Lord Byron - 3 books to know Juvenalian Satire

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Juvenalian Satire.
– Don Juan by Lord Byron.
– A Modest Proposal by Jonathan Swift.
– Candide by Voltaire.Juvenalian satire is often to attack individuals, governments and organisations to expose hypocrisy and moral transgressions. For this reason, writers should expect to use stronger doses of irony and sarcasm in this concoction.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women. It is a variation on the epic form. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed that he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. The essay suggests that the impoverished Irish might ease their economic troubles by selling their children as food for rich gentlemen and ladies. This satirical hyperbole mocked heartless attitudes towards the poor, as well as British policy toward the Irish in general.
Candide is a French satire first published in 1759 by Voltaire. Candide is characterized by its tone as well as by its erratic, fantastical, and fast-moving plot. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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But then, no doubt, it equally as true is,

A good deal may be bought for fifty Louis.

Julia had honour, virtue, truth, and love,

For Don Alfonso; and she inly swore,

By all the vows below to powers above,

She never would disgrace the ring she wore,

Nor leave a wish which wisdom might reprove;

And while she ponder'd this, besides much more,

One hand on Juan's carelessly was thrown,

Quite by mistake—she thought it was her own;

Unconsciously she lean'd upon the other,

Which play'd within the tangles of her hair:

And to contend with thoughts she could not smother

She seem'd by the distraction of her air.

'T was surely very wrong in Juan's mother

To leave together this imprudent pair,

She who for many years had watch'd her son so—

I 'm very certain mine would not have done so.

The hand which still held Juan's, by degrees

Gently, but palpably confirm'd its grasp,

As if it said, 'Detain me, if you please;'

Yet there 's no doubt she only meant to clasp

His fingers with a pure Platonic squeeze:

She would have shrunk as from a toad, or asp,

Had she imagined such a thing could rouse

A feeling dangerous to a prudent spouse.

I cannot know what Juan thought of this,

But what he did, is much what you would do;

His young lip thank'd it with a grateful kiss,

And then, abash'd at its own joy, withdrew

In deep despair, lest he had done amiss,—

Love is so very timid when 't is new:

She blush'd, and frown'd not, but she strove to speak,

And held her tongue, her voice was grown so weak.

The sun set, and up rose the yellow moon:

The devil 's in the moon for mischief; they

Who call'd her CHASTE, methinks, began too soon

Their nomenclature; there is not a day,

The longest, not the twenty-first of June,

Sees half the business in a wicked way

On which three single hours of moonshine smile—

And then she looks so modest all the while.

There is a dangerous silence in that hour,

A stillness, which leaves room for the full soul

To open all itself, without the power

Of calling wholly back its self-control;

The silver light which, hallowing tree and tower,

Sheds beauty and deep softness o'er the whole,

Breathes also to the heart, and o'er it throws

A loving languor, which is not repose.

And Julia sate with Juan, half embraced

And half retiring from the glowing arm,

Which trembled like the bosom where 't was placed;

Yet still she must have thought there was no harm,

Or else 't were easy to withdraw her waist;

But then the situation had its charm,

And then—God knows what next—I can't go on;

I 'm almost sorry that I e'er begun.

O Plato! Plato! you have paved the way,

With your confounded fantasies, to more

Immoral conduct by the fancied sway

Your system feigns o'er the controulless core

Of human hearts, than all the long array

Of poets and romancers:—You 're a bore,

A charlatan, a coxcomb—and have been,

At best, no better than a go-between.

And Julia's voice was lost, except in sighs,

Until too late for useful conversation;

The tears were gushing from her gentle eyes,

I wish indeed they had not had occasion,

But who, alas! can love, and then be wise?

Not that remorse did not oppose temptation;

A little still she strove, and much repented

And whispering 'I will ne'er consent'—consented.

'T is said that Xerxes offer'd a reward

To those who could invent him a new pleasure:

Methinks the requisition 's rather hard,

And must have cost his majesty a treasure:

For my part, I 'm a moderate-minded bard,

Fond of a little love (which I call leisure);

I care not for new pleasures, as the old

Are quite enough for me, so they but hold.

O Pleasure! you are indeed a pleasant thing,

Although one must be damn'd for you, no doubt:

I make a resolution every spring

Of reformation, ere the year run out,

But somehow, this my vestal vow takes wing,

Yet still, I trust it may be kept throughout:

I 'm very sorry, very much ashamed,

And mean, next winter, to be quite reclaim'd.

Here my chaste Muse a liberty must take—

Start not! still chaster reader—she 'll be nice hence—

Forward, and there is no great cause to quake;

This liberty is a poetic licence,

Which some irregularity may make

In the design, and as I have a high sense

Of Aristotle and the Rules, 't is fit

To beg his pardon when I err a bit.

This licence is to hope the reader will

Suppose from June the sixth (the fatal day,

Without whose epoch my poetic skill

For want of facts would all be thrown away),

But keeping Julia and Don Juan still

In sight, that several months have pass'd; we 'll say

'T was in November, but I 'm not so sure

About the day—the era 's more obscure.

We 'll talk of that anon.—'T is sweet to hear

At midnight on the blue and moonlit deep

The song and oar of Adria's gondolier,

By distance mellow'd, o'er the waters sweep;

'T is sweet to see the evening star appear;

'T is sweet to listen as the night-winds creep

From leaf to leaf; 't is sweet to view on high

The rainbow, based on ocean, span the sky.

'T is sweet to hear the watch-dog's honest bark

Bay deep-mouth'd welcome as we draw near home;

'T is sweet to know there is an eye will mark

Our coming, and look brighter when we come;

'T is sweet to be awaken'd by the lark,

Or lull'd by falling waters; sweet the hum

Of bees, the voice of girls, the song of birds,

The lisp of children, and their earliest words.

Sweet is the vintage, when the showering grapes

In Bacchanal profusion reel to earth,

Purple and gushing: sweet are our escapes

From civic revelry to rural mirth;

Sweet to the miser are his glittering heaps,

Sweet to the father is his first-born's birth,

Sweet is revenge—especially to women,

Pillage to soldiers, prize-money to seamen.

Sweet is a legacy, and passing sweet

The unexpected death of some old lady

Or gentleman of seventy years complete,

Who 've made 'us youth' wait too—too long already

For an estate, or cash, or country seat,

Still breaking, but with stamina so steady

That all the Israelites are fit to mob its

Next owner for their double-damn'd post-obits.

'T is sweet to win, no matter how, one's laurels,

By blood or ink; 't is sweet to put an end

To strife; 't is sometimes sweet to have our quarrels,

Particularly with a tiresome friend:

Sweet is old wine in bottles, ale in barrels;

Dear is the helpless creature we defend

Against the world; and dear the schoolboy spot

We ne'er forget, though there we are forgot.

But sweeter still than this, than these, than all,

Is first and passionate love—it stands alone,

Like Adam's recollection of his fall;

The tree of knowledge has been pluck'd—all 's known—

And life yields nothing further to recall

Worthy of this ambrosial sin, so shown,

No doubt in fable, as the unforgiven

Fire which Prometheus filch'd for us from heaven.

Man 's a strange animal, and makes strange use

Of his own nature, and the various arts,

And likes particularly to produce

Some new experiment to show his parts;

This is the age of oddities let loose,

Where different talents find their different marts;

You 'd best begin with truth, and when you 've lost your

Labour, there 's a sure market for imposture.

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