Lord Byron - 3 books to know Juvenalian Satire

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Juvenalian Satire.
– Don Juan by Lord Byron.
– A Modest Proposal by Jonathan Swift.
– Candide by Voltaire.Juvenalian satire is often to attack individuals, governments and organisations to expose hypocrisy and moral transgressions. For this reason, writers should expect to use stronger doses of irony and sarcasm in this concoction.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women. It is a variation on the epic form. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed that he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. The essay suggests that the impoverished Irish might ease their economic troubles by selling their children as food for rich gentlemen and ladies. This satirical hyperbole mocked heartless attitudes towards the poor, as well as British policy toward the Irish in general.
Candide is a French satire first published in 1759 by Voltaire. Candide is characterized by its tone as well as by its erratic, fantastical, and fast-moving plot. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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With the exception of the second line,

For that same twining 'transport and security'

Are twisted to a phrase of some obscurity.

The poet meant, no doubt, and thus appeals

To the good sense and senses of mankind,

The very thing which every body feels,

As all have found on trial, or may find,

That no one likes to be disturb'd at meals

Or love.—I won't say more about 'entwined'

Or 'transport,' as we knew all that before,

But beg 'Security' will bolt the door.

Young Juan wander'd by the glassy brooks,

Thinking unutterable things; he threw

Himself at length within the leafy nooks

Where the wild branch of the cork forest grew;

There poets find materials for their books,

And every now and then we read them through,

So that their plan and prosody are eligible,

Unless, like Wordsworth, they prove unintelligible.

He, Juan (and not Wordsworth), so pursued

His self-communion with his own high soul,

Until his mighty heart, in its great mood,

Had mitigated part, though not the whole

Of its disease; he did the best he could

With things not very subject to control,

And turn'd, without perceiving his condition,

Like Coleridge, into a metaphysician.

He thought about himself, and the whole earth

Of man the wonderful, and of the stars,

And how the deuce they ever could have birth;

And then he thought of earthquakes, and of wars,

How many miles the moon might have in girth,

Of air-balloons, and of the many bars

To perfect knowledge of the boundless skies;—

And then he thought of Donna Julia's eyes.

In thoughts like these true wisdom may discern

Longings sublime, and aspirations high,

Which some are born with, but the most part learn

To plague themselves withal, they know not why:

'T was strange that one so young should thus concern

His brain about the action of the sky;

If you think 't was philosophy that this did,

I can't help thinking puberty assisted.

He pored upon the leaves, and on the flowers,

And heard a voice in all the winds; and then

He thought of wood-nymphs and immortal bowers,

And how the goddesses came down to men:

He miss'd the pathway, he forgot the hours,

And when he look'd upon his watch again,

He found how much old Time had been a winner—

He also found that he had lost his dinner.

Sometimes he turn'd to gaze upon his book,

Boscan, or Garcilasso;—by the wind

Even as the page is rustled while we look,

So by the poesy of his own mind

Over the mystic leaf his soul was shook,

As if 't were one whereon magicians bind

Their spells, and give them to the passing gale,

According to some good old woman's tale.

Thus would he while his lonely hours away

Dissatisfied, nor knowing what he wanted;

Nor glowing reverie, nor poet's lay,

Could yield his spirit that for which it panted,

A bosom whereon he his head might lay,

And hear the heart beat with the love it granted,

With—several other things, which I forget,

Or which, at least, I need not mention yet.

Those lonely walks, and lengthening reveries,

Could not escape the gentle Julia's eyes;

She saw that Juan was not at his ease;

But that which chiefly may, and must surprise,

Is, that the Donna Inez did not tease

Her only son with question or surmise:

Whether it was she did not see, or would not,

Or, like all very clever people, could not.

This may seem strange, but yet 't is very common;

For instance—gentlemen, whose ladies take

Leave to o'erstep the written rights of woman,

And break the—Which commandment is 't they break?

(I have forgot the number, and think no man

Should rashly quote, for fear of a mistake.)

I say, when these same gentlemen are jealous,

They make some blunder, which their ladies tell us.

A real husband always is suspicious,

But still no less suspects in the wrong place,

Jealous of some one who had no such wishes,

Or pandering blindly to his own disgrace,

By harbouring some dear friend extremely vicious;

The last indeed 's infallibly the case:

And when the spouse and friend are gone off wholly,

He wonders at their vice, and not his folly.

Thus parents also are at times short-sighted;

Though watchful as the lynx, they ne'er discover,

The while the wicked world beholds delighted,

Young Hopeful's mistress, or Miss Fanny's lover,

Till some confounded escapade has blighted

The plan of twenty years, and all is over;

And then the mother cries, the father swears,

And wonders why the devil he got heirs.

But Inez was so anxious, and so clear

Of sight, that I must think, on this occasion,

She had some other motive much more near

For leaving Juan to this new temptation;

But what that motive was, I sha'n't say here;

Perhaps to finish Juan's education,

Perhaps to open Don Alfonso's eyes,

In case he thought his wife too great a prize.

It was upon a day, a summer's day.—

Summer's indeed a very dangerous season,

And so is spring about the end of May;

The sun, no doubt, is the prevailing reason;

But whatsoe'er the cause is, one may say,

And stand convicted of more truth than treason,

That there are months which nature grows more merry in,—

March has its hares, and May must have its heroine.

'T was on a summer's day—the sixth of June:—

I like to be particular in dates,

Not only of the age, and year, but moon;

They are a sort of post-house, where the Fates

Change horses, making history change its tune,

Then spur away o'er empires and o'er states,

Leaving at last not much besides chronology,

Excepting the post-obits of theology.

'T was on the sixth of June, about the hour

Of half-past six—perhaps still nearer seven—

When Julia sate within as pretty a bower

As e'er held houri in that heathenish heaven

Described by Mahomet, and Anacreon Moore,

To whom the lyre and laurels have been given,

With all the trophies of triumphant song—

He won them well, and may he wear them long!

She sate, but not alone; I know not well

How this same interview had taken place,

And even if I knew, I should not tell—

People should hold their tongues in any case;

No matter how or why the thing befell,

But there were she and Juan, face to face—

When two such faces are so, 't would be wise,

But very difficult, to shut their eyes.

How beautiful she look'd! her conscious heart

Glow'd in her cheek, and yet she felt no wrong.

O Love! how perfect is thy mystic art,

Strengthening the weak, and trampling on the strong,

How self-deceitful is the sagest part

Of mortals whom thy lure hath led along—

The precipice she stood on was immense,

So was her creed in her own innocence.

She thought of her own strength, and Juan's youth,

And of the folly of all prudish fears,

Victorious virtue, and domestic truth,

And then of Don Alfonso's fifty years:

I wish these last had not occurr'd, in sooth,

Because that number rarely much endears,

And through all climes, the snowy and the sunny,

Sounds ill in love, whate'er it may in money.

When people say, 'I've told you fifty times,'

They mean to scold, and very often do;

When poets say, 'I've written fifty rhymes,'

They make you dread that they 'll recite them too;

In gangs of fifty, thieves commit their crimes;

At fifty love for love is rare, 't is true,

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