Sait Abasiyanik - A Useless Man

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Sait Faik Abasiyanik was born in Adapazari in 1906 and died of cirrhosis in Istanbul in 1954. He wrote twelve books of short stories, two novels, and a book of poetry. His stories celebrate the natural world and trace the plight of iconic characters in society: ancient coffeehouse proprietors and priests, dream-addled fishermen adn poets of the Princes' Isles, lovers and wandering minstrels of another time. Many stories are loosely autobiographical and deal with Sait Faik's frustration with social convention, the relentless pace of westernization, and the slow but steady ethnic cleansing of his city. His fluid, limpid surfaces might seem to be in keeping with the restrictions that the architects of the new Republic placed on language and culture, but the truth lies in their dark, subversive undercurrents.
Sait Faik donated his estate to the Daruşafaka foundation for orphans, and this foundation has since been committed to promoting his work. His former family home on Burgazada was recently restored, and now functions as a museum honoring his life and work. He is still greatly revered: Turkey's most prestigious short story award carries his name and nearly every Turk knows by heart a line or a story by Sait Faik.

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My love! I shouldn’t prattle on like this, when I have a story to tell. But what am I to do? Am I not to look for a man to light my cigarette with his if I have no matches? Do you expect me to give up smoking? I can’t even give up writing these damn stories. I just sit there, idling, cigarette in hand, as if looking for someone. Hemmed in by so many important, conceited, grave-faced men, I hardly know where to begin.

Listen. This just occurred to me. It’s good to be asked for a light. It’s neither good nor bad to be asked for directions, or to look like the right person to be asked. It’s strange, isn’t it? If you look around you, my love, you’ll see that — male or female — we all have our excesses. One person might be overly arrogant, and another overly jealous; for every overdressed person, there is another who is dressed in rags; for every smart aleck there is a snob. This one over here is too dirty, and that one over there is too clean. There’s no middle ground, my dearest. And neither do I wish to choose, or be chosen. It’s probably best just to vote! There’s a sin in that, too. It’s best, my friend, to carry matches and know where you’re going, and never go out without knowing which way you are going. What right do we have, my love, to prejudge every man we meet?

Time for my story. I was waiting for the ferry. No, I wasn’t actually waiting for the ferry. I was waiting to miss the ferry home. I said that wrong. I was waiting to miss the ferry so as not to go home. The very thought of going back to my silent, empty village — it was more than I could bear. Better to stay in Istanbul, drinking away the hours, and thinking of you … But sadly the ferry was still waiting at the pier. I stayed in my seat. I stayed in my seat, waiting for it to leave. At last it pulled away. And I relaxed. I lit a cigarette. I had a match.

Sitting just across from me, there was a youngish man, in his hand a piece of paper. He kept looking at it. The passenger lounge emptied, and then it filled up again. At last the man looked up from the paper in his hand. He looked around. I could see what he was after. He had no idea what it said on this piece of paper. Someone had to explain it to him.

I moved my eyes away from him. I fixed them on something else. On the eyes of a woman who wasn’t looking at me. And this was when it began to get on my nerves, knowing that of all the people in this lounge and for reasons I would never understand, I would be the one he chose. And for a moment I considered why he probably chose me — I was an important man who could understand what was written on this piece of paper. And why would I lie? As soon as this idea came to me — no, I didn’t decide I was an important person, but what if I said that the idea of being chosen suddenly appealed to me? I threw a quick glance in his direction. Though by then he’d already chosen me. And here, if you like, you can imagine that I’ve said that to win your favor …

The man came over to me. He held out the piece of paper.

“For the love of God” he said. “Could you take a look at this for me?”

I looked, but I couldn’t quite understand it. I read through it again, and then again. I felt a pain in my heart. The same pain you feel in the summer, if you’re very thirsty, and you’ve gulped down a glass of cold water too fast — a heaviness, that’s what I felt inside me. I looked up at the man.

“I’m just on my way to work,” he said. “I’ve found a very good job. If only you knew, sir, how long I’ve gone without work. But now I’ve found a job. I’m engaged, too. They examined me, and I’m in perfect health. At the very end, they did a blood test. They say they had to. How is my blood — is it as good as the rest of me?”

He was smiling, but on his forehead I could see the shadow of a doubt. I remembered the professor. And I wondered if I too had turned into a physiognomist. No. Here was someone who had, at long last, found a job. He was holding a piece of paper, and it was covered with suspicious marks … No! This was a man whose worries had found their way into his eyes and the middle of his forehead. He had been given three blood tests. And each time the result had four plusses: ++++.*

“Have you been ill at all, my friend?”

“No, not at all,” he said.

His face went taut. His eyes drained of color.

“I really don’t know much about these things. I can’t really understand it,” I said.

“There’s nothing wrong. Do you think?”

“Probably not,” I said. “I’m not a doctor. I can’t really make sense of it.”

“Should I take this paper with me?” he asked. “I mean, to the office where I’ll be working?”

I said nothing. I examined his face carefully. My gaze was not so much careful as needlessly — stupidly — pitying …

I had that pitying look from you, once … I asked you how to get somewhere: how to find happiness, to be precise. Do you remember?

What my eyes said to that man, I cannot know … Once again we examined the paper. I didn’t tell him to take it into his new job with him, but neither did I tell him not to. He wants to look, and I am looking into his eyes. The man’s gone deathly pale.

I left. I had my shoes shined. I ran home. I shaved. I put on a new tie. I assumed an arrogant air, so that no one else would dare approach me for the rest of the day. And that was the day, my love, when I took my raincoat to the cleaners.

*A blood test result with four plusses (++++) indicates syphilis

Carnations and Tomato Juice

картинка 26

It’s early in the morning, in a little copse of pines. The bees are humming, the mosquitoes buzzing, the birds trilling. It’s dark in here, dark as sunglasses, except for the dappled sunlight filtering down through the trees. And just over there, lapping up against the shore, a little patch of sea. It’s just a shade darker than the sky … And now I am thinking of the villagers who live there. Once upon a time I discovered from books that if I learned to love people, and to delight in nature and in the world by traveling this long road, I would, the books said, learn to love life itself. But I no longer love people by the book. And neither do I have time for the four holy texts or the great tomes of science. It’s fables I learn from, and stories. Poetry and fiction — those are my sciences. But if you wanted to know how I learned to loathe the servant who leaps upon his master to whisk away his luggage the moment he steps off the boat, or how I came to understand that the man who springs out of bed at six-thirty every morning to battle the elements isn’t actually working — well, these were things I taught myself. But should that man choose to linger in bed one morning — well, he can spend the rest of the day trying to fool people for all I care. What difference does it make? His thick wad of banknotes don’t add up to a single coin in my eyes, not a single coin.

I know which people to respect these days. I know which ones to love. Then there are those who’ve been on my mind for days now (but let’s not say that he “occupied” my thoughts).

In the village they call him Mustafa the Blind. One of his eyes is skewed to the left. On the right side of this eye there’s a dark red lump of flesh where the white of his eye meets the lid. Was he born like that? Did something get caught in his eye when he was a child? This weak eye is shinier than the other, and darker, too. There’s more life in it. More wit. It makes me think of a hunchback. How strange. People dismiss hunchbacks as ugly, when in fact they’re charming and warm-hearted, every last one of them. They make the dearest friends. Oh, how much I adore them!

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