Victor Serge - Unforgiving Years

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Unforgiving Years The book is arranged into four sections, like the panels of an immense mural or the movements of a symphony. In the first, D, a lifelong revolutionary who has broken with the Communist Party and expects retribution at any moment, flees through the streets of prewar Paris, haunted by the ghosts of his past and his fears for the future. Part two finds D’s friend and fellow revolutionary Daria caught up in the defense of a besieged Leningrad, the horrors and heroism of which Serge brings to terrifying life. The third part is set in Germany. On a dangerous assignment behind the lines, Daria finds herself in a city destroyed by both Allied bombing and Nazism, where the populace now confronts the prospect of total defeat. The novel closes in Mexico, in a remote and prodigiously beautiful part of the New World where D and Daria are reunited, hoping that they may at last have escaped the grim reckonings of their modern era.
A visionary novel, a political novel, a novel of adventure, passion, and ideas, of despair and, against all odds, of hope,
is a rediscovered masterpiece by the author of

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Noémi came toward them on the terrace. She had hardly changed: calm, the eyes perhaps a little larger, the sockets deeper; wearing a white embroidered Indian shift. She gave Daria a hug.

“I knew you’d come. Bruno didn’t believe me, he never does.”

“How could you have known, my love?”

“Through Doña Luz. She knows secrets. I don’t trust anyone else… We should be afraid right now, because she is, I can tell… I’m always afraid and I’m happy, would you believe it?”

* * *

The question was hanging so obviously in the air between them that Bruno Battisti gave voice to it himself: “So, what has become of me?” His eyes narrowed. He raised his hand and pointed to the contours of the lake and of the mountain. He began: “Listen to me, my friend. The plantation lives by the rhythm of seasons different from those of Europe. Our one earth has many faces. Here life is ruled by two primordial divinities: Fire and Water, Sun and Rain. They are the true mother-deities. The ancient brown race once adored them with a robust sense of reality. The Indios still bow to the maize on entering the field they are about to harvest, and I know they sometimes fertilize the soil with human semen. In the past, they used to regale the gods with their own flesh, their own blood, something which made unimpeachable sense: one nourishment for another, and all nourishment is terrestrial… They drowned small children in this lake so that the god of the water would allow for a plentiful crop. They tore out the hearts of prisoners and offered them up, still beating, so that a fortified sun would be sure to prevail over the darkness. You’ll note that the Nahua were not terribly confident of the power of the sun, whereas they lived in awe of the destructive forces, harboring an exaggerated respect for them rather like ours in some ways… They lived in an unstable cosmos, as we live in an unstable humanity armed with cosmic powers… I subscribe to a modern meteorological service whose bulletins are useless, for they always arrive too late. My real weatherman is Lame Pánfilo, a fellow who can read the path of storms and predict the coming of the rains… When he’s too drunk, I patiently await what no one can change.

“There’s the dry season, when the highlands become a yellow desert. During that time, only the cactuses survive, thanks to their bitter energy and what scarce moisture is condensed by the night… Proof that a humble, resistant victory is nearly always possible, even if it amounts to little more than holding out. There’s the rainy season, when huge clouds gathered over the Pacific suddenly burst open, raining tempests and lightning down over the thirsty land, fertilizing it with magnificent violence. Torrents spill gleaming down the mountain, the lake overflows its banks, life begins to ferment in the soil — where it was only suspended — and in the rocks themselves, if you believe your eyes. The storms calmed and the downpours spent, the green season arrives. From here to the farthest peaks, the country is nothing but an empire of rising sap. Every bit of basalt has its crown of greenery and flowers sprung from lifeless aridity. It’s the miracle of resurrection, like when the snows melt in our cold countries… For months there was nothing to see but a dried-up desert; who could guess that beneath the calcined ground, millions of invincible seeds were concealed, ready to germinate. We observe that the true power is not that of darkness, of barrenness, but of life. All that exists cries, whispers, or sings that we must never despair, for true death does not exist.

“The fire in the sky first blesses the sap, the loves of insects and birds, the euphoria of the herds, the darting quickness of tadpoles in the ponds… Then the fire in the sky turns to a burning hardness, as though the gods were reminding creation that no euphoria can last and that existence is not just the exultation of being; existence is also ordeal, courage, blind tenacity, hidden resourcefulness. The heavens’ severity becomes an outburst of angry luminescence, a vast fierce rapture insensible to being, destructive of beings, sufficient to itself, blazing, mindless, and superb.

