Gustave Aimard - Stronghand - or, The Noble Revenge

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"But," the young man continued, "let us not delay any longer. His lordship must be informed of my arrival; and the slight eagerness I seem to display in proceeding to him and obeying his orders will probably be interpreted to my injury by the man who has for so many years conspired my ruin."

"Yes, you are right: we have delayed too long as it is; come, follow me."

"Where are you taking me?" the young man remarked. "My father's apartments are not situated in this part of the hacienda."

"I am not leading your Excellency to them," he answered, sorrowfully.

"Where to, then?" he asked, stopping in surprise.

"To the Red Room," the old servant remarked in a low voice.

"Oh!" the young man muttered; "Then my condemnation is about to be pronounced."

Perote only answered by a sigh; and his young master, after a moment's hesitation, made him a sign to go on; and he silently followed him, with a slow step that had something almost solemn in it.

CHAPTER VII

THE FAMILY TRIBUNAL

The Hacienda del Toro, like many feudal mansions, contained one room which remained constantly closed, and was only opened on solemn occasions. The head of the family was conveyed there to die, and remained on a bed of state till the day of his funeral: and the wife was confined there. There, too, marriage contracts were signed. In a word, all the great acts of life were performed in this room, which inspired the inhabitants of the hacienda with a respect greatly resembling terror; for on the few occasions on which the Marquises de Tobar found themselves compelled to punish any member of their family, it served as the tribunal where the culprit was tried and sentence pronounced.

This room, situated at the end of the hacienda, was a large hall of oblong shape, paved with alternate large black and white slabs, and lighted by four lofty windows, which only allowed a gloomy and doubtful light to penetrate.

Tapestry, dating from the fourteenth century, and representing with all the simplicity of the age the different episodes of the mournful battle of Xeres – which delivered Spain to the Moors, and in which Don Rodrigo, the last Gothic king, was killed – covered the walls, and imprinted an indescribable character of sepulchral majesty on this cold and mournful hall, which was probably called the "Red Room" from the prevalence of that colour in the tapestry work.

The young Count de Tobar had never entered this room since the day of his birth; and, however far back his thoughts reverted in childhood, he never remembered to have seen it open. Hence, in spite of all his courage, and the firmness with which he had thought it wise to arm himself for this decisive interview with his father, he could not restrain a slight start of fear on learning that his parents were prepared to receive him there.

The folding doors were open, and on reaching the threshold the young man took in the room at a single glance. At one end, on a dais covered with a petate, the Marquis and Marchioness of Tobar were seated, gloomy and silent, beneath a canopy of black velvet with gold fringe and tassels. Candles, lit in tall, many-branched candelabra, in order to overcome the habitual gloom of the room, threw their flickering light on the aged couple, and imparted to their faces an expression of sternness and harshness that probably did not belong to them.

At the foot of the dais, and almost touching it, stood a young man of three or four-and-twenty, with handsome and distinguished features, whose elegant attire contrasted with the simple dress of the aged couple: this gentleman was Don Hernando de Tobar, younger son of the Marquis. A footman, the same who had preceded the Count in order to announce his arrival to his master, took a step forward on perceiving the young man.

"El Señor Conde, Don Rodolfo de Tobar y Moguer," he said, in a loud and marked voice.

"Show in the Count," the Marquis said, in a voice which, though broken, was still powerful.

The manservant discreetly retired, and the door closed upon him. The Count walked up to the foot of the dais: on reaching it, he bowed a second time, then drew himself up, and respectfully awaited till it pleased his father to address him.

So profound a silence prevailed for some minutes in the room, that the hearts of the four persons might have been heard beating in their bosoms. Don Hernando took cunning side-glances at his brother, whom the aged couple examined with a mixture of sadness and severity.

The young Count, as we said, was standing motionless in front of the dais. His posture was full of nobility, without being in any way provocative: with his right foot in front, his hand on his sword guard, and the other holding his hat, whose long feather swept the ground, and his head slightly thrown back, he looked straight before him, without any display of arrogance or disdain. He waited, with a brow rather pale, it is true, owing to the internal emotions he felt; but the expression of his features, far from being that of a culprit, was, on the contrary, that of a man convinced of his innocence, and who expects to see his conduct approved rather than blamed.

"You have arrived, then, Señor Conde," the Marquis at length said, sharply.

The young man bowed, but did not answer.

"You did not display any great eagerness in obeying my invitation."

"My lord, I only received very late last night the letter you did me the honour to send me," the Count answered, gently. "This morning before sunrise I mounted my horse, and rode twenty leagues without stopping, so anxious was I to obey you."

"Yes," the Marquis said, ironically, "I know that; for you are a most obedient son – in words, if not otherwise."

"Excuse me, my lord," he replied, respectfully, "but I do not understand to what you deign to allude at this moment."

The old gentleman bit his lips angrily. "It is because we probably no longer speak the same language, Señor Conde," he said, drily; "but I will try to make myself better understood."

There was a silence, during which the Marquis seemed to be reflecting.

"You are the elder son of the family, sir," he presently continued, "and, as such, responsible for its honour, which your ancestors handed down to you unsullied. You are aware of this, I presume?"

"I am, my lord."

"Since your birth your sainted mother and myself have striven to place before you only examples of loyalty; during your childhood we took pleasure in training you in all the chivalrous virtues which for a long succession of centuries have been the dearest appanage of the race of worthies from whom you are descended. We continuously kept before your eyes the noble motto of our family, of which it is so justly proud. How is it, then, sir, that, suddenly forgetting what you owe to our care and the lessons you received from us, you suddenly, without your mother's permission or mine, abandoned without any plausible motive the paternal roof, and that, deaf to the remonstrances and tearful entreaties of your mother, and rebellious against my orders, you have so completely separated your life from ours, that, with the exception of the name you continue to bear, you have become a perfect stranger?"

"My lord!" the young man stammered.

"It is not an accusation I bring against you, Don Rodolfo," the Marquis continued, quickly; "but I expect a frank and honourable explanation of your conduct. But, take care; the explanation must be clear and unreserved."

"My lord," the Count answered, throwing up his head proudly, "my heart reproaches me with nothing: my conduct has been ever worthy of the name I have the honour to bear. My object, in obeying your orders so eagerly, has not been to justify myself, as I am not guilty of any fault, but to assure you of my respect and obedience."

An incredulous smile played round Don Hernando's month, and the Marquis continued with the same tone of frigid sternness —

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