Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“Enough. Enough! I don’t give a damn what other people do. I am not that kind of person.”

Twice in church the previous Sunday Enid had turned her head and caught Chuck Meisner staring. She was a little fuller in the bust than usual, probably that was all. But Chuck had blushed both times.

“What is the reason you’re so cold to me?” she said.

“There are reasons,” Alfred said, “but I will not tell you.”

“Why are you so unhappy? Why won’t you tell me?”

“I will go to the grave before I tell you. To the grave.”

“Oh, oh, oh!”

This was a bad husband she had landed, a bad, bad, bad husband who would never give her what she needed. Anything that might have satisfied her he found a reason to withhold.

And so she lay, a Tantala, beside the inert illusion of a feast. The merest finger anywhere would have. To say nothing of his split-plum lips. But he was useless. A wad of money stashed in a mattress and moldering and devaluing was what he was. A depression in the heartland had shriveled him the way it had shriveled her mother, who didn’t understand that interest-bearing bank accounts were federally insured now, or that blue-chip stocks held for the long term with reinvested dividends might help provide for her old age. He was a bad investor.

But she was not. She’d even been known, when a room was very dark, to take a real risk or two, and she took one now. Rolled over and tickled his thigh with breasts that a certain neighbor had admired. Rested her cheek on her husband’s ribs. She could feel him waiting for her to go away, but first she had to stroke the plain of his muscled belly, hover-gliding, touching hair but no skin. To her mild surprise she felt his his his coming to life at the approach of her fingers. His groin tried to dodge her but the fingers were more nimble. She could feel him growing to manhood through the fly of his pajamas, and in an access of pent-up hunger she did a thing he’d never let her do before. She bent sideways and took it into her mouth. It: the rapidly growing boy, the faintly urinary dumpling. In the skill of her hands and the swelling of her breasts she felt desirable and capable of anything.

The man beneath her shook with resistance. She freed her mouth momentarily. “Al? Sweetie?”

“Enid. What are you—?”

Again her open mouth descended on the cylinder of flesh. She held still for a moment, long enough to feel the flesh harden pulse by pulse against her palate. Then she raised her head. “We could have a little extra money in the bank — you think? Take the boys to Disneyland. You think?”

Back under she went. Tongue and penis were approaching an understanding, and he tasted like the inside of her mouth now. Like a chore and all the word implied. Perhaps involuntarily he kneed her in the ribs and she shifted, still feeling desirable. She stuffed her mouth and the top of her throat. Surfaced for air and took another big gulp.

“Even just to invest two thousand,” she murmured. “With a four-dollar differential — ack!”

Alfred had come to his senses and forced the succubus away from him.

(Schopenhauer: The people who make money are men, not women; and from this it follows that women are neither justified in having unconditional possession of it, nor fit persons to be entrusted with its administration .)

The succubus reached for him again but he grabbed her wrist and with his other hand pulled her nightgown up.

Maybe the pleasures of a swing set, likewise of sky-and scuba-diving, were tastes from a time when the uterus held you harmless from the claims of up and down. A time when you hadn’t acquired the mechanics, even, to experience vertigo. Still luxuriated safely in a warm inland sea.

Only this tumble was scary, this tumble came accompanied by a rush of bloodborne adrenaline, as the mother appeared to be in some distress—

“Al, not sure it’s a good idea, isn’t, I don’t think—”

“The book says there is nothing wrong—”

“Uneasy about this, though. Ooo. Really. Al?”

He was a man having lawful sexual intercourse with his lawful wife.

“Al, though, maybe not. So.”

Fighting the image of the leotarded teenaged ΤWAT. And all the other CUNTS with their TITS and their ASSES that a man might want to FUCK, fighting it although the room was very dark and much was allowed in the dark.

“Oh, I’m so unhappy about this!” Enid quietly wailed.

Worst was the image of the little girl curled up inside her, a girl not much larger than a large bug but already a witness to such harm. Witness to a tautly engorged little brain that dipped in and out beyond the cervix and then, with a quick double spasm that could hardly be considered adequate warning, spat thick alkaline webs of spunk into her private room. Not even born and already drenched in sticky knowledge.

Alfred lay catching his breath and repenting his defiling of the baby. A last child was a last opportunity to learn from one’s mistakes and make corrections, and he resolved to seize this opportunity. From the day she was born he would treat her more gently than he’d treated Gary or Chipper. Relax the law for her, indulge her outright, even, and never once force her to sit at the table after everyone was gone.

But he’d squirted such filth on her when she was helpless. She’d witnessed such scenes of marriage, and so of course, when she was older, she betrayed him.

What made correction possible also doomed it.

The sensitive probe that had given him readings at the top end of the red zone now read zero. He pulled away and squared his shoulders to his wife. Under the spell of the sexual instinct (as Arthur Schopenhauer called it) he’d lost sight of how cruelly soon he had to shave and catch the train, but now the instinct was discharged and consciousness of the remaining night’s brevity weighed on his chest like #140 rail stock, and Enid had begun to cry again, as wives did when the hour was psychotically late and tampering with the alarm clock was not an option. Years ago, when they were first married, she’d sometimes cried in the wee hours, but then Alfred had felt such gratitude for the pleasure he’d stolen and the stabbing she’d endured that he never failed to ask why she was crying.

Tonight, notably, he felt neither gratitude nor the remotest obligation to quiz her. He felt sleepy.

Why did wives choose night to cry in? Crying at night was all very well if you didn’t have to catch a train to work in four hours and if you hadn’t, moments ago, committed a defilement in pursuit of a satisfaction whose importance now entirely escaped you.

Maybe it took all this — ten nights of wakefulness in bad motels followed by an evening on the emotional roller coaster and finally the run-outside-and-put-a-bullet-through-the-roof-of-your-mouth sucking and mewling noises of a wife trying to cry herself to sleep at two in the goddamned morning — to open his eyes to the fact that (a) sleep was a woman and (b) hers were comforts that he was under no obligation to refuse.

For a man who all his life had fought off extracurricular napping like any other unwholesome delight, the discovery was life-altering — no less momentous in its way than his discovery, hours earlier, of electrical anisotropism in a gel of networked ferroacetates. More than thirty years would pass before the discovery in the basement bore financial fruit; the discovery in the bedroom made existence chez Lambert more bearable immediately.

A Pax Somnis is descended on the household. Alfred’s new lover soothed whatever beast was left in him. How much easier than raging or sulking he found it to simply close his eyes. Soon everybody understood that he had an invisible mistress whom he entertained in the family room on Saturday afternoon when his work week at the Midpac ended, a mistress he took along with him on every business trip and fell into the arms of in beds that no longer seemed uncomfortable in motel rooms that no longer seemed so noisy, a mistress he never failed to visit in the course of an evening’s paperwork, a mistress with whom he shared a travel pillow after lunch on family summer trips while Enid lurchingly piloted the car and the kids in the back seat hushed. Sleep was the ideally work-compatible girl he ought to have married in the first place. Perfectly submissive, infinitely forgiving, and so respectable you could take her to church and the symphony and the St. Jude Repertory Theater. She never kept him awake with her tears. She demanded nothing and in return for nothing gave him everything he needed to do a long day’s work. There was no mess in their affair, no romantic osculation, no leakages or secretions, no shame. He could cheat on Enid in Enid’s own bed without giving her a shred of legally admissible proof, and as long as he kept the affair private to the extent of not dozing at dinner parties Enid tolerated it, as sensible wives had always done, and so it was an infidelity for which as the decades passed there never seemed to come a reckoning …

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