Geraldine Brooks - March

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Winner of the Pulitzer Prize for Fiction and Richard and Judy pick.From the author of the acclaimed ‘Year of Wonders’ and ‘People of the Book’, a historical novel and love story set during a time of catastrophe on the front lines of the American Civil War.Set during the American Civil War, ‘March’ tells the story of John March, known to us as the father away from his family of girls in ‘Little Women’, Louisa May Alcott’s classic American novel. In Brooks’s telling, March emerges as an abolitionist and idealistic chaplain on the front lines of a war that tests his faith in himself and in the Union cause when he learns that his side, too, is capable of barbarism and racism. As he recovers from a near-fatal illness in a Washington hospital, he must reassemble the shards of his shattered mind and body, and find a way to reconnect with a wife and daughters who have no idea of the ordeals he has been through.As Alcott drew on her real-life sisters in shaping the characters of her little women, so Brooks turned to the journals and letters of Bronson Alcott, Louisa May’s father, an idealistic educator, animal rights exponent and abolitionist who was a friend and confidante of Ralph Waldo Emerson and Henry David Thoreau. The story spans the vibrant intellectual world of Concord and the sensuous antebellum South, through to the first year of the Civil War as the North reels under a series of unexpected defeats.Like her bestselling ‘Year of Wonders’, ‘March’ follows an unconventional love story. It explores the passions between a man and a woman, the tenderness of parent and child, and the life-changing power of an ardently held belief.

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March

Geraldine Brooks

Copyright Fourth Estate An imprint of HarperCollins Publishers Ltd 1 London - фото 1

Copyright

Fourth Estate

An imprint of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

This edition published by Harper Perennial 2006

First published in Great Britain by Fourth Estate 2005

Copyright © Geraldine Brooks 2005

PS Section copyright © Louise Tucker 2006, except ‘Little Facts’ by

Geraldine Brooks © Geraldine Brooks 2006

PS™ is a trademark of HarperCollins Publishers Ltd.

Geraldine Brooks asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007165872

Ebook Edition © MARCH 2010 ISBN: 9780007369225

Version: 2017-11-01

For Darleen and Cassie—by no means little women.

Table of Contents

Cover Page

Title Page

Copyright

Dedication

PART ONE

CHAPTER ONE Virginia Is a Hard Road

CHAPTER TWO A Wooden Nutmeg

CHAPTER THREE Scars

CHAPTER FOUR A Little Hell

CHAPTER FIVE A Better Pencil

CHAPTER SIX Yankee Leavening

CHAPTER SEVEN Bread and Shelter

CHAPTER EIGHT Learning’s Altar

CHAPTER NINE First Blossom

CHAPTER TEN Saddleback Fever

CHAPTER ELEVEN Tolling Bells

CHAPTER TWELVE Red Moon

CHAPTER THIRTEEN A Good Kind Man

PART TWO

CHAPTER FOURTEEN Blank Hospital

CHAPTER FIFTEEN Reunion

CHAPTER SIXTEEN River of Fire

CHAPTER SEVENTEEN Reconstruction

CHAPTER EIGHTEEN State of Grace

CHAPTER NINETEEN Concord

Afterword

Keep Reading

P.S.

Interview

About the book

Read on

About the Author

By the Same Author

About the Publisher

PART ONE

Jo said sadly,

“We haven’t got father, and shall not have him for a long time.” She didn’t say “perhaps never,” but each silently added it, thinking of father far away, where the fighting was.

—Louisa May Alcott, Little Women

CHAPTER ONE Virginia Is a Hard Road

October 21, 1861

This is what I write to her: The clouds tonight embossed the sky. A dipping sun gilded and brazed each raveling edge as if the firmament were threaded through with precious filaments. I pause there to mop my aching eye, which will not stop tearing. The line I have set down is, perhaps, on the florid side of fine, but no matter: she is a gentle critic. My hand, which I note is flecked with traces of dried phlegm, has the tremor of exhaustion. Forgive my unlovely script, for an army on the march provides no tranquil place for reflection and correspondence. (I hope my dear young author is finding time amid all her many good works to make some use of my little den, and that her friendly rats will not grudge a short absence from her accustomed aerie.) And yet to sit here under the shelter of a great tree as the men make their cook fires and banter together provides a measure of peace. I write on the lap desk that you and the girls so thoughtfully provided me, and though I spilled my store of ink you need not trouble to send more, as one of the men has shown me an ingenious receipt for a serviceable substitute made from the season’s last blackberries. So am I able to send “sweet words” to you!

Do you recall the marbled endpapers in the Spenser that I used to read to you on crisp fall evenings just such as this? If so, then you, my dearest one, can see the sky as I saw it here tonight, for the colors swirled across the heavens in just such a happy profusion.

And the blood that perfused the silted eddies of the boot-stirred river also formed a design that is not unlike those fine endpapers. Or—better—like that spill of carmine ink when the impatient hand of our little artist overturned the well upon our floorboards. But these lines, of course, I do not set down. I promised her that I would write something every day, and I find myself turning to this obligation when my mind is most troubled. For it is as if she were here with me for a moment, her calming hand resting lightly upon my shoulder. Yet I am thankful that she is not here, to see what I must see, to know what I am come to know. And with this thought I exculpate my censorship: I never promised I would write the truth.

I compose a few rote words of spousal longing, and follow these with some professions of fatherly tenderness: All and each of you I have in my mind, in parlor, study, chambers, lawn; with book or with pen, or hand in hand with sister dear, or holding talk the while of father, a long way off, and wondering where he is and how he does. Know that I can never leave you quite; for while my body is far away my mind is near and my best comfort is in your affection… Then I plead the press of my duties, closing with a promise soon to send more news.

My duties, to be sure, are pressing enough. There are needful men all around me. But I do not immediately close my lap desk. I let it lie across my knees and continue to watch the clouds, their knopped masses blackened now in the almost lightless sky. No wonder simple men have always had their gods dwell in the high places. For as soon as a man lets his eye drop from the heavens to the horizon, he risks setting it on some scene of desolation.

Downriver, men of the burial party wade chest deep to retrieve bodies snagged on fallen branches. Contrary to what I have written, there is no banter tonight, and the fires are few and ill tended, so that the stinging smoke troubles my still-weeping eye. There is a turkey vulture staring at me from a limb of sycamore. They have been with us all day, these massive birds. Just this morning, I had thought them stately, in the pearly predawn light, perched still as gargoyles, wings widespread, waiting for the rising sun. They did not move through all the long hours of our Potomac crossing, first to our muster on this island, which sits like a giant barge in the midstream, splicing the wide water into rushing narrows. They watched, motionless still, as we crossed to the farther shore and made our silent ascent up the slippery cow path on the face of the bluff. Later, I noticed them again. They had taken wing at last, inscribing high, graceful arcs over the field. From up there, at least, our predicament must have been plain: the enemy in control of the knoll before us, laying down a withering fire, while through the woods to our left more troops moved in stealthy file to flank us. As chaplain, I had no orders, and so placed myself where I believed I could do most good. I was in the rear, praying with the wounded, when the cry went up: Great God, they are upon us!

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