Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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He didn’t understand where Chip was. Chip was an intellectual and had ways of talking sense to these people. Chip had done a good job yesterday, better than he could have done himself. Asked a simple question, got a simple answer, and then explained it in a way that a man could understand. But there was no sign of Chip now. Inmates semaphoring one another, waving their arms like traffic cops. Just try giving a simple order to these people, just try it. They pretended you didn’t exist. That fat bastard black woman had them all scared witless. If she figured out that the prisoners were on his side, if she found out they’d aided him in any way, she’d make them pay. Oh, she had that look. She had that I’m gonna make you hurt look. And he, at this point in his life, he’d had just about enough of this insolent black type of woman, but what could you do? It was a prison. It was a public institution. They’d throw anybody in here. White-haired women semaphoring. Hairless fairies touching toes. But why him , for God’s sake? Why him? It made him weep to be thrown into a place like this. It was hell to get old even without being persecuted by that waddling black so-and-so.

And here she came again.

“Alfred?” Sassy. Insolent. “You gonna let me stretch your legs now?”

“You’re a goddamned bastard!” he told her.

“I is what I is, Alfred. But I know who my parents are. Now why don’t you put your hands down, nice and easy, and let me stretch your legs and help you feel better.”

He lunged as she came at him, but his belt had got stuck in the chair, in the chair somehow, in the chair. Got stuck in the chair and he couldn’t move.

“You keep that up, Alfred,” the mean one said, “and we’re gonna have to take you back to your room.”

“Bastard! Bastard! Bastard!”

She pulled an insolent face and went away, but he knew that she’d be back. They always came back. His only hope was to get his belt free of the chair somehow. Get himself free, make a dash, put an end to it. Bad design to build a prison yard this many stories up. A man could see clear to Illinois. Big window right there. Bad design if they meant to house prisoners here. From the look of the glass it was thermal pane, two layers. If he hit it with his head and pitched forward he could make it. But first he had to get the goddamned belt free.

He struggled with its smooth nylon breadth in the same way over and over. There was a time when he’d encountered obstacles philosophically but that time was past. His fingers were as weak as grass when he tried to work them under the belt so he could pull on it. They bent like soft bananas. Trying to work them under the belt was so obviously and utterly hopeless —the belt had such overwhelming advantages of toughness and tightness — that his efforts soon became merely a pageant of spite and rage and incapacity. He caught his fingernails on the belt and then flung his arms apart, letting his hands bang into the arms of his captivating chair and painfully ricochet this way and that way, because he was so goddamned angry—

“Dad, Dad, Dad, whoa, calm down,” the voice said.

“Get that bastard! Get that bastard!”

“Dad, whoa, it’s me. It’s Chip.”

Indeed, the voice was familiar. He looked up at Chip carefully to make sure the speaker really was his middle child, because the bastards would try to take advantage of you any way they could. Indeed, if the speaker had been anybody in the world but Chip, it wouldn’t have paid to trust him. Too risky. But there was something in Chipper that the bastards couldn’t fake. You looked at Chipper and you knew he’d never lie to you. There was a sweetness to Chipper that nobody else could counterfeit.

As his identification of Chipper deepened toward certainty, his breathing leveled out and something like a smile pushed through the other, warring forces in his face.

“Well!” he said finally.

Chip pulled another chair over and gave him a cup of ice water for which, he realized, he was thirsty. He took a long pull on the straw and gave the water back to Chip.

“Where’s your mother?”

Chip set the cup on the floor. “She woke up with a cold. I told her to stay in bed.”

“Where’s she living now?”

“She’s at home. Exactly where she was two days ago.”

Chip had already explained to him why he had to be here, and the explanation had made sense as long as he could see Chip’s face and hear his voice, but as soon as Chip was gone the explanation fell apart.

The big black bastard was circling the two of them with her evil eye.

“This is a physical-therapy room,” Chip said. “We’re on the eighth floor of St. Luke’s. Mom had her foot operation here, if you remember that.”

“That woman is a bastard,” he said, pointing.

“No, she’s a physical therapist,” Chip said, “and she’s been trying to help you.”

“No, look at her. Do you see the way she’s? Do you see it?”

“She’s a physical therapist, Dad.”

“The what? She’s a?”

On the one hand, he trusted the intelligence and assurance of his intellectual son. On the other hand, the black bastard was giving him the Eye to warn him of the harm she intended to do him at her earliest opportunity; there was a grand malevolence to her manner, plain as day. He couldn’t begin to reconcile this contradiction: his belief that Chip was absolutely right and his conviction that that bastard absolutely wasn’t any physicist.

The contradiction opened into a bottomless chasm. He stared into its depths, his mouth hanging open. A warm thing was crawling down his chin.

And now some bastard’s hand was reaching for him. He tried to slug the bastard and realized, in the nick of time, that the hand belonged to Chip.

“Easy, Dad. I’m just wiping your chin.”

“Ah God.”

“Do you want to sit here a little, or do you want to go back to your room?”

“I leave it to your discretion.”

This handy phrase came to him all ready to be spoken, neat as you please.

“Let’s go back, then.” Chip reached behind the chair and made adjustments. Evidently the chair had casters and levers of enormous complexity.

“See if you can get my belt unhooked,” he said.

“We’ll go back to the room, and then you can walk around.”

Chip wheeled him out of the yard and up the cellblock to his cell. He couldn’t get over how luxurious the appointments were. Like a first-class hotel room except for the bars on the bed and the shackles and the radios, the prisoner-control equipment.

Chip parked him near the window, left the room with a Styrofoam pitcher, and returned a few minutes later in the company of a pretty little girl in a white jacket.

“Mr. Lambert?” she said. She was pretty like Denise, with curly black hair and wire glasses, but smaller. “I’m Dr. Schulman. You may remember we met yesterday.”

“Well!” he said, smiling wide. He remembered a world where there were girls like this, pretty little girls with bright eyes and smart brows, a world of hope.

She placed a hand on his head and bent down as if to kiss him. She scared the hell out of him. He almost hit her.

“I didn’t mean to scare you,” she said. “I just want to look in your eye. Is that all right with you?”

He turned to Chip for reassurance, but Chip himself was staring at the girl.

“Chip!” he said.

Chip took his eyes off her. “Yeah, Dad?”

Well, now that he’d attracted Chip’s attention, he had to say something, and what he said was this: “Tell your mother not to worry about the mess down there. I’ll take care of all that.”

“OK. I’ll tell her.”

The girl’s clever fingers and soft face were all around his head. She asked him to make a fist, she pinched him and prodded him. She was talking like the television in somebody else’s room.

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