Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Still, even the worst morning was better than the best night. In the morning every process quickened , speeding his meds to their destinations: the canary-yellow spansule for incontinence, the small pink Tums-like thing for the shakes, the white oblong to discourage nausea, the wan blue tablet to squelch hallucinations from the small pink Tums-like thing. In the morning the blood was crowded with commuters, the glucose peons, lactic and ureic sanitation workers, hemo-globinous deliverymen carrying loads of freshly brewed oxygen in their dented vans, the stern foremen like insulin, the enzymic middle managers and executive epinephrine, leukocyte cops and EMS workers, expensive consultants arriving in their pink and white and canary-yellow limos, everyone riding the aortal elevator and dispersing through the arteries. Before noon the rate of worker accidents was tiny. The world was newborn.

He had energy. From the Kierkegaard Room he lopingly careened through a red-carpeted hallway that had previously vouchsafed him a comfort station but this morning seemed all business, no Μ or W in sight, just salons and boutiques and the Ingmar Bergman Cinema. The problem was that his nervous system could no longer be relied on for an accurate assessment of his need to go. At night his solution was to wear protection. By day his solution was to visit a bathroom hourly and always to carry his old black raincoat in case he had an accident to hide. The raincoat had the added virtue of offending Enid’s romantic sensibilities, and his hourly stops the added virtue of lending structure to his life. Simply holding things together — simply keeping the ocean of night terrors from breaching the last bulkhead — was his ambition now.

Throngs of women were streaming toward the Longstocking Ballroom. A strong eddy in their current swept Alfred into a hallway lined with the staterooms of onboard lecturers and entertainers. At the end of this hall a men’s room beckoned.

An officer in epaulets was using one of the two urinals. Afraid of failing to perform under scrutiny, Alfred entered a stall and slid the bolt and found himself face to face with an ordure-strafed toilet which fortunately said nothing, merely stank. He exited and tried the next stall, but here something did scurry on the floor — a mobile turd, ducking for cover — and he didn’t dare enter. In the meantime the officer had flushed, and as he turned from his urinal Alfred recognized his blue cheeks and rose-tinted eyeglasses, his pudenda-pink lips. Hanging from his still-open zipper was twelve inches or more of limp tan tubing. A yellow grin opened between his blue cheeks. He said, “I left a little treasure in your bed, Mr. Lambert. To replace the one I took.”

Alfred reeled out of the bathroom and fled up a staircase, higher and higher, up seven flights to the open air of the Sports Deck. Here he found a bench in hot sunlight. From the pocket of his raincoat he took a map of Canada’s maritime provinces and tried to fix himself within a grid, identify some landmarks.

Three old men in Gore-Tex parkas were standing at the rail. Their voices were inaudible one moment and fully distinct the next. Apparently the wind had pockets in its fluid mass, small spaces of stillness through which a sentence or two might find a way.

“Here’s a fellow with a map,” a man said. He came over to Alfred looking happy in the way of all men in the world except Alfred. “Excuse me, sir. What do you reckon we’re looking at up here on the left?”

“That is the Gaspé Peninsula,” Alfred answered firmly. “There should be a large town coming up around the bend.”

“Thank you very much.”

The man returned to his companions. As if the ship’s location mattered to them greatly, as if only the quest for this information had brought them to the Sports Deck to begin with, all three immediately departed for a lower deck, leaving Alfred alone on top of the world.

The protective sky was thinner in this country of northern water. Clouds ran in packs resembling furrows in a field, gliding along beneath the sky’s enclosing dome, which was noticeably low. One approached Ultima Thule here. Green objects had red coronas. In the forests that stretched west to the limit of visibility, as in the purposeless rushing of the clouds, as in the air’s supernal clarity, there was nothing local.

Odd to glimpse infinity precisely in a finite curve, eternity precisely in the seasonal.

Alfred had recognized the blue-cheeked man in the bathroom as the man from Signals, as betrayal personified. But the blue-cheeked man from Signals couldn’t possibly afford a luxury cruise, and this worried him. The blue-cheeked man came from the distant past but was walking and talking in the present, and the turd was a creature from the night but was afoot in broad daylight, and this worried him a lot.

According to Ted Roth, holes in the ozone layer started at the poles. It was during the long Arctic night that the earth’s shell first weakened, but once the shell was punctured the damage spread outward, encroaching even on the sunny tropics — even the equator — and soon no spot on the globe was safe.

Meanwhile an observatory in the far nether regions had sent out a feeble signal, an ambiguous message.

Alfred received the signal and wondered what to do about it. He felt shy of bathrooms now, but he couldn’t very well drop his trousers out here in the open. The three men might return at any moment.

Beyond a protective railing to his right was a collection of thickly painted planes and cylinders, two navigational spheres, an inverted cone. Since he was not afraid of heights, nothing prevented him from ignoring the strongly worded warning in four languages, squeezing past the railing, and stepping out onto the sandpapery metal surface to seek, as it were, a tree to pee behind. He was high above everything and invisible.

But too late.

Both legs of his trousers were very soaked, the left leg nearly to his ankle. Warm-cold wetness all over everything.

And where a town should have appeared on the coast, the land instead was dropping away. Gray waves marched across strange waters, and the tremor of the engines became more labored, less easy to ignore. The ship either had not reached the Gaspé Peninsula or had already passed it. The data he’d transmitted to the men in parkas was faulty. He was lost.

And from the deck immediately below him came a windborne giggle. It came again, a trilling squeal, a northern lark.

He edged away from the spheres and cylinders and leaned out past the outer railing. A few yards farther astern was a small “Nordic” sunbathing area, sequestered behind cedar fencing, and a man standing where no passenger was permitted to stand could see right over the fencing and behold Signe Söderblad, her chill-stippled arms and thighs and belly, the plump twin cloudberries into which a suddenly gray winter sky had drawn her nipples, the quaking ginger fur between her legs.

The day world floated on the night world and the night world tried to swamp the day world and he worked and worked to keep the day world watertight. But there had been a grievous breach.

Came another cloud then, larger, denser, that turned the gulf below it to a greenish black. Ship and shadow in collision.

And shame and despair—

Or was it the wind catching the sail of his raincoat?

Or was it the ship’s pitching?

Or the tremor in his legs?

Or the corresponding tremor of the engines?

Or a fainting spell?

Or vertigo’s standing invitation?

Or the relative warmth of open water’s invitation to someone soaked and freezing in the wind?

Or was he leaning, deliberately, to glimpse again the gingery mons?

“How fitting it is,” said internationally noted investment counselor Jim Crolius, “to be talking money on a Nordic Pleasurelines Luxury Fall Color Cruise. Folks, it’s a beautiful sunny morning, isn’t it?”

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