Amy Tan - The Opposite of Fate

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An unbearably moving, intensely passionate, deeply personal account of life as seen through the eyes of one of America’s best-loved novelists.‘When I began writing this history, I let go of my doubts. I trusted the ghosts of my imagination. They showed me the hundred secret senses. And what I wrote is what I discovered about the endurance of love.’So writes Amy Tan at the beginning of this remarkably candid insight into her life. Tan takes us on a journey from her childhood, as a sensitive but intelligent young Chinese-American, ashamed of her parents’ Chinese ways, to the present day and her position as one of the world's best-loved novelists.She describes the daily difficulties of being at once American and Chinese and yet feeling at times like she was truly neither. Most significantly, and heartbreakingly, she tells the history of her family: the grandmother who committed suicide as the only means of defiance open to her against a husband who ignored her wishes; her remarkable mother, whose first husband had her jailed when she tried to leave him; and the shocking deaths of both her father and husband when Amy was just 14.How this weight of history has brought itself to bear on the adult Amy looms large in her own story. Ghosts, chance and fate have played a part in her life, and ‘The Opposite of Fate’ is an insight into those ancestors, the women who ‘never let me forget why these stories need to be told’.

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“It’s not worth it,” I said. “Even though it’s not my fault, this will be reported to my insurance company and my rates will go up.”

“I see what you mean,” he answered. “Well then, just get one estimate and send it directly to me. Here’s my card. I’m the vice-president of this corporation. I’ll send a check to you directly.”

Fair enough. I drove to the first body shop off the ramp. Ten minutes later, I heard Pete laughing as I stared at the written total for the estimate: $383.

I will relate only one more dream. It was the last.

On Lou’s birthday that year, the trial ended, with a conviction on two counts. First-degree robbery. First-degree murder. That night, I dreamt that I met Pete in a garage, a rather prosaic location for a farewell meeting. He told me this was the last dream, now that the trial was over. I protested, “These are my dreams. I get to decide when they end.” Pete ignored what I said, and went on: “You’re going to meet my friend Rose—”

“Rose!” I sneered. “Fat chance. She hates me.” When I had called her months before to tell her Pete was dead, she had been curt almost to the point of rudeness. Then again, I had been the same with the messenger who delivered the news to me.

“Rose is going to become very important to you,” Pete said. “She’s a writer, and she’ll be helpful to you when you become a writer.”

“Who said I was going to be a writer?”

“That’s all I wanted to say,” Pete told me, and then, as if going down to the corner store, he left me there.

After that, I still had dreams about him, but they were different, nothing at all like the dream-lessons. The new dreams conveyed the full horror of his death, for in them he was not dead, as I had feared, but alive, as I had hoped. Having survived near-strangling, he was brain-damaged, confused and suspicious, preferring to live as a beer-drinking recluse, unsure of who he was and uninterested in finding out.

Each year for seven years, on the anniversary of Pete’s death, I lost my voice. It must have been a psychogenic gesture for the horror I could not talk about. And yes, eventually, Rose and I did connect with each other, tentatively at first, through brief letters, and then in lengthy missives, both of us grasping to understand the transcendental experiences we have had since his death.

If you’ve followed this story so far, you have already understood that Rose is indeed a writer, and that she was the first person to encourage me to write fiction, suggesting what I might read for inspiration and to which little magazines I might send my first attempts.

Enough time has passed that I can now more reasonably assess that period after Pete died. I have considered that those dreams were the subconscious by-product of trauma and grief, or the delusional thinking that enables a person to cope with horror. The metaphors were ones I have had all along, and through the need to survive, I brought out their meanings. Whatever they sprang from, the dreams were a lot more cost-effective than psychoanalysis. As to the counseling voice of Pete, guiding me toward the job with children, that was my own, pushed by fear of failure to the point that I made myself finally hear it. The coincidence of the $383? Well, that’s odd, and hard to explain, except to say that when you are looking for coincidences, you will surely notice them. There are rational answers for everything. Sometimes I think about what they might be.

And yet no matter what these dreams and coincidences were, everything that happened during those months from my birthday to Lou’s had a wondrous effect on me, on the shape of my life. It pushed me, enlarged my outlook, and sent me searching for what I should believe in. Does it matter what the origins were?

Today I am neither a believer nor a skeptic. I am a puzzler. I still puzzle over what Pete’s story presents: what I fear, what I dream, what I believe. I ask myself: What’s real? What’s important? What do I gain in believing one reality over another? What do I lose? And if we understand the mysteries of the universe, if they end up being explained entirely by mathematics, as Pete said they could be, will they still bless us with the same amazing joy?

