Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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One day his lordship, with his guests, had ridden out to hunt; and their return was not expected till the morrow. On this the baroness devised a frolic, which was altogether in her way, for she loved disguises, and, in order to surprise her friends, would suddenly appear among them as a peasant–girl at one time, at another as a page, at another as a hunter's boy. By which means she almost gave herself the air of a little fairy, that is present everywhere, and exactly in the place where it is least expected. Nothing could exceed this lady's joy, if, without being recognized, she could contrive to wait upon the company for some time as a servant, or mix among them anyhow, and then at last in some sportful way disclose herself.

Towards night she sent for Wilhelm to her chamber, and, happening to have something else to do just then, left Philina to receive and prepare him.

He arrived, and found to his surprise, not the honorable lady, but the giddy girl, in the room. She received him with a certain dignified openness of manner, which she had of late been practising, and so constrained him likewise to be courteous.

At first she rallied him in general on the good fortune which pursued him everywhere, and which, as she could not but see, had led him hither in the present case. Then she delicately set before him the treatment with which of late he had afflicted her; she blamed and upbraided herself; confessed that she had but too well deserved such punishment; described with the greatest candor what she called her former situation; adding, that she would despise herself, if she were not capable of altering, and making herself worthy of his friendship.

Wilhelm was struck with this oration. He had too little knowledge of the world to understand that persons quite unstable, and incapable of all improvement, frequently accuse themselves in the bitterest manner, confessing and deploring their faults with extreme ingenuousness, though they possess not the smallest power within them to retire from that course, along which the irresistible tendency of their nature is dragging them forward. Accordingly, he could not find in his heart to behave inexorably to the graceful sinner: he entered into conversation, and learned from her the project of a singular disguisement, wherewith it was intended to surprise the countess.

He found some room for hesitation here, nor did he hide his scruples from Philina: but the baroness, entering at this moment, left him not an instant for reflection; she hurried him away with her, declaring it was just the proper hour.

It was now grown dark. She took him to the count's wardrobe, made him change his own coat with his lordship's silk night–gown, and put the cap with red trimmings on his head. She then led him forward to the cabinet; and bidding him sit down upon the large chair, and take a book, she lit the Argand lamp which stood before him, and showed him what he was to do, and what kind of part he had to play.

They would inform the countess, she said, of her husband's unexpected arrival, and that he was in very bad humor. The countess would come in, walk up and down the room once or twice, then place herself beside the back of his chair, lay her arm upon his shoulder, and speak a few words. He was to play the cross husband as long and as well as possible; and, when obliged to disclose himself, he must behave politely, handsomely, and gallantly.

Wilhelm was left sitting, restlessly enough, in this singular mask. The proposal had come upon him by surprise: the execution of it got the start of the deliberation. The baroness had vanished from the room, before he saw how dangerous the post was which he had engaged to fill. He could not deny that the beauty, the youth, the gracefulness, of the countess had made some impression on him: but his nature was entirely averse to all empty gallantry, and his principles forbade any thought of more serious enterprises; so that his perplexity at this moment was in truth extreme. The fear of displeasing the countess, and that of pleasing her too well, were equally busy in his mind.

Every female charm that had ever acted on him, now showed itself again to his imagination. Mariana rose before him in her white morning–gown, and entreated his remembrance. Philina's loveliness, her beautiful hair, her insinuating blandishments, had again become attractive by her late presence. Yet all this retired as if behind the veil of distance, when he figured to himself the noble, blooming countess, whose arm in a few minutes he would feel upon his neck, whose innocent caresses he was there to answer.

The strange mode in which he was to be delivered out of this perplexity he certainly did not anticipate. We may judge of his astonishment, nay, his terror, when the door opened behind him; and, at the first stolen look in the mirror, he quite clearly discerned the count coming in with a light in his hand. His doubt what he should do, whether he should sit still or rise, should flee, confess, deny, or beg forgiveness, lasted but a few instants. The count, who had remained motionless standing in the door, retired, and shut it softly. At the same moment, the baroness sprang forward by the side–door, extinguished the lamp, tore Wilhelm from his chair, and hurried him with her into the closet. Instantly he threw off the night–gown, and put it in its former place. The baroness took his coat under her arm, and hastened with him through several rooms, passages, and partitions into her chamber, where Wilhelm, so soon as she recovered breath, was informed, that on her going to the countess, and delivering the fictitious intelligence about her husband's arrival, the countess had answered, "I know it already: what can have happened? I saw him riding in, at the postern, even now." On which the baroness, in an excessive panic, had run to the count's chamber to give warning.

"Unhappily you came too late!" said Wilhelm. "The count was in the room before you, and saw me sitting."

"And recognized you?"

"That I know not. He was looking at me in the glass, as I at him; and, before I could well determine whether it was he or a spirit, he drew back, and closed the door behind him."

The anxiety of the baroness increased, when a servant came to call her, signifying that the count was with his lady. She went with no light heart, and found the count silent and thoughtful, indeed, but milder and kinder in his words than usual. She knew not what to think of it. They spoke about the incidents of the chase, and the causes of his quick return. The conversation soon ran out. The count became taciturn; and it struck the baroness particularly, when he asked for Wilhelm, and expressed a wish that he were sent for, to come and read something.

Wilhelm, who had now dressed himself in the baroness's chamber, and in some degree recovered his composure, obeyed the order, not without anxiety. The count gave him a book, out of which he read an adventurous tale, very little at his ease. His voice had a certain inconstancy and quivering in it, which fortunately corresponded with the import of the story. The count more than once gave kindly tokens of approval, and at last dismissed our friend, with praises of his exquisite manner of reading.

Chapter XI

Wilhelm had scarcely read one or two of Shakspeare's plays, till their effect on him became so strong that he could go no farther. His whole soul was in commotion. He sought an opportunity to speak with Jarno; to whom, on meeting with him, he expressed his boundless gratitude for such delicious entertainment.

"I clearly enough foresaw," said Jarno, "that you would not remain insensible to the charms of the most extraordinary and most admirable of all writers."

"Yes!" exclaimed our friend: "I cannot recollect that any book, any man, any incident of my life, has produced such important effects on me, as the precious works to which by your kindness I have been directed. They seem as if they were performances of some celestial genius, descending among men, to make them, by the mildest instructions, acquainted with themselves. They are no fictions! You would think, while reading them, you stood before the unclosed awful Books of Fate, while the whirlwind of most impassioned life was howling through the leaves, and tossing them fiercely to and fro. The strength and tenderness, the power and peacefulness, of this man, have so astonished and transported me, that I long vehemently for the time when I shall have it in my power to read farther."

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