Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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She saw everything more clearly now, her children in particular. When Gary returned to St. Jude with Jonah a few months after the catastrophic Christmas, she had nothing but fun with them. Gary still wanted her to sell the house, but he could no longer argue that Alfred was going to fall down the stairs and kill himself, and by then Chip had done many of the jobs (wicker-painting, waterproofing, gutter-cleaning, crack-patching) which, as long as they’d been neglected, had been Gary’s other good argument for selling the house. He and Enid did bicker about money, but this was recreational. Gary hounded her for the $4.96 that she still “owed” him for six six-inch bolts, and she countered by asking, “Is that a new watch?” He conceded that, yes, Caroline had given him a new Rolex for Christmas, but more recently he’d taken a nasty little bath on a biotech IPO whose shares he couldn’t sell before June 15, and anyway, there was a principle at stake here, Mother, a principle. But Enid refused, on principle, to give him the $4.96. She enjoyed knowing that she would go to her grave refusing to pay for those six bolts. She asked Gary which biotech stock, exactly, he’d taken the bath on. Gary said never mind.

After Christmas Denise moved to Brooklyn and went to work at a new restaurant, and in April she sent Enid a plane ticket for her birthday. Enid thanked her and said she couldn’t make the trip, she couldn’t possibly leave Alfred, it would not be right. Then she went and enjoyed four wonderful days in New York City. Denise looked so much happier than she had at Christmas that Enid chose not to care that she still didn’t have a man in her life or any discernible desire to get one.

Back in St. Jude, Enid was playing bridge at Mary Beth Schumpert’s one afternoon when Bea Meisner began to vent her Christian disapproval of a famous “gay” actress.

“She’s a terrible role model for young people,” Bea said. “I think if you make an evil choice in your life, the least you can do is not brag about it. Especially when they have all these new programs that can help people like that.”

Enid, who was Bea’s partner for that rubber and was already annoyed by Bea’s failure to respond to an opening two-bid, mildly commented that she didn’t think “gays” could help being “gay.”

“Oh, no, it’s definitely a choice,” Bea said. “It’s a weakness and it starts in adolescence. There’s no question about that. All the experts agree.”

“I loved that thriller her girlfriend made with Harrison Ford,” Mary Beth Schumpert said. “What was it called?”

“I don’t believe it’s a choice,” Enid insisted quietly. “Chip said an interesting thing to me once. He said that with so many people hating ‘gays’ and disapproving of them, why would anybody choose to be ‘gay’ if they could help it? I thought that was really an interesting perspective.”

“Well, no, it’s because they want special rights,” Bea said. “It’s because they want to have ‘gay pride.’ That’s why so many people don’t like them, even apart from the immorality of what they’re doing. They can’t just make an evil choice. They have to brag about it, too.”

“I can’t remember the last time I saw a really good movie,” said Mary Beth.

Enid was no champion of “alternative” lifestyles, and the things she disliked about Bea Meisner she’d disliked for forty years. She couldn’t have said why this particular bridge-table conversation made her decide that she no longer needed to be friends with Bea Meisner. Nor could she have said why Gary’s materialism and Chip’s failures and Denise’s childlessness, which had cost her countless late-night hours of fretting and punitive judgment over the years, distressed her so much less once Alfred was out of the house.

It made a difference, certainly, that all three of her kids were helping out. Chip in particular seemed almost miraculously transformed. After Christmas, he stayed with Enid for six weeks, visiting Alfred every day, before returning to New York. A month later he was back in St. Jude, minus his awful earrings. He proposed that he extend his visit to a length that delighted and astonished Enid until it emerged that he’d got himself involved with the chief neurology resident at St. Luke’s Hospital.

The neurologist, Alison Schulman, was a kinky-haired and rather plain-looking Jewish girl from Chicago. Enid liked her well enough, but she was mystified that a successful young doctor wanted anything to do with her semi-employed son. The mystery deepened in June when Chip announced that he was moving to Chicago to commence an immoral cohabitation with Alison, who had joined a group practice in Skokie. Chip neither confirmed nor denied that he had no real job and no intention of paying his fair share of household expenses. He claimed to be working on a screenplay. He said that “his” producer in New York had “loved” his “new” version and asked for a rewrite. His only gainful employment, however, as far as Enid knew, was part-time substitute teaching. Enid did appreciate that he drove to St. Jude from Chicago once a month and spent several long days with Alfred; she loved having a child of hers back in the Midwest. But when Chip informed her that he was going to be the father of twins with a woman he wasn’t even married to, and when he then invited Enid to a wedding at which the bride was seven months pregnant and the groom’s current “job” consisted of rewriting his screenplay for the fourth or fifth time and the majority of the guests not only were extremely Jewish but seemed delighted with the happy couple, there was certainly no shortage of material for Enid to find fault with and condemn! And it didn’t make her proud of herself, it didn’t make her feel good about her nearly fifty years of marriage, to think that if Alfred had been with her at the wedding, she would have found fault and she would have condemned. If she’d been sitting beside Alfred, the crowd bearing down on her would surely have seen the sour look on her face and turned away, would surely not have lifted her and her chair off the ground and carried her around the room while the klezmer music played, and she would surely not have loved it.

The sorry fact seemed to be that life without Alfred in the house was better for everyone but Alfred.

Hedgpeth and the other doctors, including Alison Schulman, had kept the old man at St. Luke’s through January and into February, lustily billing Orfic Midland’s soon-to-be-former health insurer while they explored every conceivable avenue of treatment, from ECT to Haldol. Alfred was finally discharged with a diagnosis of parkinsonism, dementia, depression, and neuropathy of the legs and urinary tract. Enid felt morally obliged to offer to care for him at home, but her children, thank God, wouldn’t hear of it. Alfred was installed in the Deepmire Home, a long-term care facility adjacent to the country club, and Enid undertook to visit him every day, to keep him well dressed, and to bring him homemade treats.

She was glad, if nothing else, to have his body back. She’d always loved his size, his shape, his smell, and he was much more available now that he was restrained in a geri chair and unable to formulate coherent objections to being touched. He let himself be kissed and didn’t cringe if her lips lingered a little; he didn’t flinch if she stroked his hair.

His body was what she’d always wanted. It was the rest of him that was the problem. She was unhappy before she went to visit him, unhappy while she sat beside him, and unhappy for hours afterward. He’d entered a phase of deep randomness. Enid might arrive and find him sunk deeply in a funk, his chin on his chest and a cookie-sized drool spot on his pants leg. Or he might be chatting amiably with a stroke victim or a potted plant. He might be unpeeling the invisible piece of fruit that occupied his attention hour after hour. He might be sleeping. Whatever he was doing, though, he wasn’t making sense.

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