Herman Melville - Billy Budd

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Billy Budd: краткое содержание, описание и аннотация

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When Billy, a handsome, unpretentious, stuttering young able-seaman, is falsely accused of inciting mutiny, he lashes out, kills his accuser and is condemned to die. Written in allusive and beautiful prose, many-layered, resonant with ideas and meanings, Billy Budd has inspired drama, films and opera and continues to elude interpretation.
The main theme of the novel, however, is generally considered to be the vulnerability of innocence in a fallen world. Billy, a victim of one man's unnatural hatred, is the embodiment of goodness destroyed by evil, but as "the criminal pays the penalty of his crime", a greater justice comes into play.
The original source for this text has not been identified. The text has been checked for italics against Harrison Hayford and Merton M. Sealts, Jr., eds, Billy Budd: Sailor (An Inside Narrative) (Chicago: University of Chicago Press, 1962).
Published: 1924

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Now each proceeding that follows a mortal sentence pronounced at sea by a drum-head court is characterised by promptitude not perceptibly merging into hurry, tho' bordering that. The hammock, the one which had been Billy's bed when alive, having already been ballasted with shot and otherwise prepared to serve for his canvas coffin, the last offices of the sea-undertakers, the Sail-Maker's Mates, were now speedily completed. When everything was in readiness a second call for all hands made necessary by the strategic movement before mentioned was sounded and now to witness burial.

The details of this closing formality it needs not to give. But when the tilted plank let slide its freight into the sea, a second strange human murmur was heard, blended now with another inarticulate sound proceeding from certain larger sea-fowl, whose attention having been attracted by the peculiar commotion in the water resulting from the heavy sloped dive of the shotted hammock into the sea, flew screaming to the spot. So near the hull did they come, that the stridor or bony creak of their gaunt double-jointed pinions was audible. As the ship under light airs passed on, leaving the burial-spot astern, they still kept circling it low down with the moving shadow of their outstretched wings and the croaked requiem of their cries.

Upon sailors as superstitious as those of the age preceding ours, men-of-war's-men too who had just beheld the prodigy of repose in the form suspended in air and now foundering in the deeps; to such mariners the action of the sea-fowl, tho' dictated by mere animal greed for prey, was big with no prosaic significance. An uncertain movement began among them, in which some encroachment was made. It was tolerated but for a moment. For suddenly the drum beat to quarters, which familiar sound happening at least twice every day, had upon the present occasion a signal peremptoriness in it. True martial discipline long continued superinduces in average man a sort of impulse of docility whose operation at the official sound of command much resembles in its promptitude the effect of an instinct.

The drum-beat dissolved the multitude, distributing most of them along the batteries of the two covered gun decks. There, as wont, the guns' crews stood by their respective cannon erect and silent. In due course the First Officer, sword under arm and standing in his place on the quarter-deck, formally received the successive reports of the sworded Lieutenants commanding the sections of batteries below; the last of which reports being made, the summed report he delivered with the customary salute to the Commander. All this occupied time, which in the present case, was the object of beating to quarters at an hour prior to the customary one. That such variance from usage was authorized by an officer like Captain Vere, a martinet as some deemed him, was evidence of the necessity for unusual action implied in what he deemed to be temporarily the mood of his men. "With mankind," he would say, "forms, measured forms are everything; and that is the import couched in the story of Orpheus with his lyre spell-binding the wild denizens of the wood." And this he once applied to the disruption of forms going on across the Channel and the consequences thereof.

At this unwonted muster at quarters, all proceeded as at the regular hour. The band on the quarter-deck played a sacred air. After which the Chaplain went thro' the customary morning service. That done, the drum beat the retreat, and toned by music and religious rites subserving the discipline and purpose of war, the men in their wonted orderly manner, dispersed to the places allotted them when not at the guns.

And now it was full day. The fleece of low-hanging vapor had vanished, licked up by the sun that late had so glorified it. And the circumambient air in the clearness of its serenity was like smooth marble in the polished block not yet removed from the marble-dealer's yard.

CHAPTER 29

The symmetry of form attainable in pure fiction can not so readily be achieved in a narration essentially having less to do with fable than with fact. Truth uncompromisingly told will always have its ragged edges; hence the conclusion of such a narration is apt to be less finished than an architectural finial.

How it fared with the Handsome Sailor during the year of the Great Mutiny has been faithfully given. But tho' properly the story ends with his life, something in way of sequel will not be amiss. Three brief chapters will suffice.

In the general re-christening under the Directory of the craft originally forming the navy of the French monarchy, the St. Louis line-of-battle ship was named the Atheiste . Such a name, like some other substituted ones in the Revolutionary fleet, while proclaiming the infidel audacity of the ruling power was yet, tho' not so intended to be, the aptest name, if one consider it, ever given to a war-ship; far more so indeed than the Devastation , the Erebus (the Hell ) and similar names bestowed upon fighting-ships.

On the return-passage to the English fleet from the detached cruise during which occurred the events already recorded, the Indomitable fell in with the Atheiste . An engagement ensued; during which Captain Vere, in the act of putting his ship alongside the enemy with a view of throwing his boarders across her bulwarks, was hit by a musket-ball from a port-hole of the enemy's main cabin. More than disabled he dropped to the deck and was carried below to the same cock-pit where some of his men already lay. The senior Lieutenant took command. Under him the enemy was finally captured and though much crippled was by rare good fortune successfully taken into Gibraltar, an English port not very distant from the scene of the fight. There, Captain Vere with the rest of the wounded was put ashore. He lingered for some days, but the end came. Unhappily he was cut off too early for the Nile and Trafalgar. The spirit that spite its philosophic austerity may yet have indulged in the most secret of all passions, ambition, never attained to the fulness of fame.

Not long before death, while lying under the influence of that magical drug which soothing the physical frame mysteriously operates on the subtler element in man, he was heard to murmur words inexplicable to his attendant — "Billy Budd, Billy Budd." That these were not the accents of remorse, would seem clear from what the attendant said to the Indomitable 's senior officer of marines who, as the most reluctant to condemn of the members of the drum-head court, too well knew, tho' here he kept the knowledge to himself, who Billy Budd was.

CHAPTER 30

Some few weeks after the execution, among other matters under the head of News from the Mediterranean, there appeared in a naval chronicle of the time, an authorized weekly publication, an account of the affair. It was doubtless for the most part written in good faith, tho' the medium, partly rumor, through which the facts must have reached the writer, served to deflect and in part falsify them. The account was as follows: -

"On the tenth of the last month a deplorable occurrence took place on board H.M.S. Indomitable . John Claggart, the ship's Master-at-arms, discovering that some sort of plot was incipient among an inferior section of the ship's company, and that the ringleader was one William Budd; he, Claggart, in the act of arraigning the man before the Captain was vindictively stabbed to the heart by the suddenly drawn sheath-knife of Budd.

"The deed and the implement employed, sufficiently suggest that tho' mustered into the service under an English name the assassin was no Englishman, but one of those aliens adopting English cognomens whom the present extraordinary necessities of the Service have caused to be admitted into it in considerable numbers.

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