“The herds graze the last yellowed grasses, which rasp their throats… Here at the plantation, the perennial problem is water. I drilled a well. The streams dry up… When all else fails I have to get water from the lake, an exhausting job for my peons. You see, the earth is dying of thirst at the water’s edge. And yet we’ve accomplished the miracle of rescuing this small piece of it. After the coffee is picked, I climb into my old Ford and go into town. I make just enough to live on and to order a few books from New York… I could easily get rich, like others do, lending to the poor against the next harvest and stockpiling maize and sugarcane against the inevitable rise in prices. The idea made me ashamed, and I chose instead to pass for a fool. Living among wolves, it would be reasonable to learn how to howl and bite like the wolves, but I preferred another fate, a more dangerous one I suppose because here as everywhere, a kind of sentence weighs upon the man who tries to be a bit more human than the general lot… I won’t pretend I wasn’t tempted to overcome this repugnance and make money so as to return to Europe when Europe is once again the continent of the most amazing germinations. These must come after the desert seasons. We shall see ideas, forces, men, and works sprouting up from the graveyards, no matter the rot and decay… Well, either I’ll never go back, or I’ll go back penniless and old, which is worse, to end in the midst of beginnings.

“Tropical countries are full of aging men who still remember having followed dreams, wanting to become artists, scientists, discoverers, revolutionaries, reformers, sages! But one day they said to themselves: Let’s make some money first, otherwise we’re powerless. And it was all the easier because it was diving into another powerlessness. They became wealthy; disillusioned with themselves and hence with everything, they frittered their lives away in gilding their cages, while a cynical bitterness grew within them. The best of them keep up subscriptions to high-minded journals of literature or theosophy, as a reminder of extinguished passions… They play bridge and continue to speculate in real estate and commodity values, largely out of habit… I know some of these men. We’ve smoked sad cigars together in good restaurants, pontificating about the war — not without flashes of insight. I’ve stopped seeing them, because some of them stupidly admire a dead revolution. They depend on it like an injection to prolong their final breathing.

“I work my peons and pay them well; they steal from me well too, but within reason; they’re aware that I know about it, but not that I judge them to be in the right. If I paid them any more, they’d lose motivation and the local powers would brand me a public menace… I’m up at sunrise, the dawns here are as fresh as the first day of creation. I supervise all the work… In the evening I lie in my hammock with a few books and newspapers, the papers several days old but it makes no difference, filled as they are with layers of lies and nonsense… In books, though, you may still encounter living men. I don’t much care for the literary fabrications in vogue today: they too often feed on baseness, cultivating a false despair. Genuine despair would disdain royalties. Why write, why read, if not to offer, to find, a larger image of life, an image of man as deep as the problems that make up his greatness? I prefer reading scientific works, they have more imagination, they induce in me a sense of dizzying precision.

“I miss everything and that’s another form of captivity, the only one I consent to, the only one that is a healthy part of our nature. I am the owner of this plantation, lush and overgrown as a patch of jungle, and despite this, sterile for me. I tend it with a kind of love. And thus I fulfill an instinctive duty toward the earth, the dead, and the defeats which are great temporary deaths… Thanks to this, I don’t have much time for conscious regret; the other is always present. Sometimes I feel overwhelmed by the enchantment of plants, but animals are for me more eloquent. I see a big amber scorpion go by, and I think of him as a sort of ancestor to so many creatures in this world, a survivor of Paleozoic ages. The wild ducks come down in droves; as they skid onto the lake, I see an Indio marksman hiding behind the calabash stalks; the birds take off as soon as they see him — a war of ruses between them and the hunter; but they don’t mind me, they know I’m unarmed. I fling a stone at them, they laugh at men: Learn that men are bad!… Or perhaps I’m reading, and a rattlesnake slips over for a look. He rears his fine stylized head, flicks a tongue like a living black needle, shakes his tail, which rings agreeably, decides that I’m a creature like him, a solitary, no worse than he is, sketches a little dance, and goes coolly on his way. He is very beautiful, the rattlesnake… I know the hours when the hummingbird comes flitting among the flowers like a butterfly. The frailest of birds, tiny, dark, and iridescent, with a life experience limited to searching for pollen, making love, and fleeing before huge, incomprehensible dangers from which its tininess protects it; this tiny spark of intelligence has enabled it to weather more than one geological upheaval… I watch for the ungainly flight of the pelican, a bird which seems to me ugly because it belongs to an aesthetic of nature from very ancient times… Such are my daily encounters, full of meaning.

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