him from school, and what a fund of dirty jokes and important reproductive information he was, and how it felt to be a smart girl and see your equally smart brother make himself more stupid by the year, as if specifically to avoid becoming a person like you: how mysterious it all was and how sorry she felt about what he’d done to their son.

On the eve of Billy’s trial, Robin invited her mother to go to church. Colleen had been confirmed as a Catholic, but she hadn’t taken communion in forty years; Robin’s own church experience was confined to weddings and funerals. Nevertheless, on three consecutive Sundays, Colleen agreed to be picked up in Mount Airy and driven to her childhood parish, St. Dymphna’s, in North Philly. Leaving the sanctuary on the third Sunday, Colleen told Robin, in the faint brogue she’d retained all her life, “That’ll do for me, thanks.” After that, Robin went by herself to mass at St. Dymphna’s and, by and by, to confirmation classes.

Robin could afford the time for these good works and acts of devotion because of the W — Corporation. Her husband, Brian Callahan, was the son of a local small-time manufacturer and had grown up comfortably in Bala-Cynwyd, playing lacrosse and developing sophisticated tastes in expectation of inheriting his father’s small specialty-chemical company. (Callahan père in his youth had profitably developed a compound that could be thrown into Bessemer converters and patch their cracks and ulcers while their ceramic walls were still hot.) Brian had married the prettiest girl in his college class (in his opinion, this was Robin), and soon after graduation he’d become president of High Temp Products. The company was housed in a yellow-brick building in an industrial park near the Tacony-Palmyra Bridge; by coincidence, its nearest living commercial neighbor was IBT Document Storage. The cerebral drain of running High Temp Products being minimal, Brian spent his executive afternoons noodling around with computer code and Fourier analysis, blasting on his presidential boom box certain cult California bands to which he was partial (Fibulator, Thinking Fellers Union, the Minutemen, the Nomatics), and writing a piece of software that in the fullness of time he quietly patented, quietly found a VC backer for, and one day, on the advice of this backer, quietly sold to the W — Corporation for $19,500,000.

Brian’s product, called Eigenmelody, processed any piece of recorded music into an eigenvector that distilled the song’s tonal and melodic essence into discrete, manipulable coordinates. An Eigenmelody user could select a favorite Moby song, and Eigenmelody would spectroanalyze her choice, search a recorded-music database for songs with similar eigenvectors, and produce a list of kindred sounds that the user might otherwise have never found: the Au Pairs, Laura Nyro, Thomas Mapfumo, Pokrovsky’s wailing version of Les Noces . Eigenmelody was parlor game, musicological tool, and record-sales-enhancer rolled into one. Brian had worked enough kinks out of it that the behemoth of W—, belatedly scrambling for a piece of the online music-distribution action, came running to him with a big wad of monopoly money in its outstretched hand.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Corrections»

Представляем Вашему вниманию похожие книги на «The Corrections» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Corrections»

Обсуждение, отзывы о книге «The Corrections» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x