Peter Jonge - Shadows Still Remain

PETER DE JONGE

SHADOWS

STILL

REMAIN

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

AVON

A division of HarperCollins Publishers Ltd, 1 London Bridge Street, London SE1 9GF

www.harpercollins.co.uk

First published in the USA by HarperCollins Publishers , New York, NY, 2009

Copyright © Peter de Jonge 2009

Peter de Jonge asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9781847560568

Ebook Edition © 2009

Version: 2018-06-25

For my father, with affection and respect

…dusk do sprawl.

—JOHN BERRYMAN

Title Page

Copyright

Epigraph

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Acknowledgments

About the Author

About the Publisher

At 9:37 on Thanksgiving eve, nineteen-year-old Francesca Pena steps from the cramped vestibule of a crappy little apartment building in the East Fifties and hurries north. Model thin and shielded from the cold by only a vintage Adidas warm-up jacket, she leans into the icy wind that seems to hurl cars downtown and squints at the dreary commerce. This stretch of Second has never amounted to much. Tonight, with everyone on the way to families or bracing for their arrival, it’s essentially shut down. The only exceptions are a candy store franchise that just changed hands and an Irish pub with an advertised happy hour that runs from ten in the morning to seven at night.

Pena turns west at Fifty-second and with long athletic strides traverses another cheerless block. She passes six-story walk-ups, a basement dry cleaner, another cheerless pub, and the headquarters for the Salvation Army. As always, she winces at the gap-toothed sign with its missing A ’s in S L V TION. An NYU sophomore on a track and cross-country scholarship, she has run through all kinds of neighborhoods, good and bad, but none as unsettling as this shabby bit of midtown fringe, where every endeavor feels dwarfed and mocked by the value of the real estate beneath it. As an antidote to the creepiness as much as the cold, Pena slips a chocolate malt ball into her mouth and picks up her already brisk pace. From Third on, the start of Midtown proper, there are no more random tenements or one-off businesses. There are only franchises and banks and office towers, and as Pena hurries through the emptied-out block, her bloodred jacket and short glistening black hair are the only colors. Thanks to the hotels, Lexington, at least, is well lit, and on the far corner is the glowing entrance to the subway. When the signal turns, Pena bounds across the street and down the greasy steps, and after an expertly timed swipe of her Metrocard, pushes through the turnstile like a finish line. She barely has time to throw away her used-up card before a southbound 6 train fills the station, and when she climbs up onto Bleecker, she’s so glad to be downtown, the air feels ten degrees warmer and for the first time in what seems like hours, she is aware of the night sky. Seeing that she has fifteen minutes to spare, she makes a quick detour to Tower Records, where she grabs the latest No Doubt CD for Moreal and the latest Britney for Consuela, and after enduring a withering eye roll from the pierced cashier, heads south again.

A topless Kate Moss, still freezing her tits off at thirty-one, presides over the intersection of Houston and Lafayette. Pena, very nearly as alluring, crosses under her, setting off flashbulb smiles from the cabbies lined up at the BP station. Safely across, she turns east on Prince. She passes the side of a building plastered with posters for sports drinks, bands, and video games, then hugs the high brick wall that borders the cemetery from Mulberry to Mott.

Compared with midtown, Nolita is barely reduced by the holiday exodus. Cars and pedestrians snake through the clogged streets, smokers huddle outside the bars, and as always there’s a crowd waiting to get into Café Habana. East of Elizabeth, however, the street goes black. On Bowery, the restaurant wholesalers are battened down as if for a storm. Cold, and anxious for her walk to be over, Pena turns east onto Rivington. Half a block later, at the end of a short tight alley, she spots her destination: the four-month-old restaurant/bar called Freemans.

Freemans, styled like a ramshackle hunting lodge, is packed to the fake rafters, but Pena’s friends have staked out prime real estate at the corner of the bar. Like Pena, Uma Chestnut, Mehta Singh and Erin Case are NYU undergrads. Standing side by side, they are so photogenic and multihued, that if you cropped out the three-thousand-dollar designer bags and serious jewelry, they could be showcasing their racial diversity for a college catalog. In a sense they are.

Pena’s arrival sets off a high-pitched eruption of girly glee. When it subsides, Chestnut, who believes with some justification that she reigns over everything below Fourteenth Street, sets off a second by announcing “Cocktails!” Singh, who is taller, curvier and darker than Pena and possesses an equally electric smile, asks for a Sidecar, and the porcelain-skinned Case, whose pink cable-knit sweater is somewhat misleading, a Beefeater Martini—dirty. “Dirty indeed,” says Chestnut, whisking an intentionally greasy bang off her forehead. “And how about you, Francesca?”

“A Malibu and Seven,” says Pena. “You can take the girl out of the barrio, but you can’t take the barrio out of the girl.”

“Why would anyone want to,” says Singh.

The girls present their fake IDs, and Chestnut places the orders, including her own signature Lower Manhattan. When all the cocktails have been mixed, signed for and delivered, Case carefully raises her tiny infinity pool of gin and vermouth. “To Thanksgiving,” she says. “Everyone’s favorite excuse for a five-day bender.”