Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“Don’t be sorry. Do you want me to walk you down?”

“No, I got confused, I see now, this is the Upper Deck and I’m supposed to be on a lower deck. A much lower deck. So, I’m sorry.”

She turned away but still she didn’t leave. “My husband …” She shook her head. “No, our son, actually. We didn’t have lunch with him today. That’s what I wanted to tell you. He met us at the airport and we were supposed to have lunch with him and his friend, but they just— left , I don’t understand it, and he never came back, and we still don’t know where he went. So, anyway.”

“That is peculiar,” Sylvia agreed.

“So, I don’t want to bore you—”

“No no no, Enid, shame on you.”

“I just wanted to straighten that out, and now I’m off to bed, so, and I’m so glad we met! There’s a lot to do tomorrow. So. We’ll see you at breakfast!”

Before Sylvia could stop her, Enid sidled up the corridor (she needed surgery on her hip but imagine leaving Al at home alone while she was in the hospital, just imagine) castigating herself for blundering down a hall she didn’t belong on and blurting out shameful nonsense about her son. She veered to a cushioned bench and slumped and did, now, burst into tears. God had given her the imagination to weep for the sad strivers who booked the most el-cheapo “B” Deck inside staterooms on a luxury cruise ship; but a childhood without money had left her unable to stomach, herself, the $300 per person it cost to jump one category up; and so she wept for herself. She felt that she and Al were the only intelligent people of her generation who had managed not to become rich.

Here was a torture that the Greek inventors of the Feast and the Stone had omitted from their Hades: the Blanket of Self-Deception. A lovely warm blanket as far as it covered the soul in torment, but it never quite covered everything . And the nights were getting cold now.

She considered returning to Sylvia’s room and fully unburdening herself.

But then, through her tears, she saw a sweet thing beneath the bench beside her.

It was a ten-dollar bill. Folded once. Very sweet.

With a glance up the corridor, she reached down. The texture of engraving was delicious.

Feeling restored, she descended to the “B” Deck. Background music whispered in the lounge, something perky with accordions. She imagined she heard her name bleated, distantly, as she fitted her key card in the lock and pushed on her door.

She encountered resistance and pushed harder.

“Enid,” Alfred bleated from the other side.

“Shh, Al, what on earth?”

Life as she knew it ended with her squeeze through the half-open door. Diurnality yielded to a raw continuum of hours. She found Alfred naked with his back to the door on a layer of bedsheets spread on sections of morning paper from St. Jude. Pants and a sport coat and a tie were laid out on his bed, which he’d stripped to the mattress. The excess bedding he’d piled on the other bed. He continued to call her name even after she’d turned on a light and occupied his field of vision. Her immediate aim was to quiet him and get some pajamas on him, but this took time, for he was terribly agitated and not finishing his sentences, not even making his verbs and nouns agree in number and person. He believed that it was morning and he had to bathe and dress, and that the floor by the door was a bathtub, and that the handle was a faucet, and that nothing worked. Still he insisted on doing everything his way, which led to a pushing and pulling, an actual blow to her shoulder. He raged and she wept and abused him. He managed with his madly flopping hands to unbutton his pajama top as fast she could button it. She’d never heard him use the words “t **d” or “c **p,” and the fluency with which he used them now illuminated years of prior silent usage in his head. He unmade her bed while she tried to remake his. She begged him to sit still. He cried that it was very late and he was very confused. Even now she couldn’t help loving him. Maybe especially now. Maybe she’d known all along, for fifty years, that there was this little boy in him. Maybe all the love she’d given Chipper and Gary, all the love for which in the end she’d got so little in return, had merely been practice for this most demanding of her children. She soothed and berated him and silently cursed his addling medications for an hour or more, and finally he was asleep and her travel clock showed 5:10 and 7:30 and he was running his electric shaver. Not having gone properly under, she felt fine getting up and fine dressing and catastrophically bad going to breakfast, her tongue like a dust mop, her head like something on a spit.

