Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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A few kilometers down the road, in Sejny, he bought zlotys and, using the zlotys, lunch. The shops were well stocked, it was Christmastime. The men of the town were old and looked a lot like the Pope.

Rides in three trucks and a city taxi got him to the Warsaw airport by noon on Wednesday. The improbably apple-cheeked personnel at the LOT Polish Airlines ticket counter were delighted to see him. LOT had added extra holiday flights to its schedule to accommodate the tens of thousands of Polish guest workers returning to their families from the West, and many of the westbound flights were underbooked. All the red-cheeked counter girls wore little hats like drum majorettes. They took cash from Chip, gave him a ticket, and told him Run .

He ran to the gate and boarded a 767 that then sat on the runway for four hours while a possibly faulty instrument in the cockpit was examined and finally, reluctantly, replaced.

The flight plan was a great-circle route to the great Polish city of Chicago, nonstop. Chip kept sleeping in order to forget that he owed Denise $20,500, was maxed out on his credit cards, and now had neither a job nor any prospect of finding one.

The good news in Chicago, after he’d cleared Customs, was that two rental-car companies were still doing business. The bad news, which he learned after standing in line for half an hour, was that people with maxed-out credit cards could not rent cars.

He went down the list of airlines in the phone book until he found one — Prairie Hopper, never heard of it — that had a seat on a St. Jude flight at seven the next morning.

By now it was too late to call St. Jude. He chose an out-of-the-way patch of airport carpeting and lay down on it to sleep. He didn’t understand what had happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached, and worn out along the fold lines. He semi-dreamed of disembodied eyes and isolated mouths in ski masks. He’d lost track of what he wanted, and since who a person was was what a person wanted, you could say that he’d lost track of himself.

How strange, then, that the old man who opened the front door at nine-thirty in St. Jude the next morning seemed to know exactly who he was.

A holly wreath was on the door. The front walk was edged with snow and evenly spaced broom marks. The midwestern street struck the traveler as a wonderland of wealth and oak trees and conspicuously useless space. The traveler didn’t see how such a place could exist in a world of Lithuanias and Polands. It was a testament to the insulatory effectiveness of political boundaries that power didn’t simply arc across the gap between such divergent economic voltages. The old street with its oak smoke and snowy flat-topped hedges and icicled eaves seemed precarious. It seemed mirage-like. It seemed like an exceptionally vivid memory of something beloved and dead.

“Well!” Alfred said, his face blazing with joy, as he took Chip’s hand in both of his. “Look who’s here!”

Enid tried to elbow her way into the picture, speaking Chip’s name, but Alfred wouldn’t let go of his hand. He said it twice more: “Look who’s here! Look who’s here!”

“Al, let him come in and close the door,” Enid said.

Chip was balking at the doorway. The world outside was black and white and gray and swept by fresh, clear air; the enchanted interior was dense with objects and smells and colors, humidity, large personalities. He was afraid to enter.

“Come in, come in,” Enid squeaked, “and shut the door.”

To protect himself from spells, he privately spoke an incantation: I’m staying for three days and then I’m going back to New York, I’m finding a job, I’m putting aside five hundred dollars a month, minimum, until I’m out of debt, and I’m working every night on the script .

Invoking this charm, which was all he had now, the paltry sum of his identity, he stepped through the doorway.

“My word, you’re scratchy and smelly,” Enid said, kissing him. “Now, where’s your suitcase?”

“It’s by the side of a gravel road in western Lithuania.”

“I’m just happy you’re home safely.”

Nowhere in the nation of Lithuania was there a room like the Lambert living room. Only in this hemisphere could carpeting so sumptuously woolen and furniture so big and so well made and so opulently upholstered be found in a room of such plain design and ordinary situation. The light in the wood-framed windows, though gray, had a prairie optimism; there wasn’t a sea within six hundred miles to trouble the atmosphere. And the posture of the older oak trees reaching toward this sky had a jut, a wildness and entitlement, predating permanent settlement; memories of an unfenced world were written in the cursive of their branches.

Chip apprehended it all in a heartbeat. The continent, his homeland. Scattered around the living room were nests of opened presents and little leavings of spent ribbon, wrapping-paper fragments, labels. At the foot of the fireside chair that Alfred always claimed for himself, Denise was kneeling by the largest nest of presents.

“Denise, look who’s here,” Enid said.

As if out of obligation, with downcast eyes, Denise rose and crossed the room. But when she’d put her arms around Chip and he’d squeezed her in return (her height, as always, surprised him), she wouldn’t let go. She clung to him — kissed his neck, fastened her eyes on him, and thanked him.

Gary came over and embraced Chip awkwardly, his face averted. “Didn’t think you were going to make it,” he said.

“Neither did I,” Chip said.

“Well!” Alfred said again, gazing at him in wonder.

“Gary has to leave at eleven,” Enid said, “but we can all have breakfast together. You get cleaned up, and Denise and I will start breakfast. Oh, this is just what I wanted,” she said, hurrying to the kitchen. “This is the best Christmas present I’ve ever had!”

Gary turned to Chip with his I’m-a-jerk face. “There you go,” he said. “Best Christmas present she’s ever had.”

“I think she means having all five of us together,” Denise said.

“Well, she’d better enjoy it in a hurry,” Gary said, “because she owes me a discussion and I’m expecting payment.”

Chip, detached from his own body, trailed after it and wondered what it was going to do. He removed an aluminum stool from the downstairs bathroom shower. The blast of water was strong and hot. His impressions were fresh in a way that he would either remember all his life or instantly forget. A brain could absorb only so many impressions before it lost the ability to decode them, to put them in coherent shape and order. His nearly sleepless night on a patch of airport carpeting, for example, was still very much with him and begging to be processed. And now here was a hot shower on Christmas morning. Here were the familiar tan tiles of the stall. The tiles, like every other physical constituent of the house, were suffused with the fact of their ownership by Enid and Alfred, saturated with an aura of belonging to this family. The house felt more like a body — softer, more mortal and organic — than like a building.

Denise’s shampoo had the pleasing, subtle scents of late-model Western capitalism. In the seconds it took Chip to lather his hair, he forgot where he was. Forgot the continent, forgot the year, forgot the time of day, forgot the circumstances. His brain in the shower was piscine or amphibian, registering impressions, reacting to the moment. He wasn’t far from terror. At the same time, he felt OK. He was hungry for breakfast and thirsty, in particular, for coffee.

With a towel around his waist he stopped in the living room, where Alfred leaped to his feet. The sight of Alfred’s suddenly aged face, its disintegration-in-progress, its rednesses and asymmetries, cut Chip like a bullwhip.

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