Amy Tan - The Opposite of Fate

I recalled a Thanksgiving at her house when we had arrived late. It was my fault. I have always had a propensity for running at least forty-seven minutes behind schedule for anything and everything. “Why so late?” my mother said when I stepped inside. She took my tardiness as a personal insult, a sign of disrespect, tantamount to saying I did not think she was worth the time of day. She was sitting in her dining room, refusing to speak. This was the deadly silence we had known all our lives. The dark clouds were practically visible above her steaming head. Static was in the air we breathed. We told her to calm down—big mistake—and her silence exploded into threats to kill herself. There would be no Thanksgiving that year.

My little brother and I had heard similar threats all our lives. As a very young child, I also must have seen her try to cut her wrists with a knife. I assume this because I tried to do the same when I had a private moment of rage after being sent to bed. I was six at the time. Fortunately, I used a butter knife and was chagrined to learn that running a blade across one’s skin actually hurt.

My mother’s usual method of near-demise involved traffic. Her last attempt was typical. We were eating dinner in a restaurant, and she was obsessing about a family member whom she believed did not respect her. Lou, my brother, and I didn’t exactly disagree with her; the trouble was, we didn’t wholeheartedly agree. Her anger mounted until she leapt up from the table and ran out of the crowded restaurant with us chasing after her. Just before she dashed into a busy six-lane street, screaming that she wanted to die, Lou grabbed her, threw her over his shoulder, and carried her, kicking and sobbing, back to safety.

My mother’s threats to “do it” rained so often that I developed an emotional shield. As a teenager, I pretended to be unaffected. She could rant and beat her chest. She could shower her fists on me. My face would remain maddeningly bland, as inscrutable as Westerners have always accused Chinese people of being. When she was not looking, I would walk briskly to the bathroom and have dry heaves. At times, I privately wished she would carry out her word. How peaceful life would be without her. This thought was immediately followed by fear that my secret wish would come true, and then I would be as guilty of murder as if I had killed her myself.

As my brother and I grew older, we supposedly grew wiser. Yet it did not matter that we were twenty, thirty, or forty. Whenever our mother beat her chest with her tiny fists, we knew what was coming, and were reduced to small children who trembled with fear that this time she might make good on her word.

As adults, we commiserated in anger and frustration over the fact that our mother could still make us feel manipulated, guilty, and fearful. Later we confided that we had grown to have her same furies. Sometimes, I have sensed the inescapable rush of a geyserlike rage, which soon would drench all reason from my mind and leave me with a self-destructive urge.

It wasn’t until I was in my thirties that I learned that my mother, at age nine, had seen her own mother kill herself. I felt sorry for that nine-year-old child. I could now see that in many respects my mother had remained stuck at that age of her abandonment.

I recently learned that in China today, a third of all deaths among women in rural areas are suicides. Nationwide, more than two million Chinese women each year attempt suicide, and 300,000 succeed. And in contrast to any other country, more women than men in China kill themselves. I pondered this. Conditions for women in China have changed for the better in the last hundred years, and life in the countryside may not be egalitarian, but is it really so bad that women are willing to down a bottle of rat poison? And why is ingestion still the preferred method?

More than two million reported attempts. How many attempts are not reported? China as a society is loath to make shameful events public, so the real number is probably staggeringly higher. I found this all strangely comforting, as if in this context our family was practically normal. In Western terms, we were a dysfunctional family. From a Chinese perspective, however, my mother’s urge to kill herself was understandable. It was part of a larger legacy passed from generation to generation, grandmother to mother to daughter. In lieu of the family silver, what was inherited was a suffering silence followed by sudden implosion, an urge to blot out all memory of existence.

My mother had always bragged about her memory. She never forgot anything. It wasn’t that she remembered just dates or facts and figures. When she remembered an event from her past, especially a traumatic one, it was as though she had boarded a time machine and had been transported to the moment she was remembering. She was experiencing it again as she spoke of it.

Psychiatrists might call that a posttraumatic flashback, but to me, her memories were gifts. In 1990, before she became ill, I set up a videocamera and had her tell her story. I was concerned she might be self-conscious. And at first, she did speak carefully, looking shyly at the camera. But soon enough, she had gone back to her past and was re-creating it for me, as someone might who is under hypnosis. She was recalling her own mother’s sadness after her husband died of illness, leaving her to care for two small children without any means of support. My grandmother’s young son would take clothes to a pawnshop so the family could have a little money. “Can you imagine?” my mother would say to me, as she told her story. She would repeat this question often, making me work harder to imagine it.

Later, she enacted a day when her first husband returned home roaring with anger so he could make a big show in front of his friends. It happens afresh in her memory’s eye: He pulls out a pistol and makes her kowtow to him. “What are you looking at?” he bellows to the friends, who stand by the door, their mouths dropped open. They kowtow too. She is looking up at him, at the wild waving of the gun, getting ready to duck in case he shoots. But then “that bad man” begins to laugh. It’s a joke, he made us do this as a joke.

In another memory, she is holding a baby in her arms, her first son. He has just died of dysentery, because her husband refused to interrupt his mah jong game with the doctor. I said to her as gently as I could, “What did you feel when the baby died? You must have been in so much pain.”

She looked up blankly. “No pain, only numb. I said, ‘Good for you, little one, you escaped. Good for you.’”

One time, several hours into one of her stories, she stopped talking and looked at me as if she had just woken from a dream. “Maybe you don’t want this part on TV,” she said. I was amazed to realize she was cognizant of the camera. “This part concerning sex …” The camera kept rolling, and she lowered her head to say conspiratorially, “He want sex, I go to bathroom, pretend use my chamber pot. Oooh, oooh, so sick, bad diarrhea. That night, no sex. So many nights, I pretend I go to my chamber pot.” She was laughing when she told me this. The camera caught it all.

The more I heard, the more I wanted to know. I could not believe I had once taken no interest in these stories she tried to tell me for years. Now I wanted to go back to the past. I wanted to be there with her, to be her witness, to agree with her, “Your life was terrible.” It was not too late to comfort her.

In 1991, I presented her with my second book, The Kitchen God’s Wife , a story based on her life, one she had asked that I write. She began to read the first page, then said with consternation, “Helen? I never knew Helen in China.” I reminded her that this was not that Helen, this was fiction and the characters were made up. “Ah, yes, yes,” she said, then resumed reading, before soon stopping again. “I never live in pink house in San Francisco.”