Even for a big ship the sea this morning was poor footing. The regurgitative splats outside the Kierkegaard Room were almost rhythmic, a kind of music of chance, and Mrs. Nygren informatively brayed about the evils of caffeine and the quasi-bicamerality of the Storting, and the Söderblads arrived damp from intimate Swedish exertions, and somehow Al proved equal to conversation with Ted Roth. Enid and Sylvia resumed relations stiffly, their emotional muscles pulled and aching from last night’s overuse. They talked about the weather. An activities coordinator named Suzy Ghosh came by with orientative tidings and registration forms for the afternoon’s outings in Newport, Rhode Island. With a bright smile and anticipatory noises Enid signed up for a tour of the town’s historic homes, and then watched in dismay as everyone else but the Norwegian social lepers passed along the clipboard without registering. “Sylvia!” she chid, her voice shaking, “you’re not going on the tour?” Sylvia glanced at her bespectacled husband, who nodded like McGeorge Bundy green-lighting ground troops for Vietnam, and for a moment her blue eyes seemed to look inward; apparently she had that ability of the enviable, of the non-midwestern, of the moneyed, to assess her desires without regard to social expectations or moral imperatives. “OK, yes, good,” she said, “maybe I will.” Ordinarily Enid would have squirmed at the hint of charity here, but she was waiving the oral exam for gift horses today. She needed all the charity she could get. And so on up the day’s steep incline she labored, availing herself of a complimentary half-session of Swedish massage, watching coastal leaves senesce from the Ibsen Promenade, and downing six ibuprofens and a quart of coffee to prepare for her afternoon in charming and historic Newport! In which freshly rain-laundered port of call Alfred announced that his feet hurt too much to venture ashore, and Enid made him promise not to nap or he wouldn’t sleep at night, and she laughingly (for how could she admit that it was life and death?) implored Ted Roth to keep him awake, and Ted replied that getting the Nygrens off the ship ought to help with that.

Smells of sun-warmed creosote and cold mussels, of boat fuel and football fields and drying kelp, an almost genetic nostalgia for things maritime and things autumnal, beset Enid as she limped from the gangway toward the tour bus. The day was dangerously beautiful. Big gusts and related clouds and a fierce lion of a sun blew the gaze around, agitating Newport’s white clapboard and mown greens, making them unseeable straight on. “Folks,” the tour guide urged, “just sit back and drink it in.” But that which can be drunk can also drown. Enid had slept for six of the previous fifty-five hours, and even as Sylvia thanked her for inviting her along she found she had no energy for touring. The Astors and the Vanderbilts, their pleasure domes and money: she was sick of it. Sick of envying, sick of herself. She didn’t understand antiques or architecture, she couldn’t draw like Sylvia, she didn’t read like Ted, she had few interests and no expertise. A capacity for love was the only true thing she’d ever had. And so she tuned out the tour guide and heeded the October angle of the yellow light, the heart-mangling intensities of the season. In the wind pushing waves across the bay she could smell night’s approach. It was coming at her fast: mystery and pain and a strange yearning sense of possibility , as though heartbreak were a thing to be sought and moved toward. On the bus between Rosecliff and the lighthouse, Sylvia offered Enid a cell phone so she could give Chip a call. Enid declined, since cell phones ate dollars and she thought a person might incur charges simply by touching one, but she made this statement: “It’s been years, Sylvia, since we had a relationship with him. I don’t think he tells us the truth about what he’s doing with his life. He said once he was working for the Wall Street Journal . Maybe I misheard him, but I think that’s what he said, but I don’t think that’s really where he’s working. I don’t know what he does for a living really. You must think it’s awful of me to complain about this, when you’ve had things so much worse.” In Sylvia’s insistence that it wasn’t awful, not at all, Enid glimpsed how she might confess an even more shameful thing or two, and how this exposure to the public elements might, while painful, offer solace. But like so many phenomena that were beautiful at a distance — thunderheads, volcanic eruptions, the stars and planets — this alluring pain proved, at closer range, to be inhuman in its scale. From Newport the Gunnar Myrdal sailed east into sapphire vapors. The ship felt stifling to Enid after an afternoon’s exposure to big skies and the tanker-size playpens of the superwealthy, and though she won sixty more dollars in the Stringbird Room she felt like a lab animal caged with other lever-yanking animals amid the mechanized blink and burble, and bedtime came early, and when Alfred began to stir she was already awake listening to the anxiety bell ringing with such force that her bed frame vibrated and her sheets were abrasive, and here was Alfred turning on lights and shouting, and a next-door neighbor banging on the wall and shouting back, and Alfred stock-still listening with his face twisted in paranoid psychosis and then whispering conspiratorially that he’d seen a t **d run between the beds, and then the making and unmaking of said beds, the application of a diaper, the application of a second diaper to address some hallucinated exigency, and the balking of his nerve-damaged legs, and the bleating of the word “Enid” until he nearly wore it out, and the woman with the rawly abraded name sobbing in the dark with the worst despair and anxiety she’d ever felt until finally — like an overnight traveler arriving at a train station differing from the dismal ones before it only in the morning twilight, the small miracles of restored visibility: a chalky puddle in a gravel parking lot, the steam twisting from a sheet-metal chimney — she was brought to a decision.

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