Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Her head was clearer when she returned to the Generator. She saw that she was in the weeds on every front. There were unanswered phone messages from a food writer at the Times , from an editor at Gourmet , and from the latest restaurateur hoping to steal Brian’s chef. A thousand dollars’ worth of unrotated duck breasts and veal chops had gone bad in the walk-in. Everybody in the kitchen knew and nobody had told her that a needle had turned up in the employee bathroom. The pastry chef claimed to have left Denise a pair of handwritten notes, presumably salary-related, that Denise had no memory of seeing.

“Why is nobody ordering country ribs?” Denise asked Rob Zito. “Why are the waiters not pushing my phenomenally delicious and unusual country ribs?”

“Americans don’t like sauerkraut,” Zito said.

“The hell they don’t. I’ve seen my reflection in the plates coming back when people order it. I’ve counted my eyelashes.”

“It’s possible we get some German nationals in here,” Zito said. “German passport-holders may be responsible for those clean plates.”

“Is it possible you don’t like sauerkraut yourself?”

“It’s an interesting food,” Zito said.

She didn’t hear from Robin and she didn’t call her. She gave the Times an interview and let herself be photographed, she stroked the pastry chef’s ego, she stayed late and bagged up the spoiled meats in privacy, she fired the dishwasher who’d tied off in the John, and every lunch and every dinner she dogged the line and troubleshot.

On Labor Day: deadness. She made herself leave her office and went walking in the empty hot city, bending her steps, in her loneliness, toward Panama Street. She had a liquid Pavlovian response when she saw the house. The brownstone facade was still a face, the door still a tongue. Robin’s car was in the street but Brian’s wasn’t; they’d gone to Cape May. Denise rang the bell, although she could already tell, from a dustiness around the door, that nobody was home. She let herself in with the dead-bolt key on which she’d written “R/B.” She walked up two flights to the parental bedroom. The house’s expensive retrofitted central air conditioner was doing its job, the cool canned-smelling air contending with Labor Day sunbeams. As she lay down on the unmade parental bed, she remembered the smell and the quiet of the St. Judean summer afternoons when she would be left alone in the house and could be, for a couple of hours, as weird as she wanted. She brought herself off. She lay on the snarled sheets, a slice of sunlight falling on her chest. She took a second helping of herself and stretched her arms luxuriantly. Beneath a parental pillow, she scratched her hand on the foil corner of something like a condom wrapper.

It was a condom wrapper. Torn and empty. She actually whimpered as she pictured the penetrative act it attested to. She actually clutched her head.

She scrambled out of the bed and smoothed her dress across her hips. She scanned the sheets for other sickening surprises. Well, of course a married couple had sex. Of course. But Robin had told her that she wasn’t on the Pill, she’d said that she and Brian no longer fooled around enough to bother; and all summer long Denise had seen and tasted and smelled no trace of a husband on her lover’s body, and so she’d let herself forget the obvious.

She knelt at the wastebasket by Brian’s dresser. She stirred Kleenexes, ticket stubs, and segments of floss and found another condom wrapper. Hatred of Robin, hatred and jealousy, were coming on like a migraine. She went into the master-bedroom bathroom and found two more wrappers and a knotted rubber in the can beneath the sink.

She actually hit her temples with her fists. She heard the breath in her teeth as she ran down the stairs and let herself out into the late afternoon. The temperature was ninety and she was shivering. Weirdness, weirdness. She hiked back to the Generator and let herself in at the loading dock. She inventoried oils and cheeses and flours and spices, drew up meticulous order sheets, left twenty voice-mail messages in a wry and articulate and civilized voice, did her e-mail chores, fried herself a kidney on the Garland, chased it with a single shot of grappa, and called a cab at midnight.

Robin showed up in the kitchen unannounced the next morning. She was wearing a big white shirt that appeared to have been Brian’s. Denise’s stomach flipped at the sight of her. She led her back to the executive chef’s office and shut the door.

“I can’t do this anymore,” Robin said.

“Good, neither can I, so.”

Robin’s face was all blotch. She scratched her head and scrunched up her nose with tic-like incessancy and pushed on the bridge of her glasses. “I haven’t been to church since June,” she said. “Sinéad’s caught me in about ten different lies. She wants to know why you’re never around. I don’t even know half the kids turning up at the Project lately. Everything’s a mess, and I just can’t do it anymore.”

Denise choked out a question: “How’s Brian?”

Robin blushed. “He doesn’t know anything. He’s the same as always. You know — he likes you, he likes me.”

“I bet.”

“Things have gotten weird.”

“Well, and I’ve got a lot of work here, so.”

“Brian never did anything bad to me. He didn’t deserve this.”

Denise’s phone rang and she let it ring. Her head felt close to cracking open. She couldn’t stand to hear Robin say Brian’s name.

Robin raised her face to the ceiling, pearls of tear beading in her lashes. “I don’t know what I came for. I don’t know what I’m saying. I’m just feeling really, really bad and incredibly alone.”

“Get over it,” Denise said. “That’s what I’m going to do.”

“Why are you being so cold?”

“Because I’m a cold person.”

“If you’d call me, or say you loved me—”

“Get over it! For God’s sake! Get over it! Get over it!”

Robin gave her a beseeching look; but really, even if the matter of the condoms were somehow cleared up, what was Denise supposed to do? Quit working at the restaurant that was making her a star? Go live in the ghetto and be one of Sinéad and Erin’s two mommies? Start wearing big sneakers and cooking vegetarian?

She knew she was telling herself lies, but she didn’t know which of the things in her head were the lies and which were the truth. She stared at her desk until Robin yanked open the door and fled.

The next morning the Generator made the front page of the New York Times food section, below the fold. Beneath the headline (“Generating Buzz by the Megawatt”) was a photograph of Denise , the interior and exterior architectural shots having been relegated to page 6, where her country ribs and sauerkraut could also be seen. This was better. This was more like it. By noon she’d been offered a guest appearance on the Food Channel and a permanent monthly column in Philadelphia . She bypassed Rob Zito and instructed the reservation girl to start overbooking by forty seats an evening. Gary and Caroline called separately with congratulations. She dressed down Zito for refusing a weekend reservation to the local NBC-affiliate anchorwoman, she let herself abuse him a little bit, it felt good.

Expensive people of a sort formerly scarce in Philadelphia were three-deep at the bar when Brian came by with a dozen roses. He hugged Denise and she lingered in his arms. She gave him a little bit of what men liked.

“We need more tables,” she said. “Three fours and a six at a minimum. We need a full-time reservationist who knows how to screen. We need better parking-lot security. We need a pastry chef with more imagination and less attitude. Also think about replacing Rob with somebody from New York who can handle the kind of customer profile we’re going to get.”

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