Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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The girls had by degrees gone out to mind their little occupations. Natalia, left alone with Wilhelm, asked some farther explanation of his last remark. The discovery, that a number of her finest paintings and statues had at one time been the property of Wilhelm's grandfather, did not fail to give a cheerful stimulus to their discourse. As by that manuscript he had got acquainted with Natalia's house, so now he found himself too, as it were, in his inheritance. At length he asked for Mignon. His friend desired him to have patience till the Doctor, who had been called out into the neighbourhood, returned. It is easy to suppose that the Doctor was the same little active man, whom we already know, and who was spoken of in the Confessions of a Fair Saint.

"Since I am now," said Wilhelm, "in the middle of your family circle, I presume the Abbé, whom that paper mentions, is the strange inexplicable person, whom, after the most singular series of events, I met with in your brother's house? Perhaps you can give some more accurate conception of him?"

"Of the Abbé there might much be said," replied Natalia: "what I know best about him is the influence which he exerted on our education. He was, for a time at least, convinced that education ought in every case to be adapted to the inclinations: his present views of it I know not. He maintained that with man the first and last consideration was activity, and that we could not act on anything, without the proper gifts for it, without an instinct impelling us to it. ‘You admit,' he used to say, "that poets must be born such; you admit this with regard to all professors of the fine arts; because you must admit it, because those workings of human nature cannot very plausibly be aped. But if we consider well, we shall find that every capability, however slight, is born with us: that there is no vague general capability in men. It is our ambiguous dissipating education that makes men uncertain: it awakens wishes, when it should be animating tendencies; instead of forwarding our real capacities, it turns our efforts towards objects which are frequently discordant with the mind that aims at them. I augur better of a child, a youth who is wandering astray on a path of his own, than of many who are walking aright upon paths which are not theirs. If the former, either by themselves, or by the guidance of others, ever find the right path, that is to say, the path which suits their nature, they will never leave it; while the latter are in danger every moment of shaking off a foreign yoke, and abandoning themselves to unrestricted license."'

"It is strange," said Wilhelm, "that this same extraordinary man should likewise have taken charge of me; should, as it seems, have, in his own fashion, if not led, at least confirmed me in my errors, for a time. How he will answer to the change of having joined with others, as it were, to make game of me, I wait patiently to see."

"Of this whim, if it is one," said Natalia, "I have little reason to complain: of all the family I answered best with it. Indeed I see not how Lothario could have got a finer breeding: but for my sister, the Countess, some other treatment might have suited better; perhaps they should have studied to infuse more earnestness and strength into her nature. As to brother Friedrich, what is to become of him cannot be conjectured: he will fall a sacrifice, I fear, to this experiment in pedagogy."

"You have another brother, then?" cried Wilhelm.

"Yes," replied Natalia; "and a light merry youth he is; and as they have not hindered him from roaming up and down the world, I know not what the wild dissipated boy will turn to. It is a great while since I saw him. The only thing which calms my fears is, that the Abbé, and the whole society about my brother, are receiving constant notice where he is and what he does."

Wilhelm was about to ask Natalia her opinion more precisely on the Abbé's paradoxes, as well as to solicit information about that mysterious society; but the Physician entering changed their conversation. After the first compliments of welcome, he began to speak of Mignon.

Natalia then took Felix by the hand, saying she would lead the child to Mignon, and prepare her for the entrance of her friend.

The Doctor, now alone with Wilhelm, thus proceeded: "I have wondrous things to tell you; such as you are not anticipating. Natalia has retired, that we might speak with greater liberty of certain matters, which, although I first learned them by her means, her presence would prevent us from discussing freely. The strange temper of the child seems to consist almost exclusively of deep longing; the desire of revisiting her native land, and the desire for you, my friend, are, I might almost say, the only earthly things about her. Both these feelings do but grasp towards an immeasurable distance, both objects lie before her unattainable. The neighbourhood of Milan seems to be her home: in very early childhood she was kidnapped from her parents by a company of rope–dancers. A more distinct account we cannot get from her, partly because she was then too young to recollect the names of men and places; but especially because she has made an oath to tell no living mortal her abode and parentage. For the strolling party, who came up with her when she had lost her way, and to whom she so accurately described her dwelling, with such piercing entreaties to conduct her home, but carried her along with them the faster; and at night in their quarters, when they thought the child was sleeping, joked about their precious capture, declaring she would never find the way home again. On this, a horrid desperation fell upon the miserable creature; but at last the Holy Virgin rose before her eyes, and promised that she would assist her. The child then swore within herself a sacred oath, that she would henceforth trust no human creature, would disclose her history to no one, but live and die in hope of immediate aid from Heaven. Even this, which I am telling you, Natalia did not learn expressly from her; but gathered it from detached expressions, songs and childlike inadvertencies, betraying what they meant to hide."

Wilhelm called to memory many a song and word of this dear child, which he could now explain. He earnestly requested the Physician to keep from him none of the confessions or mysterious poetry of this peculiar being.

"Prepare yourself," said the Physician, "for a strange confession; for a story with which you, without remembering it, have much to do; and which, as I greatly fear, has been decisive for the death and life of this good creature."

"Let me hear," said Wilhelm; "my impatience is unbounded."

"Do you recollect a secret nightly visit from a female," said the Doctor, "after your appearance in the character of Hamlet?"

"Yes, I recollect it well," cried Wilhelm blushing, "but I did not look to be reminded of it at the present moment."

"Do you know who it was?"

"I do not! You frighten me! In the name of Heaven, not Mignon surely? Who was it? Tell me, pray."

"I know it not myself."

"Not Mignon, then?"

"No, certainly not Mignon: but Mignon was intending at the time to glide in to you: and saw, with horror, from a corner where she lay concealed, a rival get before her."

"A rival!" cried our friend: "Speak on, you more and more confound me."

"Be thankful," said the Doctor, "that you can arrive at the result so soon through means of me. Natalia and I, with but a distant interest in the matter, had distress enough to undergo, before we could thus far discover the perplexed condition of the poor dear creature, whom we wished to help. By some wanton speeches of Philina and the other girls, by a certain song which she had heard Philina sing, the child's attention had been roused; she longed to pass a night beside the man she loved, without conceiving anything to be implied in this beyond a happy and confiding rest. A love for you, my friend, was already keen and powerful in her little heart; in your arms, the child had found repose from many a sorrow; she now desired this happiness in all its fulness. At one time she proposed to ask you for it in a friendly manner; but a secret horror always held her back. At last, that night and the excitement of abundant wine inspired her with the courage to attempt the adventure, and glide in to you on that occasion. Accordingly she ran before, to hide herself in your apartment, which was standing open; but just when she had reached the top of the stairs, having heard a rustling, she concealed herself, and saw a female in a white dress slip into your chamber. You yourself arrived soon after, and she heard you push the large bolt.

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