Gustave Aimard - Stronghand - or, The Noble Revenge

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Aimard Gustave

Stronghand; or, The Noble Revenge

CHAPTER I

AN EXCHANGE OF SHOTS

The country extending between the Sierra de San Saba and the Rio Puerco, or Dirty River, is one of the most mournful and melancholy regions imaginable.

This accursed savannah, on which bleach unrecognized skeletons, which the wind and sun strive to convert into dust, is an immense desert, broadcast with grey rocks, beneath which snakes and wild beasts have, from time immemorial, formed their lurking-place, and which only produces black shrubs and stunted larches that rise from distance to distance above the desert.

White or Indian travellers rarely and most unwillingly venture to cross this frightful solitude, and at the risk of lengthening their journey they prefer making a detour and following the border, where they are certain of finding shade and water – those delights of tropical countries and indispensable necessities for a long trip on the western prairies.

Towards the second half of June – which the Navajo Indians call the "strawberry moon" in their harmonious language – and in the Year of Grace 1843, a horseman suddenly emerged from a thick clump of oaks, sumachs, and mahogany trees, entered the savannah at a gallop, and, instead of following the usual travellers' track, which was distinctly traced on the edge of the sand, he began without any hesitation crossing the desert in a straight line.

This resolution was a mark of great folly, or a proof of extraordinary daring on the part of a solitary man, however brave he might be; or else some imperious reasons compelled him to lay aside all prudence in order to reach his journey's end more speedily.

However, whatever the motives that might determine the traveller, he continued his journey rapidly, and buried himself deeper and deeper in the desert, without seeming to notice the gloomy and desolate aspect the landscape around him constantly assumed.

As this person is destined to play an important part in our story, we will draw his portrait in a few words. He was a man of from twenty-five to thirty years of age – belonging to the pure Mexican race, of average height, and possessed of elegant manners; while his every gesture, graceful though it was, revealed a far from ordinary strength. His face, with its regular features and bright hue, evidenced frankness, bravery, and kindliness; his black eyes, haughty and well open, had a straight and penetrating glance; his well cut mouth, adorned with dazzling white teeth, was half concealed beneath a long brown moustache; his chin, of too marked an outline perhaps, denoted a great firmness of character; in short, his whole appearance aroused interest and attracted sympathy.

As for his dress, it was the Mexico costume in all its picturesque richness. His broad-brimmed Vicuna skin hat, decorated with a double gold and silver golilla , was carelessly set on his right ear, and allowed curls of luxurious black hair to fall in disorder on his shoulders. He wore a jacket of green velvet, magnificently embroidered with gold, under which could be seen a worked linen shirt. An Indian handkerchief was fastened round his neck by a diamond ring. His calzoneras , also of green velvet, held round his hips by a red silk gold-fringed faja were embroidered and slashed like a jacket, while two rows of pearl-set gold buttons ran along the opening that extends from the boot to the knee. His vaquero boots, embroidered with pretty designs in red thread, were fastened to his legs by silk and gold garters, from one of which emerged the admirably carved hilt of a long knife. His zarapé, of Indian fabric and showy colours, was folded on the back of his horse, an animal full of fire, with fine legs, small head, and flashing eye. It was a true prairie mustang; and its master had decorated it with the coquettish elegance peculiar to Mexican horsemen.

In addition to the knife we referred to, and which the horseman wore in his right boot, he had also a long American rifle laid across his saddle-bow, two six-shot revolvers in his girdle, a machete, or species of straight sabre, which was passed, unsheathed, through an iron ring on his left side; and, lastly, a reata of plaited leather, rolled up and fastened to the saddle.

Thus armed, the man we have just described was able – on the admission that his determined appearance was not deceitful – to make head against several adversaries at once, without any serious disadvantage. This was a consideration not at all to be despised in a country where a traveller ever runs the risk of encountering an enemy, whether man or beast, and, at times both together.

While galloping, the horseman carelessly smoked a husk cigarette, only taking an absent and disdainful glance at the coveys of birds that rose on his approach, or the herds of deer and packs of foxes which fled in terror on hearing the horse's gallop.

The savannah, however, was already beginning to assume a more gloomy tinge; the sun, now level with the ground, only appeared on the horizon as a red unheated ball, and night was soon about to cover the earth with its dense gloom. The horseman drew up the bridle of his steed to check its speed, though not entirely stopping it, and, casting an investigating glance around him, seemed to be seeking a suitable spot for his night halt.

After a few seconds of this search, the traveller's determination was formed. He turned slightly to the left, and proceeded to a half dried up stream that ran along a short distance off, and on whose banks grew a few prickly shrubs and a clump of some dozen larches, forming a precarious shelter against the curiosity of those mysterious denizens of the desert that prowl about in search of prey during the darkness.

On drawing nearer, the traveller perceived to his delight that this spot, perfectly hidden from prying glances, by the conformation of the ground and a few blocks of stone scattered here and there among the trees and shrubs, offered him an almost certain shelter.

The journey had been tiring; and both man and horse felt themselves worn with fatigue. Both, before proceeding further, imperiously required a few hours' rest.

The horseman, as an experienced traveller, first attended to his steed, which he unsaddled and led to drink at the stream; then, after hobbling the animal for fear it might stray and become the prey of wild beasts, he stretched his zarapé on the ground, threw a few handfuls of Indian corn upon it, and when he was assured that his horse, in spite of its fatigue, was eating its provender willingly, he thought about himself.

Mexicans, when travelling, carry behind their saddle two canvas bags, called alforjas , intended to convey food, which it is impossible to procure in the desert; and these, with two jars filled with drinking water, form the sole baggage with which they cover enormous distances, and endure privations and fatigue, the mere enumeration of which would terrify Europeans, who are accustomed to enjoy all the conveniences supplied by an advanced stage of civilization.

The horseman opened his alforjas, sat down on the ground with his back against a rock, and, while careful that his weapons were within reach, for fear of being attacked unawares, he began supping philosophically on a piece of tasajo, some maize tortillas, and goat's cheese as hard as a flint, the whole being washed down with the pure water of the stream.

This repast, which was more than frugal, was soon terminated. The horseman, after cleaning his teeth with an elegant gold toothpick, rolled a pajilla, smoked it with that conscientious beatitude peculiar to the Hispano-Americans, and then wrapped himself in his zarapé, shut his eyes, and fell asleep.

Several hours passed; and it is probable that the traveller's sleep would have been prolonged for some time, had not two shots, fired a short distance from him, suddenly aroused him from his lethargy. The general rule on the prairie is, that when you hear a shot, it is rare for it not to have been preceded by the whistle of a bullet past your ear – in other words, there are ninety-nine reasons in a hundred that the lonely man has been unconsciously converted into the target of an assassin.

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