Эптон Синклер - Oil!

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Oil!: краткое содержание, описание и аннотация

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The basis for the movie There Will Be Blood. Based on the Teapot Dome scandal of the Harding administration, it is the story of Bunny Ross, the son of a wealthy California oil operator, who discovers that politicians are unscrupulous and that oil magnates are equally bad.
In Oil! Upton Sinclair fashioned a novel out of the oil scandals of the Harding administration, providing in the process a detailed picture of the development of the oil industry in Southern California. Bribery of public officials, class warfare, and international rivalry over oil production are the context for Sinclair's story of a genial independent oil developer and his son, whose sympathy with the oilfield workers and socialist organizers fuels a running debate with his father. Senators, small investors, oil magnates, a Hollywood film star, and a crusading evangelist people the pages of this lively novel. 

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All these things Bunny had heard a hundred times, but Dad never tired of telling them. He was never entirely content unless the boy was by his side, learning the business. You mustn’t fool yourself with the idea that you could hire experts to attend to things; for how could you know that a man was an expert, unless you knew as much as he did? Some day your foreman might drop dead, or some other fellow would buy him away from you, and then where would you be? Be your own expert, said Dad!

The machinery which did the turning was called a “rotary table”; it was connected with the engine by a steel chain, exactly like the sprocket-chain of a bicycle, except that the links were as big as your fist. The rotary table had a hole through the centre, where the drill-stem went through; there was a corresponding hole in the derrick-floor—and soon there would be one in the ground! The hole in the rotary-table was square, and the top drill-stem, known as your “Kelly joint,” was square, and fitted this hole; you lowered it through—but first you screwed in your “collar” and “bit,” the tool which did the actual cutting. They were starting with a “disc-bit”—it had two steel things like dinner-plates, set opposite each other, and as they went round and round, the weight of the pipe caused them to chew their way into the earth. You started with an eighteen-inch “bit,” and as it flopped round, it cut you a hole two feet across.

Well, the time came when the last tool was on hand, and the last bolt made tight, and the drilling-tools ready for their long journey into the bowels of the earth. This was a great moment, akin to the launching of a ship, or the inauguration of the first president of a republic. Your friends gathered, and the workers from nearby jobs, and a crowd of sightseers. The crew had been hustling for three weeks, with this as their goal, and now they stood, both the day shift and the night shift, proud of their past, and eager for their future. The engineman had his hand at the lever, and his eye on Dad; Dad gave him a nod, and he shoved the lever, and the engine started, and the gears made a roaring racket, and the bit hit the ground—“Spud! Spud!” At least that is what men imagine they hear, and so they call the operation “spudding in.” “All aboard for China!” sang the foreman; and everybody who had clean hands shook hands with Dad—including Mr. Bankside, whose land they were drilling, and Mrs. Bankside and the whole Bankside family. They carried Dad and Bunny to their home, which was on the lease, and they opened a bottle of champagne, and drank a wee sip to the health of the Ross-Bankside Number 1, which was already a half dozen feet down in the ground.

V

It was cool at the beach in summer, and back at Lobos River it was hot as the original fires; so the family was going to move. Dad wasted very little time on such a matter; he dropped in at a real estate agent’s, and asked for the best furnished house in town, and drove out to an imitation palace on the ocean front, and looked it over, and went back to the office and signed a six months’ lease for twenty-five hundred dollars.

Outside, this house was plaster applied to chicken-wire, or something that looked like it; inside, it was shiny like the home of Mrs. Groarty, only it was imitation mahogany instead of imitation oak. There was a big entrance hall, and a drawing-room on one side, and on the other a dining-room, with elaborate up-to-date “built-in” features. To these the owner had added furniture regardless of expense or period: spindley-legged gilded French things, done in flowered silk; mid-century American black walnut, with roses and rosettes; black Chinese teak-wood, carved with dragons. There were statues of nude ladies, in highly polished marble, and also a marble clergyman in a frock coat and a string tie. Upstairs were six bed-rooms, each done in a different color by a lady from the best department-store in town. Some people might have found the place lacking in the elements of home, but Bunny never thought of such a thing—he had learned to be happy in a hotel room, with the use of the lobby. All his life that he could remember, home had been a place which you rented, or bought with the idea of holding it as a real estate speculation. As the Indians in the Hudson Bay country kill a moose in the winter-time, and move to the moose, so Dad started an oil-well, and moved to the well.

First came Mr. Eaton, the tutor; he was used to getting a telephone-call, informing him where the carcase of the moose was to be found. He would pack his two suit-cases and his steamer-trunk, and take the train or the motor-bus to his pupil. He was a rather delicate young man, very retiring, with pale blue eyes, and pockets that bagged because he put books in them. He had been engaged with the express restriction that oil was to come before culture; in other words, he was to teach his pupil at such times as Dad was not doing it. Dad was not quite clear on the subject of book knowledge; at times he would say it was all “bunk,” but at other times he would pay it a tribute of embarrassment. Yes, he was a “rough-neck,” of course, and Bunny would have to know more than he; but at the same time he was jealous of that knowledge, troubled by fear it might be something he would disapprove of. He was right in this, for Mr. Eaton told Bunny quite shamelessly that there were things in the world more important than oil.

Then came the family limousine, with grandmother and Aunt Emma, driven by Rudolph, who was a combination of chauffeur and gardener, and would put on a frock coat and be a butler at parties. Beside him on the front seat rode Sing, the Chinese cook, who was too precious to be trusted to motorbus or train. Nellie, the house-maid, could be more easily replaced, so she brought herself. A truck brought the trunks and miscellaneous belongings—Bunny’s bicycle and Aunt Emma’s hat-boxes, and grandmother’s precious works of art.

Old Mrs. Ross was seventy-five years of age, and her life had been that of a ranch-woman, in the days before automobiles and telephones and machinery. She had slaved in poverty, and raised a family, and seen one daughter die in child-birth, and a son of typhoid in the Spanish war, and another son as a drunkard; now “Jim” was all she had left, and he had made a fortune late in his life, and lifted her to leisure at the end of hers. You might have been a long time guessing what use she would make of it. Out of a clear sky she announced that she was going to be a painter! For sixty years, it appeared, she had cherished that dream, while washing dishes, and spanking babies, and drying apricots and muscat grapes.

So now, wherever they lived, grandmother had a spare room for a “studio.” A wandering artist had taught her the handling of crude and glaring colors. This artist had painted desert sunsets, and the mountains and rocky coasts of California; but old Mrs. Ross never painted anything she had ever seen. What she was interested in was gentility—parks, and lawns, and shady avenues with ladies in hoop-skirts, and gentlemen with wide-bottomed trousers. Her masterpiece was six feet by four, and always hung in the dining-room of the rented home; it showed in the background an extremely elegant two-story house, with two-storied porches having pillars on which you could see every curlicue. In front ran a circular drive, with a fountain in the middle, and water which was very plainly splashing. Around the drive rolled a victoria—or maybe it was a landau or a barouche—with a lady and a gentleman being driven by a Negro coachman. Behind the vehicle raced a little dog, and playing on the lawn were a boy, and a girl in wide skirts, having a hoop in her hand. Also there were iron deer on the lawn—you never got tired of looking at this picture, because you could always find something new in it; Dad would show it to visitors, and say: “Ma painted that, ain’t she a wonder, for an old lady seventy-five?” Agents who had come with leasing propositions, or lawyers with papers to be gone over, or foremen coming for orders, would examine it carefully, and never disagreed with Dad’s judgment.

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