Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Robin Passafaro was a Philadelphian from a family of troublemakers and true believers. Robin’s grandfather and her uncles Jimmy and Johnny were all unreconstructed Teamsters; the grandfather, Fazio, had served under the Teamsters boss Frank Fitzsimmons as a national vice president and had run the biggest Philly local and mishandled the dues of its 3,200 members for twenty years. Fazio had survived two racketeering indictments, a coronary, a laryngectomy, and nine months of chemotherapy before retiring to Sea Isle City on the Jersey coast, where he still hobbled out onto a pier every morning and baited his crab traps with raw chicken.

Uncle Johnny, Fazio’s eldest son, got along well on two kinds of disability (“chronic and severe lumbar pain,” the claim forms stated), his seasonal cash-only house-painting business, and his luck or talent as an online day trader. Johnny lived near Veterans Stadium with his wife and their youngest daughter in a vinyl-sided row house that they’d expanded until it filled their tiny lot, from the sidewalk to the rear property line; a flower garden and a square of Astro turf were on the roof.

Uncle Jimmy (“Baby Jimmy”) was a bachelor and the site manager for IBT Document Storage, a cinder-block mausoleum that the International Brotherhood of Teamsters, in more optimistic times, had built on the industrial banks of the Delaware and later, because only three (3) loyal Teamsters had ever opted for interment in its thousand fireproof vaults, converted into a long-term repository for corporate and legal paper. Baby Jimmy was famous in local NA circles for having hooked himself on methadone without ever trying heroin.

Robin’s father, Nick, was Fazio’s middle child and the only Passafaro of his generation who never got with the Teamster program. Nick was the family brain and a committed Socialist; the Teamsters with their Nixonian and Sinatran allegiances were anathema to him. Nick married an Irish girl and pointedly moved out to racially integrated Mount Airy and embarked on a career of teaching high-school social studies in the city district, daring principals to fire him for his ebullient Trotskyism.

Nick and his wife, Colleen, had been told that they were infertile. They adopted a year-old boy, Billy, a few months before Colleen became pregnant with Robin — the first of three daughters. Robin was a teenager before she learned that Billy was adopted, but her earliest emotional memories from childhood, she told Denise, were of feeling helplessly privileged .

There was probably a good diagnostic label for Billy, corresponding to abnormal EEG waveforms or troubled red nodules or black lacunae on his CAT scan and to hypothetical causes like severe neglect or cerebral trauma in his preadoptive infancy; but his sisters, Robin especially, knew him simply as a terror. Billy soon figured out that no matter how cruel he was to Robin, she would always blame herself. If she lent him five dollars, he made fun of her for thinking he would pay it back. (If she complained to her father, Nick just gave her another five.) Billy chased her with the grasshoppers whose legs he’d clipped the ends off, the frogs he’d bathed in Clorox, and he told her — he meant it as a joke—“I hurt them because of you.” He put turds of mud in Robin’s dolls’ underpants. He called her Cow Clueless and Robin No-Breast. He stuck her forearm with a pencil and broke the lead off deep. The day after a new bicycle of hers disappeared from the garage, he turned up with a good pair of black roller skates that he said he’d found on Germantown Avenue and that he used to rocket around the neighborhood in the months while she was waiting for another bike.

Their father, Nick, had eyes for every injustice in the First and Third Worlds except those of which Billy was the author. By the time Robin started high school, Billy’s delinquency had driven her to padlock her closet, stuff Kleenex in the keyhole of her bedroom door, and sleep with her wallet beneath her pillow; but even these measures she took more sadly than angrily. She had little to complain of and she knew it. She and her sisters were poor and happy in their big falling-down house on Phil-Ellena Street, and she went to a good Quaker high school and then to an excellent Quaker college, both on full scholarships, and she married her college boyfriend and had two baby girls, while Billy was going down the tubes.

Nick had taught Billy to love politics, and Billy had repaid him by taunting him with the epithet bourgeois liberal, bourgeois liberal . When this failed to incense Nick sufficiently, Billy befriended the other Passafaros, who were predisposed to love any traitor in the family traitor’s family. After Billy was arrested on his second felony charge and Colleen threw him out of the house, his Teamster relatives gave him something of a hero’s welcome. It was a while before he fully wore it out.

He lived for a year with his Uncle Jimmy, who well into his fifties felt happiest among like-minded adolescents with whom he could share his large collections of guns and knives, Chasey Lain videos, and Warlords III and Dungeonmaster paraphernalia. But Jimmy also worshipped Elvis Presley at a shrine in one corner of his bedroom, and Billy, who never got it through his head that Jimmy wasn’t joking about Elvis, finally desecrated the shrine in some grievous and irreversible manner that Jimmy afterward refused to talk about, and was put out on the street.

From there Billy drifted into the radical underground scene in Philly — that Red Crescent of bomb-makers and Xeroxers and zinesters and punks and Bakuninites and minor vegan prophets and orgone-blanket manufacturers and women named Afrika and amateur Engels biographers and Red Army Brigade émigrés that stretched from Fishtown and Kensington in the north, over through Germantown and West Philly (where Mayor Goode had firebombed the good citizens of MOVE), and down into blighted Point Breeze. It was an odd Philly Phact that a non-negligible fraction of the city’s crimes were committed with political consciousness. After Frank Rizzo’s first mayoralty nobody could pretend that the city police force was clean or impartial; and since, in the estimation of Red Crescent denizens, all cops were murderers or, at the very least, ipso facto accessories to murder (witness MOVE!), any crime of violence or wealth redistribution to which a cop might object could be justified as a legitimate action in a long-running dirty war. This logic by and large eluded local judges, however. The young anarchist Billy Passafaro over the years drew ever more severe sentences for his crimes — probation, community service, experimental penal boot camp, and finally the state pen at Graterford. Robin and her father often argued about the justice of these sentences, Nick stroking his Lenin-like goatee and asserting that, although not a violent man himself, he was not opposed to violence in the service of ideals, Robin challenging him to specify what political ideal, exactly, Billy had advanced by stabbing a Penn undergrad with a broken pool cue.

The year before Denise met Robin, Billy was released on parole and attended a ribbon-cutting ceremony for a Community Computing Center in the poor near-north neighborhood of Nicetown. One of the many policy coups of Mayor Goode’s popular two-term successor was the commercial exploitation of the city’s public schools. The mayor had shrewdly cast the deplorable neglect of the schools as a business opportunity (“Act Fast, Be Part of Our Message of Hope,” his letters said), and the Ν—Corporation had responded to his pitch by assuming responsibility for the city’s severely underfunded school athletic programs. Now the mayor had midwifed a similar arrangement with the W — Corporation, which was donating to the city of Philadelphia sufficient units of its famous Global Desktop to “empower” every classroom in the city, plus five Community Computing Centers in blighted northern and western neighborhoods. The agreement granted W — the exclusive right to employ for promotional and advertising purposes all classroom activities within the school district of Philadelphia, including but not limited to all Global Desktop applications. Critics of the mayor alternately denounced the “sellout” and complained that W — was donating its slow and crash-prone Version 4.0 Desktops to the schools and its nearly useless Version 3.2 technology to the Community Computing Centers. But the mood in Nicetown on that September afternoon was buoyant. The mayor and W—’s twenty-eight-year-old corporate-image vice president, Rick Flamburg, joined hands on big shears to cut ribbon. Local politicians of color said children and tomorrow . They said digital and democracy and history .

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