Jonathan Franzen - The Corrections

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The Corrections: краткое содержание, описание и аннотация

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Amazon.com Review
From Publishers Weekly Jonathan Franzen’s exhilarating novel
tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler’s, only bitter. Franzen’s great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.
All five members of the Lambert family get their due, as everybody’s lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip’s sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen’s satirical eye:
Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts…. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.
Franzen is funny and on the money. This book puts him on the literary map.
— Tim Appelo If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson’s-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer’s writer and his previous novels have earned critical admiration, but his sales haven’t yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG’s publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.
Copyright 2001 Cahners Business Information, Inc.

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Robin pressed the hand to her mouth now and bit down on it with lip-cushioned teeth, sort of softly gnawed on it, and then dropped it and skittered away. She bounced from one foot to the other. “So I’ll see you.”

The next day, Brian came back from Michigan and put an end to the house party.

Denise flew to St. Jude for a long Easter weekend, and Enid, like a toy piano with one working note, spoke every day of her old friend Norma Greene and Norma Greene’s tragic involvement with a married man. Denise, to change the subject, observed that Alfred was livelier and sharper than Enid portrayed him in her letters and Sunday calls.

“He pulls himself together when you’re in town,” Enid countered. “When we’re alone, he’s impossible.”

“When you’re alone, maybe you’re too focused on him.”

“Denise, if you lived with a man who slept in his chair all day—”

“Mother, the more you nag, the more he resists.”

“You don’t see it, because you’re only here for a few days. But I know what I’m talking about. And I don’t know what I’m going to do.”

If I lived with a person who was hysterically critical of me, Denise thought, I would sleep in a chair.

Back in Philly, the kitchen at the Generator was finally available. Denise’s life returned to near-normal levels of madness as she assembled and trained her crew, invited her pastry-chef finalists to compete head to head, and solved a thousand problems of delivery, scheduling, production, and pricing. As a piece of architecture, the restaurant was every bit as stunning as she’d feared, but for once in her career she’d prepared a menu properly and had twenty winners on it. The food was a three-way conversation between Paris and Bologna and Vienna, a Continental conference call with her own trademark emphasis on flavor over flash. Seeing Brian again in person, rather than imagining him through Robin’s eyes, she remembered how much she liked him. She awoke, to an extent, from her dreams of conquest. As she fired up the Garland and drilled her line and sharpened her knives, she thought: An idle brain is the Devil’s workshop . If she had been working as hard as God intended her to work, she would never have had time to chase someone’s wife.

She went into full avoidance mode, working 6 a.m. to midnight. The more days she spent free of the spell that Robin’s body and body heat and hunger cast on her, the more willing she was to admit how little she liked Robin’s nervousness, and Robin’s bad haircut and worse clothes, and Robin’s rusty-hinge voice, and Robin’s forced laughter, her whole profound uncoolness . Brian’s benign neglect of his wife, his hands-off attitude of “Yeah, Robin’s great,” made more sense now to Denise. Robin was great; and yet, if you were married to her, you might need some time away from her incandescent energy, you might enjoy a few days by yourself in New York, and Paris, and Sundance …

But the damage had been done. Denise’s case for infidelity had apparently been compelling. With a persistence the more irritating for the shyness and apologies that accompanied it, Robin began to seek her out. She came to the Generator. She took Denise to lunch. She called Denise at midnight and chattered about the mildly interesting things that Denise had long pretended to be extremely interested in. She caught Denise at home on a Sunday afternoon and drank tea at the half Ping-Pong table, blushing and hee-heeing.

And part of Denise was thinking, as the tea went cold: Shit, she’s really into me now . This part of her considered, as if it were an actual threat of harm, the exhausting circumstance: She wants sex every day . This same part of her was thinking also: My God, the way she eats . And: I am not a “lesbian .”

At the same time, another part of her was literally awash in desire. She’d never seen so objectively what an illness sex was, what a collection of bodily symptoms, because she’d never been remotely as sick as Robin made her.

During a lull in the chatter, beneath a corner of the Ping-Pong table, Robin gripped Denise’s tastefully shod foot between her own knobby, white, purple-and-orange-accented sneakers. A moment later she leaned forward and seized Denise’s hand. Her blush looked life-threatening.

“So,” she said. “I’ve been thinking.”

The Generator opened on May 23, exactly a year after Brian began paying Denise her inflated salary. The opening was delayed a final week so that Brian and Jerry Schwartz could attend the festival at Cannes. Every night, while he was away, Denise repaid his generosity and his faith in her by going to Panama Street and sleeping with his wife. Her brain might feel like the brain of a questionable calf’s head at a Ninth Street “discount” butcher, but she was never as tired as she initially believed. One kiss, one hand on the knee, awakened her body to itself. She felt haunted, animated, revved, by the ghost of every coital encounter she’d ever nixed in her marriage. She shut her eyes against Robin’s back and pillowed her cheek between her shoulder blades, her hands supporting Robin’s breasts, which were round and flat and strangely light; she felt like a kitten with two powder puffs. She dozed for a couple of hours and then scraped herself out of the sheets, opened the door that Robin had locked against surprise visits from Erin or Sinéad, and crept down and out into the damp Philly dawn and shivered violently.

Brian had placed strong cryptic ads for the Generator in the local weeklies and monthlies and had put the buzz out through his network, but 26 covers on the first day of lunch and 45 that night did not exactly tax Denise’s kitchen. The glassed-in dining room, suspended in a blue Cherenkov glow, sat 140; she was ready for 300-cover evenings. Brian and Robin and the girls came to dinner on a Saturday and stopped briefly in the kitchen. Denise did a good impression of being at ease with the girls, and Robin, looking great in red lipstick and a little black dress, did a good impression of being Brian’s wife.

Denise fixed things as well as she could with the authorities in her head. She reminded herself that Brian had dropped to his knees in Paris; that she was doing nothing worse than playing by his rules; that she’d waited for Robin to make the first move. But moral hair-splitting could not explain her complete, dead absence of remorse. In conversation with Brian she was distracted and thick-headed. She caught the meaning of his words at the last moment, as if he were speaking French. She had reason to seem strung out, of course — she routinely slept four hours a night, and before long the kitchen was running at full throttle — and Brian, distracted by his film projects, was every bit as easy to deceive as she’d anticipated. But “deceive” wasn’t even the word. “Dissociate” was more like it. Her affair was like a dream life unfolding in that locked and soundproofed chamber of her brain where, growing up in St. Jude, she’d learned to hide desires.

Reviewers descended on the Generator in late June and came away happy. The Inquirer invoked matrimony: the “wedding” of a “completely unique” setting with “serious and seriously delicious food” from the “perfectionist” Denise Lambert for a “must-have” experience that “single-handedly” put Philadelphia on the “map of cool.” Brian was ecstatic but Denise was not. She thought the language made the place sound crappy and middlebrow. She counted four paragraphs about architecture and decor, three paragraphs about nothing, two about service, one about wine, two about desserts, and only seven about her food.

“They didn’t mention my sauerkraut,” she said, angry nearly to the point of tears.

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