Rawi Hage - De Niro's Game

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De Niro's Game: краткое содержание, описание и аннотация

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There is but one truly serious philosophical problem, and that is suicide. In Rawi Hage's unforgettable novel, winner of the 2008 IMPAC Prize, this famous quote by Camus becomes a touchstone for two young men caught in Lebanon's civil war. Bassam and George are childhood best friends who have grown to adulthood in war torn Beirut. Now they must choose their futures: to stay in the city and consolidate power through crime; or to go into exile abroad, alienated from the only existence they have known. Bassam chooses one path: obsessed with leaving Beirut, he embarks on a series of petty crimes to finance his departure. Meanwhile, George builds his power in the underworld of the city and embraces a life of military service, crime for profit, killing, and drugs.
Told in the voice of Bassam, De Niro's Game is a beautiful, explosive portrait of a contemporary young man shaped by a lifelong experience of war. Rawi Hage's brilliant style mimics a world gone mad: so smooth and apparently sane that its razor-sharp edges surprise and cut deeply. A powerful meditation on life and death in a war zone, and what comes after.

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I would like to sleep with you again, I said.

Maybe, just before you leave, Rhea said. Not today or tomorrow, but maybe the night before your departure. There is a party tonight over at the house of some of my friends. You can come if you promise to behave and ask for what you need politely.

THAT EVENING, I went again to Rhea’s place. Together we took a taxi and went to a party in a long loft containing a few red hallway lights and fuzzy purple sofas. The entranceway was filled with a blasé crowd, the kind that intently ignores your passage, like houseplants in permanent poses. Painted-hair owners and tight-leather-pant fillers danced in a corner, using moonwalk moves. Rhea disappeared, and I stood against a wall holding a bottle of beer in my hand. I watched the purses, the high, thin heels, the black lace stockings, and the flamboyant hairstyles of the women.

After a while, I spotted Rhea talking to a man, and then he followed her up a set of stairs. She led, and the man walked behind her, swaying to the loud music.

A man with black lipstick on his lips and wild hair approached me. Hey, t’es l’ami de Rhea ?

Yes, I answered.

I am her coiffeur , he said.

And her mother’s, I presume?

Bien oui, je connais la connasse , he laughed, rocking his thin, silky body back and forth.

What is upstairs? I asked.

Ah, this is the place to go up, up, he answered and looked at the ceiling.

I finished my beer and walked farther inside the loft. Everyone here affected a nonchalant air of importance, a kind of modern pseudo-aristocratic persona. If only I had my gun, I thought sadly, I would shoot them on the steps of their palaces.

Half an hour later, I was bored with the collective act of coolness, the languid conversations, the statuesque poses. I grabbed hold of the coiffeur and said to him, Listen, could you go up and tell Rhea that I am leaving?

And what do I get if I do this? he smiled and put his hands on his hips.

Nothing, absolutely nothing. You get to do me a favour only, I said, and I might not spear your head when the revolution arrives.

I will do it for your accent, and your wide eyes, and long, long lashes, the coiffeur replied and swiftly turned and climbed the stairs gracefully, like a lama.

I could not find her, he said when he returned. Jinni said that she must have left.

I went downstairs and into the street, and there I saw Rhea talking to the same man she had been with inside. There was tension between them; Rhea looked agitated, and the man looked angry. I waited and observed from afar. Suddenly, the man grabbed Rhea’s arm and dragged her toward a car.

I ran over and pushed him away from her.

Rhea started to cry. The man pulled a knife from his pocket and brandished it at me. Rhea ran to him and begged, Non, Moshe. Arrête! C’est un ami à moi .

Go away, Bassam! she shouted at me. Why are you following me?

I stood still.

Rhea held the man’s arm. Va t’en! she kept screaming at me. Then she opened the car door and said to the man, Bien voilà , I will come with you.

The man shoved her in the car and walked to the driver’s side. I will take care of you later, he said, pointing his finger at me. He drove away.

I memorized the car’s plate number and went back to the party, reciting the number like a mantra. I sought out the coiffeur , snatched his bag, pulled out his kohl pencil, and quickly wrote the number on the wall. Then I asked him if he would find me some paper. He disappeared and came back with an empty box of cigarettes. I tore it up and wrote the number on it.

As I left for good, the coiffeur asked me if I would not write down his number as well.

Putain de macho! he shouted after me, and his words echoed down the spiral stairs.

On the way back to my hotel, the idea of calling Roland came to me. Perhaps he could help Rhea. I called him from my room and woke him up. I told him the story.

It is better not to interfere, Roland said and hung up on me.

BY NOON THE NEXT DAY, I was still in bed. I had called Rhea in the morning, but no one had answered.

Finally, in the afternoon, I went to the desk downstairs. Hakim, I said, you are my friend, no?

Hakim laughed and said, What do you need?

Just a small question. Could you find out the address and name of someone from their car’s licence plate?

Leave me the number. It might cost you something, he said.

How much?

Later, he smiled. I will see what I can do for the brother.

I CALLED RHEA AGAIN, and this time she answered.

I am coming to see you, I said.

No! she shouted.

I am coming to see you, I repeated.

No, she said. I will not open the door.

I walked to her building and buzzed the intercom. She answered, Go away!

I held my finger on the buzzer.

Then, through the glass of the thick door, I saw an old lady with two tiny sausagelike dogs coming toward me from the elevator. I walked to the door, and when she opened it, I said with utmost politeness , Laisse-moi vous aider, madame .

I held the door for the old lady and entered the building.

I took the elevator up, and ran to Rhea’s door, and knocked.

She opened her door, but when she saw it was me, she tried to close it. I forced my foot inside and pushed the door wide open.

Get out! she said and ran to the kitchen. Get out, she shouted. Out!

I could see that she had a black eye. Her hair was a mess, and she was clearly tired.

Who is the man from last night? I asked her.

Get out, she repeated and opened a kitchen drawer, plunged her hands inside, frantically scraped metal on metal, then pulled out a knife and brandished it at me. I told you not to follow me and not to interfere in my life.

I approached her, and she slowly retreated. I grabbed her by the wrist and pulled the knife from her hand. Then I dragged her back to the living room. I threw her on the sofa and said, I know that George would want me to protect you, and I will do so as long as I am here.

George! she screamed. George does not even know of my existence. I am free, do you understand? You do not interfere with my life! I will tell the police about you, and send you back to George and wherever you came from! She waved her hands at me. Then she took a deep breath, her hands fell, her voice softened, and she said, Leave. Please leave. You are causing me trouble. She gently pushed me.

Who is he? What is his full name? I said.

Vas te faire foutre , she said.

No one hits George’s sister, and no one pulls a knife on either of us. I will find your Moshe, I said and walked out the door.

Yes, go! she said, following me. And take this with you. She threw an envelope at my back. Leave, and mind your own business. Collant de merde!

I picked up the envelope and ran back down the stairs. The envelope contained a ticket to Canada. The flight was in six days.

I walked slowly back to my hotel, and when I arrived, I called my generals and told them, We need to find the man from last night, and lay a plan.

At the hotel, I sent an officer to interrogate the man at the desk, to ask him if he had the information on the plate number. He came back with a negative answer. My officers and I paced and smoked pipes. Some of my officers had their feet on the table, showing their boots. The campaign room was filled with smoke, and maps on the table that detailed flowing rivers, mountains, and long plains.

We should attack soon, before your voyage to the new continent, comrade, one general with a droopy white moustache declared.

I agreed. We decided to dismiss the meeting and to each go on our own way and wait to hear of the enemy’s whereabouts.

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