Bill Evans - Banjo For Dummies

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Start from scratch on the five-string banjo Learn how to make your right and left hands work together Explore bluegrass and old-time banjo styles
Thanks to its prevalence in folk and bluegrass, the banjo is almost the very essence of Americana. And now a new generation of musicians from the country, pop, and jazz worlds have made the sound of the banjo new again. This book is for anyone who wants to pay their respects to tradition as well as those who want to create the next chart-topper … or both! Packed with the essentials you need to know—from top techniques to choosing the right instrument—you'll learn, and be able to show off, just why the banjo is
out of style!
Tackle the basics with chords and simple picking patterns Explore historic, traditional, and modern styles Get connected with the banjo world Go beyond the book with online lessons

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8 Chapter 8TAB 8-1: Playing 1st-string clawhammer pull-offs (Audio Track 71).TAB 8-2: Playing double-thumbing patterns (Audio Track 72).TAB 8-3: “Old Joe Clark,” using double thumbing and 1st-string pull-off techniq...TAB 8-4: “Soldier's Joy,” using double C tuning (Audio Track 74).TAB 8-5: “Cluck Old Hen,” using modal tuning (Audio Track 75).TAB 8-6: “Last Chance,” a crooked tune using “Last Chance” tuning (Audio Track ...TAB 8-7: Seeger's basic strum, picking up with the right-hand index finger (Aud...TAB 8-8: “Swing Low, Sweet Chariot,” using the Seeger stroke in G tuning (Audio...TAB 8-9: “Little Birdie,” using the Seeger stroke in G tuning (Audio Track 79).TAB 8-10: “Pretty Polly,” using old-time fingerpicking techniques (Audio Track ...TAB 8-11: “Coal Creek March,” from Pete Steele, using old-time fingerpicking te...

9 Chapter 9TAB 9-1: Scruggs-style roll patterns (Audio Track 82).TAB 9-2: G licks (Audio Track 83).TAB 9-3: C licks (Audio Track 84).TAB 9-4: D licks (Audio Track 85).TAB 9-5: Four common G fill-in licks (Audio Track 86).TAB 9-6: Creating a solo by combining licks (Audio Track 87).TAB 9-7: Playing “Everyday Breakdown,” composed by me (Audio Track 88).TAB 9-8: Playing “Shortening Bread” (Audio Track 89).TAB 9-9: Assigning numbers to the notes in the G-major scale.TAB 9-10: Playing the G-major scale using melodic banjo techniques.TAB 9-11: Playing the C-major scale using melodic banjo techniques.TAB 9-12: “Banjo Cascade” by yours truly (Audio Track 90).TAB 9-13: “Turkey in the Straw,” arranged by me (Audio Track 91).TAB 9-14: “Blackberry Blossom,” a melodic banjo favorite (Audio Track 92).TAB 9-15: Single-string exercise using the right-hand thumb and index finger (A...TAB 9-16: Single-string exercise using the alternating thumb roll (Audio Track ...TAB 9-17: Single-string exercise in 6/8 time using the forward roll (Audio Trac...TAB 9-18: Playing an open-position, single-string, G-major scale (Audio Track 9...TAB 9-19: Playing a 2nd- to 5th-fret-box position, single-string, G-major scale...TAB 9-20: Using 4th- to 7th- and 5th- to 9th-fret-box positions (Audio Track 94...TAB 9-21: Using 5th- to 9th-, 7th- to 10th-, and 9th- to 12th-fret-box position...TAB 9-22: Playing an open-position, single-string, D-major scale (Audio Track 9...TAB 9-23: “Red Haired Boy” played in single-string style (Audio Track 96).TAB 9-24: “Arkansas Traveler,” arranged by me (Audio Track 97).TAB 9-25: “Reno's Rag,” composed by me (Audio Track 98).TAB 9-26: “Winston's Jig,” composed by me (Audio Track 99).TAB 9-27: “The Distance Between Two Points,” composed by Bill Evans and Corey E...

