Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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“It’s my night off,” Denise said.

“Martin says he’ll send his driver,” Brian said. “I’d be grateful if you came. My marriage is over.”

She put on a black cashmere dress, ate a banana to avoid seeming hungry at dinner, and rode with the director’s driver up to Tacconelli’s, the storefront pizzeria in Kensington. A dozen famous and semifamous people, plus Brian and the simian, round-shouldered Jerry Schwartz, had taken over three tables at the rear. Denise kissed Brian on the mouth and sat down between him and the Famous British Author, who appeared to have an evening’s worth of cricket-and darts-related wit with which he wished to regale Mira Sorvino. The Famous Director told Denise he’d had her country ribs and sauerkraut and loved them, but she changed the subject as fast as she could. She was clearly there as Brian’s date; the movie people weren’t interested in either of them. She put her hand on Brian’s knee, as if consolingly.

“Raskolnikov in headphones, listening to Trent Reznor while he whacks the old lady, is so perfect,” the very least famous person at the table, a college-age intern of the director, gushed to Jerry Schwartz.

“Actually, it’s the Nomatics,” Schwartz corrected with devastating lack of condescension.

“Not Nine Inch Nails?”

Schwartz lowered his eyelids and shook his head minimally. “Nomatics, 1980, ‘Held in Trust.’ Later covered with insufficient attribution by that person whose name you just mentioned.”

“Everybody steals from the Nomatics,” Brian said.

“They suffered on the cross of obscurity so that others might enjoy eternal fame,” Schwartz said.

“What’s their best record?”

“Give me your address, I’ll make you a CD,” Brian said.

“It’s all brilliant,” Schwartz said, “until ‘Thorazine Sunrise.’ That was when Tom Paquette quit, but the band didn’t realize it was dead until two albums later. Somebody had to break that news to them.”

“I suppose that a country that teaches creationism in its schools,” the Famous British Author remarked to Mira Sorvino, “may be forgiven for believing that baseball does not derive from cricket.”

It occurred to Denise that Stanley Tucci had directed and starred in her favorite restaurant movie. She happily talked shop with him, resenting the beautiful Sorvino a little less and enjoying, if not the company itself, then at least her own lack of intimidation by it.

Brian drove her home from Tacconelli’s in his Volvo. She felt entitled and attractive and well aerated and alive. Brian, however, was angry.

“Robin was supposed to be there,” he said. “I guess you could call it an ultimatum. But she’d agreed to go to dinner with us. She was going to take some tiny, minimal interest in what I’m doing with my life, even if I knew she’d deliberately dress like a grad student to make me uncomfortable and prove her point. And then I was going to spend next Saturday at the Project. That was the agreement. And then this morning she decides she’s going to march against the death penalty instead. I’m no fan of the death penalty. But Khellye Withers is not my idea of a poster boy for leniency. And a promise is a promise. I didn’t see that one fewer candle in the candlelight vigil was going to make much difference. I said she could miss one march for my sake. I said, why don’t I write a check to the ACLU, whatever size you want. Which didn’t go over so well.”

“Writing checks, no, not good,” Denise said.

“I realized that. But things got said that are going to be hard to unsay. I frankly don’t have a lot of interest in unsaying them.”

“You never know,” Denise said.

Washington Avenue between the river and Broad was lonely at eleven on a Monday evening. Brian appeared to be experiencing his first real disappointment in life, and he couldn’t stop talking. “Remember when you said if I weren’t married and you weren’t my employee?”

“I remember.”

“Does that still hold?”

“Let’s go in and have a drink,” Denise said.

Which was how Brian came to be sleeping in her bed at nine-thirty the next morning when her doorbell rang.

She was still full of the alcohol that had fueled completion of the picture of weirdness and moral chaos that her life seemed bent on being. Beneath her soddenness, though, an agreeable fizz of celebrity lingered from the night before. It was stronger than anything she felt for Brian.

The doorbell rang again. She got up and put on a maroon silk robe and looked out the window. Robin Passafaro was standing on the stoop. Brian’s Volvo was parked across the street.

Denise considered not answering the door, but Robin wouldn’t be looking for her here if she hadn’t already tried the Generator.

“It’s Robin,” she said. “Stay here and be quiet.”

Brian in the morning light still wore his pissed-off expression of the night before. “I don’t care if she knows I’m here.”

“Yeah, but I do.”

“Well, my car’s right across the street.”

“I’m aware of that.”

She, too, felt strangely pissed off with Robin. All summer, betraying Brian, she’d never felt anything like the contempt she felt for his wife as she descended the stairs now. Annoying Robin, stubborn Robin, screeching Robin, hooting Robin, styleless Robin, clueless Robin.

And yet, the moment she opened the door, her body recognized what it wanted. It wanted Brian on the street and Robin in her bed.

Robin’s teeth were chattering, though the morning wasn’t cold. “Can I come in?”

“I’m about to go to work,” Denise said.

“Five minutes,” Robin said.

It seemed impossible that she hadn’t seen the pistachio-colored wagon across the street. Denise let her into the front hall and closed the door.

“My marriage is over,” Robin said. “He didn’t even come home last night.”

“I’m sorry.”

“I’ve been praying for my marriage, but I get distracted by the thought of you. I’m kneeling in church and I start thinking about your body.”

Dread settled on Denise. She didn’t exactly feel guilty — the egg timer on an ailing marriage had run out; at worst she’d hurried the clock along — but she was sorry that she’d wronged this person, sorry she’d competed. She took Robin’s hands and said, “I want to see you and I want to talk to you. I don’t like what’s happened. But I have to go to work now.”

The telephone rang in the living room. Robin bit her lip and nodded. “OK.”

“Can we meet at two?” Denise said.

“OK.”

“I’ll call you from work.”

Robin nodded again. Denise let her out and shut the door and released five breaths’ worth of air.

Denise, it’s Gary, I don’t know where you are, but call me when you get this, there’s been an accident, Dad fell off the cruise ship, he fell about eight stories, I just talked to Mom —”

She ran to the phone and picked up. “Gary.”

“I tried you at work.”

“Is he alive?”

“Well, he shouldn’t be,” Gary said. “But he is.”

Gary was at his best in emergencies. The qualities that had infuriated her the day before were a comfort now. She wanted him to know it all. She wanted him to sound pleased with his own calm.

“They apparently towed him for a mile in forty-five-degree water before the ship could stop,” Gary said. “They’ve got a helicopter coming to take him to New Brunswick. But his back is not broken. His heart is still working. He’s able to speak. He’s a tough old guy. He could be fine.”

“How’s Mom?”

“She’s concerned that the cruise is being delayed while the helicopter comes. Other people are being inconvenienced.”

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