Carlos Fuentes - Christopher Unborn

“Why follow me? So you can become new again. So you can save yourselves. So you can have good or bad luck as long as you have a destiny. Don’t just sit there like a bump on a log!”

He had to believe it himself so that they would believe it: that’s what he learned in the amorous tricks of the Chilean big Moma who was so wise, so sexy, and such a mistress of sexual secrets the brutal Matamoros had never practiced. In her arms, he discovered the absolute realization of everything he had written and tried to publish through his double-dealing fellow student Angel Palomar y Fagoaga, whose doom Matamoros had already pronounced: it would be a slow death, by inches, in the Grand Inquisitorial tradition: he’d already screwed Palomar’s wife, he’d already beaten Palomar’s relatives, he’d already buggered Palomar himself, just so he’d learn something about length, thickness, and nightmares that become reality. Matamoros was sure that he could achieve his own destiny, but that destiny included two things: to achieve total revenge on Angel Palomar for having frustrated his literary ambitions, and to prove before the entire world that he, Matamoros Moreno, was worth more than Angel Palomar: the proof would be that the people would follow him and not Palomar, dream about him and not Palomar, would love and hate him, not Palomar. Matamoros Moreno did not shudder as he came in Concha Toro’s mouth because he had to be believed and followed, but in the instant when he was dropping his load between Concha’s teeth (thinking as he did so about his little daughter Colasa, as a black counterpoint to the act he was involved in, a dream of the act: father and daughter), in that instant he told himself that no one would believe in him or follow him if he didn’t believe in himself … Matamoros followed by Matamoros: the demon of hope could move the world, accompanied by its acolytes, passion and ambition, only if in that moment Matamoros Moreno realized (he gave himself: ceded) that “I have another man buried inside me, oh pretty Mama, there was another man with me and I didn’t know it; why didn’t you tell me, Mommy, don’t you love me?”

After that internal and external orgasm, Matamoros Moreno could say what he wanted and he convinced all the unemployed, the lumpen, the deformed, the mad, the bodyguards and cops, the rockaztec groupies, he convinced everyone, intellectuals, housewives, Hipi Toltec and Orphan Huerta, even Baby Ba, who left Egg in the company of my mother and went to follow the Ayatollah. And what about me, Baby, don’t you love me anymore?

“Don’t let your hatred rot inside you. Get cracking. Look over there. Look at the city. It belongs to you.”

“The Mexican hero is neither proletarian nor Communist. He belongs to Guadalupe, and in my hand, brother, I hold a power that is neither of the left nor of the right, but one that reveals my own nature, natch.”

“Stop living a life of anguish. Join us.”

“What do you get by slicing each other up? Get cracking.”

“Don’t hate yourself. There are better things to hate. Look at that house. Look at that store. Look at that car. Why don’t they belong to you? It’s up to you. Take them!”

“Blessed are those that walk the face of the earth in its dangerous moments!”

“Mexico should drown herself in the ocean of confusion in order that it be reborn on the beach of hope.”

“I want a world in which prayers come true! Come with me, old woman, pray as you walk, pray.”

They believed everything because he believed it: in bed with Concha, he let the other penetrate him while he penetrated the woman. His body resists. His body tells him that it is going to go mad just so that the other man inhabiting him can come out of him. He resists: his skin has always been his own, there was nothing behind it, nothing more inside. Yes: another man is emerging from within him, but his body resists and his mind resists even more: you will not be a saint, you will be a criminal and a madman. But the other man is already his spirit. He didn’t realize that the spirit within him also had a body. This didn’t matter to the body of the other man: he fed on the environment, on tension, on fear, on the frustration, self-loathing, disillusion: all this fed the spirit of the other within him, and the funniest thing is that it transformed bad tensions into good tensions. During the long nights of cabaret and sex with Concha Toro, when, after the pleasure of music and sex, they prepared the cassettes that Colasa — terribly diligent, animated (perhaps more so than her father) by a desire for vengeance against that fop Angel Palomar (an object of terrible hatred, you’ve turned out, oh, padre mío!) — brought early every morning to the Trucking Center, whence they were scattered all over what remained of the Honorable Republic of Mexico, the tension of resentment, frustration, the colossal screwing that was Mexico and Mexicans humiliated and handed over to disgrace from birth until death, became passion, dream, hope, movement. Only one thing remained the same; the spirit moves because of the tension surrounding it: it yearns for catastrophe.

Matamoros Moreno let the other come out to fuse with him in body and soul. That’s how the Ayatollah Matamoros was born.

He was born to impress and defeat my defeated and insignificant father, Angel Palomar. Dear Dad, what’s happened to you? Why don’t we share our imagination any longer, you and I? When are we going to get together again, dear old Dad?

Thus he dragged all of us into his passionhope.

* * *

That same man, whatever he might be and however he might be, was now in a brilliant space of lights and reflections from silver and crystal, holding down a girl on the perfume counter in a replica of Bloomingdale’s seeing herself reflected in the thousand mirrors and the thousand eyes of that night. This ritual was expected of him, the spiritual guide was the carnal guide, the revolution did not exalt the spirit at the expense of the flesh: sex was part of the passion and the hope of the revolution for all, in which the perennially frustrated desires of Mexicans would be gloriously brought to fruition: Screw the boss’s daughter! Fuck the unreachable princess! Nail Don Ulises López’s daughter! Bring the impossible close to the possible in one ferocious and vibrant blow! Matamoros Moreno owed it to himself and owed this to all those who stared at him that August night in Las Lomas del Sol: to take off his cape, unbutton his fly, take out his rod, and bring it closer to the open legs of the valley-girl princess, who managed to murmur at the edge of the deaf-mute idiocy that would afflict her from then on:

“You can look but you can’t touch. You’re ugly, poor, and a prole. I’m not for you.”

That I’m not for you was the code murmured and repeated by everyone, which made everyone participate vicariously in Matamoros’s pleasure taken on Penny, who began to scream more, more, more, don’t take it out, don’t come, wait for me, more, more, more, she staring and the luminous guide looking at my father, the terrible joke jabbing him like a spear is the stare of my father hugged, naturally, by Uncle Homero Fagoaga, giggling: “A penis for Penny!”

Colonel Inclán raised his fingers, knotty as mesquite roots, to his eyes, threatening everyone with something no one had ever seen: the eyes he always hid behind those pitch-black glasses. Neither Secretary Federico Robles Chacón nor President Jesús María y José Paredes had ever seen Colonel Inclán’s eyes and the two of them trembled slightly at the prospect. The mere idea of facing his gaze frightened them, and the colonel knew it. With a smile like a death’s-head, he dropped his clenched hand: If not now, when? Hadn’t he told the President that the time still hadn’t come? Well, now it had! The damn bodyguards weren’t worth a shit, they’d all either run away or joined up with the Coca-Cola or aymapepper or whatever that faith healer was calling himself, but they’d been killing the colonel’s best people, there were cops hanging off the lampposts, goddamn it! How far were they willing to let this thing go before they started shooting, how far, Mr. President, how far?