Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“Psst! Asshole!”

With a jolt Alfred awakened to the tremor and slow pitching of the Gunnar Myrdal . Someone else was in the stateroom?

“Asshole!”

“Who’s there?” he asked half in challenge, half in fear.

Thin Scandinavian blankets fell away as he sat up and peered into the semidarkness, straining to hear past the boundaries of his self. The partially deaf know like cellmates the frequencies at which their heads ring. His oldest companion was a contralto like a pipe organ’s middle A, a clarion blare vaguely localized in his left ear. He’d known this tone, at growing volumes, for thirty years; it was such a fixture that it seemed it should outlive him. It had the pristine meaninglessness of eternal or infinite things. Was as real as a heartbeat but corresponded to no real thing outside him. Was a sound that nothing made.

Underneath it the fainter and more fugitive tones were active. Cirrus-like clusterings of very high frequencies off in deep stratosphere behind his ears. Meandering notes of almost ghostly faintness, as from a remote calliope. A jangly set of mid-range tones that waxed and waned like crickets in the center of his skull. A low, almost rumbling drone like a dilution of a diesel engine’s blanket alldeafeningness, a sound he’d never quite believed was real — i.e., unreal — until he’d retired from the Midpac and lost touch with locomotives. These were the sounds his brain both created and listened to, was friendly with.

Outside of himself he could hear the psh, psh of two hands gently swinging on their hinges in the sheets.

And the mysterious rush of water all around him, in the Gunnar Myrdal ’s secret capillaries.

And someone snickering down in the dubious space below the horizon of the bedding.

And the alarm clock pinching off each tick. It was three in the morning and his mistress had abandoned him. Now, when he needed her comforts more than ever, she went off whoring with younger sleepers. For thirty years she’d obliged him, spread her arms and opened her legs every night at ten-fifteen. She’d been the nook he sought, the womb. He could still find her in the afternoon or early evening, but not in a bed at night. As soon as he lay down he groped in the sheets and sometimes for a few hours found some bony extremity of hers to clutch. But reliably at one or two or three she vanished beyond any pretending that she still belonged to him.

He peered fearfully across the rust-orange carpeting to the Nordic blond wood lines of Enid’s bed. Enid appeared to be dead.

The rushing water in the million pipes.

And the tremor, he had a guess about this tremor. That it came from the engines, that when you built a luxury cruise ship you damped or masked every sound the engines made, one after another, right down to the lowest audible frequency and even lower, but you couldn’t go all the way to zero. You were left with this subaudible two-hertz shaking, the irreducible remainder and reminder of a silence imposed on something powerful.

A small animal, a mouse, scurried in the layered shadows at the foot of Enid’s bed. For a moment it seemed to Alfred that the whole floor consisted of scurrying corpuscles. Then the mice resolved themselves into a single more forward mouse, horrible mouse, squishable pellets of excreta, habits of gnawing, heedless peeings—

“Asshole, asshole!” the visitor taunted, stepping from the darkness into a bedside dusk.

With dismay Alfred recognized the visitor. First he saw the dropping’s slumped outline and then he caught a whiff of bacterial decay. This was not a mouse. This was the turd.

“Urine trouble now, he he!” the turd said.

It was a sociopathic turd, a loose stool, a motormouth. It had introduced itself to Alfred the night before and so agitated him that only Enid’s ministrations, a blaze of electric light and Enid’s soothing touch on his shoulder, had saved the night.

“Leave!” Alfred commanded sternly.

But the turd scurried up the side of the clean Nordic bed and relaxed like a Brie, or a leafy and manure-smelling Cabrales, on the covers. “Splat chance of that, fella.” And dissolved, literally, in a gale of hilarious fart sounds.

To fear encountering the turd on his pillow was to summon the turd to the pillow, where it flopped in postures of glistening well-being.

“Get away, get away,” Alfred said, planting an elbow in the carpeting as he exited the bed headfirst.

“No way, José,” the turd said. “First I’m gonna get in your clothes.”

“No!”

“Sure am, fella. Gonna get in your clothes and touch the upholstery. Gonna smear and leave a trail. Gonna stink so bad.”

“Why? Why? Why would you do such a thing?”

“Because it’s right for me,” the turd croaked. “It’s who I am. Put somebody else’s comfort ahead of my own? Go hop in a toilet to spare somebody else’s feelings? That’s the kinda thing you do, fella. You got everything bass ackwards. And look where it’s landed you.”

“Other people ought to have more consideration.”

“You oughtta have less. Me personally, I am opposed to all strictures. If you feel it, let it rip. If you want it, go for it. Dude’s gotta put his own interests first.”

“Civilization depends upon restraint,” Alfred said.

“Civilization? Overrated. I ask you what’s it ever done for me? Flushed me down the toilet! Treated me like shit!”

“But that’s what you are ,” Alfred pleaded, hoping the turd might see the logic. “That’s what a toilet is for .”

“Who you calling shit here, asshole? I got the same rights as everybody else, don’t I? Life, liberty, the pussuit of hot-pussyness? That’s what it says in the Constitution of the You Nighted—”

“That’s not right,” Alfred said. “You’re thinking of the Declaration of Independence.”

“Some old yellow piece a paper somewhere, what the ratass fuck do I care what exact paper? Tightasses like you been correcting every fucking word outta my mouth since I was yay big. You and all the constipated fascist schoolteachers and Nazi cops. For all I care the words are printed on a piece of fucking toilet paper. I say it’s a free country, I am in the majority, and you , fella, are a minority. And so fuck you.”

The turd had an attitude, a tone of voice, that Alfred found eerily familiar but couldn’t quite place. It began to roll and tumble on his pillow, spreading a shiny greenish-brown film with little lumps and fibers in it, leaving white creases and hollows where the fabric was bunched. Alfred, on the floor by the bed, covered his nose and mouth with his hands to mitigate the stench and horror.

Then the turd ran up the leg of his pajamas. He felt its tickling mouselike feet.

“Enid!” he called with all the strength he had.

The turd was somewhere in the neighborhood of his upper thighs. Struggling to bend his rigid legs and hook his semifunctional thumbs on the waistband, he pulled the pajamas down to trap the turd inside the fabric. He suddenly understood that the turd was an escaped convict, a piece of human refuse that belonged in jail. That this was what jail was for: people who believed that they, rather than society, made the rules. And if jail did not deter them, they deserved death! Death! Drawing strength from his rage, Alfred succeeded in pulling the ball of pajamas from his feet, and with oscillating arms he wrestled the ball to the carpeting, hammering it with his forearms, and then wedged it deep between the firm Nordic mattress and the Nordic box spring.

He knelt, catching his breath, in his pajama top and adult diaper.

Enid continued to sleep. Something distinctly fairy-tale-like in her attitude tonight.

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