10 Chapter 10FIGURE 10-1: Barred A chord.TAB 10-1: G-C-D with barre shape (Audio Track 101).FIGURE 10-2: F chord diagram.TAB 10-2: G-C-D chords with F position (Audio Track 102).FIGURE 10-3: D chord diagram.TAB 10-3: G-C-D with D shape (Audio Track 103).TAB 10-4: G-C-D moving from F to D shapes (Audio Track 104).FIGURE 10-4: Charts for G major and G minor chords (Audio Track 105).TAB 10-5: Playing a G major chord and moving to an A minor chord (Audio Track 1...FIGURE 10-5: Charts for an E major and an E minor chord (Audio Track 107).TAB 10-6: Playing a G major and an E minor chord (Audio Track 108).FIGURE 10-6: Shifting from a D major chord to a D minor chord (Audio Track 109)...TAB 10-7: G-C-D progression with F-shape vamping (Audio Track 110).TAB 10-8: Vamping to “Red River Valley” using F and D shapes (Audio Track 111).TAB 10-9: Vamping to “Blackberry Blossom” using F and D shapes (Audio Track 112...

11 Chapter 11TAB 11-1: Playing “Pompey Ran Away,” a clawhammer version of an 18th-century Af...TAB 11-2: Playing “Juba,” a minstrel banjo piece from 1865 (Audio Track 114).TAB 11-3: Playing “Hard Times,” a minstrel piece from 1855 (Audio Track 115).TAB 11-4: Playing “Colorado Buck Dance,” a classic banjo piece from 1898 (Audio...TAB 11-5: Playing “Banjoisticus,” a classic banjo piece from 1909 (Audio Track ...

12 Chapter 13FIGURE 13-1: An open-back banjo (a, b) and a resonator banjo (c, d). FIGURE 13-2: Measuring string action: 1/8 inch for a bluegrass banjo (a) and 1/...FIGURE 13-3: Measuring bridge height: 5/8 inch or more is best. FIGURE 13-4: Measuring string spacing: Around 7/8 inch between the 1st and 4th ...FIGURE 13-5: External (a) and internal (b) geared tuners. FIGURE 13-6: Friction (a) and geared (b) 5th-string tuning pegs. FIGURE 13-7: Banjo tone rings. From left to right: arch-top, flathead, Tubaphon...FIGURE 13-8: A banjo pickup attaches to the banjo's coordinating rods. FIGURE 13-9: Three electric banjo options: the Nechville Meteor (a), the Deerin...

13 Chapter 14FIGURE 14-1: Hard-shell banjo cases. FIGURE 14-2: A lightweight gig bag. FIGURE 14-3: Flight cases offer the best protection for your banjo. FIGURE 14-4: Loop-end (a) and ball-end (b) strings. FIGURE 14-5: A typical five-string banjo string set FIGURE 14-6: Different varieties of capos allow you to raise the pitch to play ...FIGURE 14-7: Placing the capo right up against the fret (a); tightening the cap...FIGURE 14-8: Pushing down on a string near the bridge to lower a string’s pitch...FIGURE 14-9: Using a slide-mounted 5th-string capo (a) or a railroad spike (b) ...FIGURE 14-10: An internal Microphone tuner. FIGURE 14-11: Metronomes of different shapes and sizes (a); a drum machine (b)....

14 Chapter 15FIGURE 15-1: Use a pencil to lubricate the string slots in the bridge (a) and p...FIGURE 15-2: Loop-end string fit on old-time (a) and Presto-style/bluegrass (b)...FIGURE 15-3: Attach the 1st string to the tuning post from the center of the pe...FIGURE 15-4: Kink the 1st string toward the center of the headstock to prevent ...FIGURE 15-5: Wrap the string in downward circles around the post while guiding ...FIGURE 15-6: Wrap the excess part of the string back around the post (a) and we...FIGURE 15-7: The 12th-fret harmonic on the 1st string. FIGURE 15-8: The banjo pot. FIGURE 15-9: A banjo bracket wrench (a); using the wrench to adjust the bracket...

15 Appendix AFIGURE A-1: First position major and minor chords.FIGURE A-2: 6th, 7th, minor 7th, and 9th chords.FIGURE A-3: A movable banjo chord position chart.FIGURE A-4: 1st string: Open D.FIGURE A-5: 2nd string: Open B.FIGURE A-6: 3rd string: Open G.FIGURE A-7: 4th string: Open D.FIGURE A-8: 5th string: Open G.

Guide

1 Cover

2 Table of Contents

3 Begin Reading

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