Diego Maenza - Structure Of Prayer

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Structure Of Prayer: краткое содержание, описание и аннотация

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”Christianity, from a priest and a nun, two stories crossed by the secret, by the suffering of not recognizing themselves in their ”sins”, in denying a reality that is telling them, more and more strongly, that they are weak before the acceptance of their wrong decisions. The characters are just mere figures placed in the plot to delve into a constant and disturbing message: someone is always on top of someone else; someone who sentences with ideas conditioned to their benefit”. ALEXIS CUZME, writer ” Structure of prayer is developed in an environment of religiosity and erudition, because in relation to the famous painting The Garden of Delights, by Hieronymus Bosch, the protagonist – who is a priest – interprets his own behavior and that of other human beings, from the beginning to the end of time”. VERÓNICA FALCONÍ, writer A priest tormented by his instincts. Is this a pointless fight against the devil or a test of the heavens? A pregnant novice. Is it a transgression of the rules or a miracle in times of skepticism? A parade of exalted characters who defend the foundations of doctrine, and others, from miserable existences, whose lives call into question the foundations that support theology. Narrated from different points of view and approached through formal and thematic daring, Structure of Prayer immerses us in dense dramas where the spiritual decomposition of each of the protagonists will shorten the space for redemption, which not all will reach. The theological virtues and the mysteries of faith merge to give rise to the extensive Way of the Cross that circulates throughout these pages through the seven capital sins that are presented in the form of a bestiary, with each demon as a symbol of excess: Asmodeus, lust; Belfegor, laziness; Beelzebub, gluttony; Amon, anger; Leviathan, revenge; Mammon, greed; and, Lucifer, pride. Despite the crudeness of its lines, this novel is a spiritual book.

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SECOND STATION

Forgive me, beloved Father, if my sins are great, greater is your goodness. Accept my prayer. Don't take me away from you. I truly try to bear this burden on my shoulders, Father, which oppresses me. Give me your help to keep on standing, do not let my steps falter, do not let my soul faint in sin. Be my protector. Be my guide. Help me, Lord, to stand firm on your word.

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THIRD STATION

It is good, indeed, to feel the respect they command for the authority of a representative of God on earth. These ladies have successfully made up for my absence in the preparations and here I witness a complete representation of the Way of the Cross translated by the clumsy movements of the boys. How slender they are. Especially mine, transmuted into the wounded, half-naked man hooked to the wood. An impulse invites me to look at the comfortable extension of his pale legs, the provocative stretching of his feet, the bulge that originates in his tights and that articulates in my mind an undignified image that I shake with a renewed prayer. I feel the awakening of a portion of me. I cry out to the heavens to bring down that betrayal of my body.

*
FOURTH STATION

How to elude, beloved Father, the promptings of the devil. How. Give me strength. I turn to your word, to your sacred word, and I take comfort.

After short invocations, I am surprised to find inside the sacred book a picture of the Virgin. I observe the lines that draw her profile, the look emanating towards the sky, the magnificence with which the little one rests on her shoulder, unaware of the destiny that awaits him. The boy calls to me. I leave the Bible almost on the edge of the desk. I put it in my shirt pocket and go outside. The food has an excess of salt that I don't reproach the boy for. The cheese, on the other hand, is crushed on my palate and it reduces the feeling of salt. The sweet bitterness of the wine compensates for the shock of these extremes.

*
FIFTH STATION

I am attentive to the attitude of the boy whose lip has developed a mimicry that allows me to sense his purpose in speaking.

Father, I've thought about what we talked about yesterday and I don't want to be in hell. I want to comply with the measures imposed by God.

I look at it with surprise. His words are a support to bear this burden that torments me, to wall up once and for all the heavy shutter of desire that is shown to me as an easy, fatuous, tempting and harmful subterfuge and to put an end, at last, to my intentions.

You will fulfill them, rumble my words in the dining room, while a headache begins to invade me. The bell, exasperating, bursts into his calls.

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SIXTH STATION

The boy has directed his steps towards the door. For my part, I lay on the couch with the annoying feeling of thousands of needles piercing my skull. I observe Mrs. Salome's anatomy as she approaches to attend to my discomfort surrounded by Thomas' annoying greeting. By her gestures, I sense that I am sweating since she is venting me with a handkerchief. She explains something to the boy who is going to the kitchen. I feel my head exploding. Then I taste the fresh roll of sweetened water. It's been an imbalance in my blood pressure. They both insist on calling the doctor, but I absolutely refuse. Mrs. Salome comes to me once more and with her dry handkerchief of my face the sweat that I have distilled in the trance.

*
SEVENTH STATION

My head is spinning. The throbbing pain is gone, but there's a sense of weariness left. I'm not interested in the lady's presence. As she clears the table, I think of the boy. My desire to feel his skin is intensified in the emulsion of my blood pooling in my pelvic area. I notice Mrs. Salome's uncomfortable walk with me. I enter the bathroom. With my pants touching the floor, I stroke my limb. I stimulate myself for a few seconds and then rebel against the pleasure. I make an effort for my soul to impose itself on my senses. I achieve this and the erection, little by little, decreases.

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