FAITH

These are remarks I gave at the memorial of my editor, the late, great Faith Sale, who died on December 7, 1999.

The first time I talked to Faith on the phone, I was a publishing neophyte. I didn’t know what serial rights were. I thought Faith’s remark about “interest from the clubs” meant that places like Club Med might stock The Joy Luck Club in their beachfront stores. The year was 1988, and after talking about the book I was finishing and other literary concerns, I told Faith I was interested in attending a national book convention with a friend who had invited me. Faith immediately cut me off: “Oh, no! You shouldn’t get caught up in all those publishing parties. They’ll ruin you as a writer.” Parties? I didn’t know that book conventions held parties. Frankly, I was interested in going because my friend said I could score a lot of free books.

It wasn’t until after I got to know Faith well that I realized how ironic it was that she warned me away from parties. Faith was, after all, the ultimate publishing party girl. And those who knew her well also know that I can say this without detracting whatsoever from her reputation as a serious and hardworking literary editor. In later years, whenever I went to the American Booksellers Association convention with Faith, it took us two hours to go from one hall to the next. She knew everybody, had to talk to everybody, and I felt like the recalcitrant kid impatient to make her way to the amusement rides. She was late to almost everything as a result, late even to her own passing from a disease that commonly took people much earlier. And thank God for that. Thank God for her stubbornness, for her need to control every last detail before she could let go.

If Faith had stayed with us longer, I think she would have been seduced one way or the other by the Internet, as had been my plot. I know she touched her fingers to the keyboard at least a few times, once to send me an e-mail, other times to play solitaire and Freecell. And had she dabbled further, I think she would have discovered eBay, the great cyber bargain basement. We shared that—the art of the cheap deal. We used to go around the corner from her apartment on West Eleventh Street to an outlet called SubPrice, where we could buy stretch-velvet tops and leggings for five bucks.

That love of a bargain was still very much in evidence the day before her final operation. I was telling her that I, a New York carpetbagger, was going to hold a fund-raiser in my SoHo loft for a certain political candidate, about whom Faith held, shall we say, ambivalent feelings. The fund-raiser would probably take place in March, some four months away. “Do you want to come?” I asked, and I tried to sound casual. In hearing her answer, I figured I could gauge how she felt about the upcoming surgery and her chances of surviving it. Faith immediately said, “Of course. But I’m not going to pay.”

In Faith, I had not only an editor and a cohort in bargain shopping but a mentor and a friend, someone who knew my best intentions and intuitions as a writer and how these fit in with the rest of my life. She knew all the details of what I did, whom I saw, what happened on my vacation, what my mother said, what she didn’t say. Faith also called me during the last hour that my mother was alive.

Whenever I gave Faith something to read, she’d ask me what I wanted from her as an editor. “Keep me from embarrassing myself in public,” was my usual answer. And she did keep me from exposing the glitches in my prose, but she also prodded me to go deeper, to be more generous in the story I had to tell, to not hold back, to show what was most important in my life and on the page. She had an unerring sense of what mattered—to me. She could help me find it, though there were many ways in which we differed in taste and opinions. Olives, for example. She could not abide any dish littered with canned olives, a favorite of mine. And music—who would want to assault his or her ears with anything less than classical music or Broadway musicals or the rocker Michael Parrish, her son-in-law? Then there was the matter of ghosts. I was raised with them. She was not. But here Faith was diplomatic. She indulged me. She listened with genuine interest when I told her about unseen visitors whistling in my kitchen, about the TV’s turning on by itself, about my version of ghostwriters, who, by the way, also provide research and editing on request. She was not going to argue scientific logic with me, since, delusion or not, ancestral spirits and reincarnation increased my material multifold. And for my part, I liked to remind Faith now and then that she, oh esteemed one, had after all served as editor for George Anderson, the world-famous talk-show host to the dead. And more than once I recalled for her benefit the time my mother had written her a note thanking her for “the book” and for helping her feel closer to “the other side.” Faith was quite touched; she thought that my mother was referring to The Joy Luck Club and that her own help in publishing it had brought my mother fond memories of her family. I had to break the news to Faith that my mother was talking about George Anderson’s book We Don’t Die. I’m not done tormenting Faith about this. I plan to have regular seances with her in which we discuss how and why she was wrong in her opinion about an afterlife.

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