Antonio Tabucchi - Time Ages in a Hurry

He wiped his forehead with a handkerchief and stepped back. He was bathed in sweat. He sat on the wooden bench, on the other side of the little alley. You know, he said, I would have liked to tell Renate, I would have liked to tell her I knew everything, I’d discovered everything, but things are comic, Renate had a stroke, there was hope at first that she’d recover, and in fact they took good care of her, with physiotherapy too, everything that was necessary, but she didn’t get better, in the final years she remained in a wheelchair, and her facial paralysis didn’t go away either, every evening I said to myself: tomorrow I will tell her, but how can you say you’ve discovered everything to someone who has a distorted face and twisted legs? I didn’t have the courage, really, I didn’t have the courage.

He checked his watch. Maybe it was time to go. He felt tired, maybe he’d get a taxi. He said: what I like most of all about my new house is the view over Unter den Linden, it’s a nice house, with all the modern conveniences. He started down the little alley to the entrance gate. He hesitated and turned, waved good-bye to the trees. In the evening I eat in classy restaurants, he said again, for instance tonight I’m thinking of going to an Italian restaurant where they make this spaghetti with shrimp you can’t imagine, with more shrimp than spaghetti. He closed the gate delicately, careful not to make a sound. Back in our time, such places didn’t exist, caro , he murmured to himself, we missed out on the best.

“I’ve never believed life imitates art, that saying’s widespread because it’s so easy, reality always outstrips the imagination, that’s why some stories can’t be written, they’re too pallid to evoke what actually was. But let’s forget about theories, I’ll gladly tell you the story, but then you can write it yourself if you wish — you’ve got the advantage over me — you don’t know who lived it. The truth is he only told me the backstory, I learned the ending from a friend of his, a man of few words; we limit ourselves to talking about music or chess moves, probably had Homer known Ulysses he would’ve thought him a banal man. I’ve come to realize one thing, that stories are always bigger than we are, they happen to us and we are their protagonists without realizing it, but in the stories we live, we aren’t the true protagonists, the true protagonist is the story itself. Who knows why he came to this city to die when it doesn’t remind him of a thing, perhaps because it’s a Tower of Babel and he started to suspect that his story was an emblem of the babel of life, his own country was too small to die in. He must be almost ninety, he spends his afternoons gazing out the window at New York’s skyscrapers, a Puerto Rican girl comes each morning to tidy up his apartment, she brings him a dish from Tony’s Café that he reheats in the microwave, and after he listens religiously to the old Béla Bartók records that he knows by heart, he ventures out for a short walk to the entrance of Central Park, in his armoire, in a plastic garment bag, he preserves his general’s uniform, and when he returns from the park, he opens its door and pats the uniform twice on the shoulder, like he would an old friend, then he goes to bed, he’s told me he doesn’t dream, but if he does, it’s only of the sky over the Hungarian plains, he thinks that must be the effect of the sleeping pill an American doctor prescribed. So I’ll tell you the story in a few words just as the one who lived it told me, all the rest is conjecture, but that is your concern.”

When the story begins, its protagonist was a young officer in the Hungarian army, and according to the Gregorian calendar the year was 1956. For the sake of argument we’ll call him László, a name that renders him anonymous in Hungary, though truth be told he wasn’t just any László, he was that László. From a purely conjectural viewpoint, we might imagine him to be a man of around thirty-five, tall, thin, reddish-blond hair, gray eyes with a faint glint of blue. One might add that he was the sole heir of a family of landowners on the Romanian border, and in his household, they spoke German more than Hungarian, according to Habsburg Empire tradition. After the expropriation of their land, the family moved to Budapest into the large apartment they were granted by the Communist regime. Perhaps we could say our protagonist was drawn to the humanities at school, that he excelled in ancient Greek, that he memorized entire passages from Homer and secretly composed odes in the manner of Pindar. His teacher, the only person to whom he’d dared show them, had predicted for him a future as a great poet, a new Petöfi, something he himself hadn’t believed, an insignificant detail in any case, merely conjecture. The fact was his father wanted him to serve in the military, like he had when he was young, serving as an officer in the Austro-Hungarian army, and for the father, that the army now belonged to a Communist regime was altogether secondary, because Hungary came before anything else, it was for this land that people bore arms, not for some ephemeral government. Our László accepted the will of his father without protest; he was very much aware that he’d never be a new Petöfi and couldn’t stand being second to anyone, he wanted to excel at something, whatever that might be, he didn’t lack willpower, and sacrifices came naturally to him. At the Budapest Military Academy he was soon the best cadet, then the best officer-in-training, and finally the first-class officer who, at the end of the training, was entrusted with a delicate command post in a frontier zone.

At this point, a digression might be necessary that no longer belongs to the realm of conjecture but to the imagination of the teller of a story as heard by somebody to whom the story was told in turn. It is permissible to think that László, in the village where he spent his youth and where his father once owned the land, had left his first love yet remained faithful to her. Some emotional clarification is called for concerning our László, otherwise he might seem to be only a puppet in uniform consigned to a story that reckons on willpower and physical force but excludes the mysterious strength of the cardiac muscle. László had a sentimental heart, and to attribute feelings to him that we all feel in our hearts isn’t groundless conjecture, for László’s heart was also beating for a great love, and his lamented great love was a pretty country girl to whom, after an afternoon in a cornfield in his youth, he’d sworn eternal fidelity, and she in her father’s large house protected by a line of trees would have assured him a line of descent. But meanwhile László was there, in Budapest, with all the grand buildings in that city, the general chief of staff had taken a liking to him, the last Sunday of each month he gave a party and all those invited were in dress uniform, after dinner people danced, a pianist in a tailcoat performed Viennese waltzes, the general’s daughter, while dancing, was lost in his gaze, and who knows if she was really seeing László there or the most brilliant officer of the Military Academy as described by her father. But this is altogether secondary, the fact is that after a brief engagement they were married. It can’t be ruled out that for László, imagination was stronger than reality. He loved his wife, who was pretty and kind, but he wasn’t able to find the same love for her that he thought he’d betrayed, that is, the now-blurred image of a country girl with blond hair. So he went searching for that ghost in the brothels of Budapest, at first going with some of his brothers-in-arms, then melancholically on his own.